The bard joins the entertainment industry

After breakfast, Chen Rui and Shu Chang went to school, while Chen Shuo, Liu Yifei, and Liu Xiaoli went to the crew hotel.

Lin Chaoying, played by Liu Xiaoli, also needs to have a fight scene with Wang Chongyang, so she also needs a little training.

After arriving at the location, those who stayed on the crew will train in the hotel, and Zhao Jian will arrange the direction of everyone's training.

Chen Shuo, Liu Yifei, and Meng Guangmei have the most fight scenes in the drama, and they also need the most training.

Of course, almost everyone has a fighting scene in the whole drama, but because there are so few scenes, it seems that there are not many fighting scenes.

"Bah bang bang~" Seeing that everyone was here, Zhao Jian clapped his hands and said, "Okay, those who started training yesterday will continue training according to yesterday's plan, and the rest will wait where they are."

Zhu Yawen and others said hello to Chen Shuo and went to train. They had nothing to do yesterday, so they came directly to train.

Whether it's Xiao Wu or Cheng Ying, they all need to have fighting scenes.

On the other hand, Liu Yang, who plays Gongsun Lu'e, has no fighting scenes and is reading the script seriously.

"Chen Shuo, come." Zhao Jian waved to Chen Shuo.

"Director Zhao."

"We all know your abilities well. Those who are capable work hard. You can design your own movements.

Then point out the movements of Yifei, Li Mochou, Cheng Ying, Lu Wushuang, Guo Fu, Yeluqi, Yeluyan, and Wanyanping. "

Chen Shuo couldn't help being stunned when he heard this, and said: "Director Zhao, you are the action director of this film? Why did you leave this matter to me?"

"Those who are capable work hard. Their movements are basically related to you. Wouldn't it be comfortable to fight if you designed them yourself?"

Zhao Jian patted his arm and said, "Besides, I'm not letting you do this work alone. I've found a helper for you."

He waved behind him and shouted: "Pingchuan, Tianle, come!"

"Here we come." Shen Pingchuan and Yang Tianle came to Chen Shuo, bowed and said: "Director Chen, from now on we brothers will do whatever Director Chen says."

Chen Shuo said dumbfounded: "Brother Shen, Brother Yang, when did I become Director Chen again?"

These two people are very talented. When Chen Shuo created "Lingbo Weibu", they were both good at practicing it.

It was originally intended to be Lin Zhiying's stand-in, but then Chen Shuo was cast as Duan Yu, and the two of them had no room for performance.

However, due to their natural abilities and the fact that they practiced "Lingbo Weibu" with Chen Shuo for a period of time during the previous filming, they have outstanding abilities in designing body and footwork.

Now he is Zhao Jian's right-hand man.

Zhao Jiandao: "Don't be ink. There are a lot of fighting scenes in this movie. If you don't train during the training camp, you will be tortured to death during filming."

I’ll just add your name to the action director later.

Not only the two of them, but also the martial arts under their control are all under your command. You design the movements and let them teach them. "

"I remember our company also sent people here? Are we still short of manpower?"

Zhou Yi also invested in this drama. After all, it is a guaranteed profit, and all its own shareholders have starred in it. Why not invest?

It's just that Zhang Jizhong has a strong desire for control, and Jiang Xuerou focused her energy on "Jingwei Reclamation" and "Li Wei's Resignation", so she didn't get involved.

However, Zhou Yi is now not only strong in screenwriting. With Li Dachao, Yang Junyi, and Zhang Jin, Zhou Yi's action design is also very outstanding, and it has a professional martial arts team.

After training in many works such as "The Best in the World", "The Legend of White Snake", "Little Fish and Flowers", "The Wizard of Shadows" and so on.

The strength of Zhou Yi's martial arts team has greatly increased. Not only has it recruited various talents, but its overall level is also not weak.

Although it is not as good as Cheng Jiaban and Yuan Jiaban, it is not bad compared with famous action directors like Zhao Jian who work alone.

In order to film this drama well, Zhou Yi also sent many people.

"We have sent people, but they are not the only ones who need training." Zhao Jian explained: "You also know that the people I assign to you are all characters who are close to Yang Guo.

Among other things, aren’t there a lot of characters from Xiangyang and Mongolia?

Okay, that’s it, I’ll add your name later. "

Zhao Jian said and turned around and left to arrange the training of others.

In fact, he also had his own selfish motives for doing this.

The people sent by Zhou Yi already had their own characteristics. He put them under his men because he wanted to let his own people learn from their strengths.

When Shen Pingchuan and Yang Tianle were assigned to Chen Shuo and made him a martial arts instructor and assistant action director, they also wanted them to learn more from Chen Shuo.

In his opinion, Chen Shuo, despite his young age, has a good foundation, great abilities, and a flexible mind.

If he can create moves like "Lingbo Weibu", who knows if he will create any other good routines? Once Shen Pingchuan and the others learn it, won't it become his?

Another thing is that both of them are very talented people. If they learn more and think more with Chen Shuo, if they become more capable in the future, his Zhao family class can also take a step further, right?

He felt that it was worth it in exchange for so many benefits for just one name.

If Chen Shuo's identity hadn't been different now, he would have thought of abducting him and becoming the deputy head of the Zhao family class.

Seeing this, Chen Shuo no longer refused. He said that he had been willing to participate in some behind-the-scenes work since the beginning of the year.

When filming "Sword of Immortal", he often designed actions with Li Dachao, Yang Junyi, Zhang Jin and others.

When it came time to film "A World Without Thieves" and "Initial D", he learned acrobatics and drag racing from Jiang Daohai, Zhou Ting and others.

Now that he can experience the work of an action director while filming "The Condor", he is naturally willing to do so.

Chen Shuo turned to Shen Pingchuan and said, "Brother Shen and Brother Yang, I have to ask you to take more trouble next time."

The two of them said with joy on their faces: "That will be Director Chen's orders from now on."

Since the work is given to two people, it proves that they can learn more.

Although Chen Shuo is young, the two of them are familiar with him and know his abilities, so they don't feel any shame at all.

Chen Shuo nodded in agreement. Since he decided to be the action director, he would also accept Director Chen.

Being able to be named as the action director of "The Condor" is also a good qualification for him.

"Brother Shen and Brother Yang, please demonstrate the movements you designed for everyone first. Let's see if there is anything that needs to be changed."

Shen Pingchuan said: "Looking at these characters, I believe Director Chen should also know that their movements are all agile.

Li Mochou was from the Ancient Tomb Sect, and even the Five Poison Divine Palms were made gentle and delicate by her, which shows that her kung fu must be beautiful.

Not only her, you, Miss Liu and Lu Wushuang are also from the Tomb Sect, and they all came out in the same way.

Cheng Ying was born in Peach Blossom Island and practiced Yuxiao Sword Technique, Luo Ying Shen Sword Palm, Orchid Acupoint Brushing Technique, etc. Guo Fu did the same.

Yelu Qi and Yelu Yan both learned Quanzhen sect Kung Fu from Zhou Botong, and their methods followed the Kong Ming Quan method.

In the end, Wan Yanping didn't say that she had learned much skill, but as a girl, she was right to move towards being light and elegant.

Generally speaking, the actions we designed in this part are all designed to look good. "

"Is there a complete set of actions now?" Chen Shuo asked.

"No, I just have an idea." Yang Tianle said: "Our idea is to refer to Lingbo Weibu for body skills and footwork, and to refer to Baguazhang and Tai Chi for boxing, palm skills, and weapons.

Needless to say, Lingbo Weibu was created by you. It is smart and elegant and looks good when walking.

The Bagua Palm has a body like a swimming dragon and is famous for its palm skills. It can be used as the Five Poison Divine Palm, the Falling Heroic Sword Palm, the Three Wus and Three Bu Hands, and the Heaven and Earth Network.

The ethereal changes of Tai Chi are the best basis for deducing Quanzhen Kung Fu and Kong Ming Quan.

There is also a Taiyi whisking skill in Tai Chi, which is most suitable for designing Li Mochou's whisking skill. "

Chen Shuo nodded, feeling that it was indeed what he said. If he followed this idea, the designed movements would definitely fit the character and be beautiful.

only……

"That's not right. Weren't kung fu techniques such as the Fallen God's Sword Palm designed before? Can't we just apply the original ones?"

Shen Pingchuan said: "It's okay to directly apply the original version, but wouldn't it be better if we could innovate from the original version?"

While explaining in his mouth, he thought to himself: "If we really use the original one, what else can we learn? Naturally, we have to re-examine it, and we can learn as much as we can."

"That's okay, then let's start with the Kung Fu of Peach Blossom Island." Although Chen Shuo could understand the plans of Zhao Jian and others, he also wanted to learn their action design experience.

After all, Zhao Jian has been an action director since the 1990s and has won many awards.

Although he is not as famous as Yuan Baye and others, his experience and ability naturally have merits.

"The Swordsman", "The Legend of the Condor Heroes", "Dragon", "Lotus Lantern" and many other works, the movements all look very beautiful and artistic.

Liu Yifei and Liu Xiaoli went to follow the martial arts to practice basic skills and move their bodies, while Chen Shuo, Shen Pingchuan and Yang Tianle rehearsed the moves together.

He also wanted to take this opportunity to re-create some of the dance steps in the famous works handed down from generation to generation.

There are not many dance steps in the masterpieces handed down from generation to generation, except for the "White Night Vine Dance", "Twenty-three Step Dance", "Peacock Pageant", "Endless Waltz of the Elders", "Elegant Festival Dance", " "Cat Walk" and "Dance of Desire".

There are only two more chapters, "Moon's Waning Parale" and "Paradise Flowers Blooming Paravi".

Among them, "Twenty-three Step Dance" has been completely transformed into "Lingbo Weibu".

In other words, all the artistic conception and abilities contained in "Twenty-Three Steps of Dance" are included in "Lingbo Weibu".

Of course, it’s not just the dance chapters where you can understand the movements, you can also understand the songs and even the performance chapters.

Such as "Solo of the Spirit of the Wilderness" and "Kun Yue Beiming", which Chen Shuo, Liu Xiaoli and Wang Yabin had previously turned into dance movements.

be able to exert some of its effects.

The first thing the three of them started to reproduce was the Luo Ying Shen Sword Palm. According to the description in the book, this set of palm skills was learned by Huang Laoxie from the Luo Ying Shen Sword sword technique.

When the palm is released, it is like falling flowers, with palm shadows in all directions, five empty and one real, or eight empty and one real, just like a sudden strong wind in a peach forest and thousands of flowers falling.

The beauty is that the posture is elegant, like dancing, and the palm is as sharp as a sword.

It can also be used together with the orchid brushing hand, the fingers can be turned into palms, and the palms can be turned into fingers.

These two sets of kung fu are not difficult for Chen Shuo.

After watching the old version of Luo Ying Shen Sword Palm and Orchid Acupuncture Hand practiced by Shen Pingchuan, they just combined the movements of Lingbo Weibu, Six Meridians Divine Sword and Baguazhang to create these two kung fu.

In addition, he had actually seen this Kung Fu in his dream.

When the Quanzhen Seven Sons of Yanyu Tower fought against Huang Laoxie, Zhen Zhibing had personally faced these two sets of kung fu.

In less than an hour, Chen Shuo began to integrate all the materials and started practicing.

Flying flowers in the river city, violent rain and violent wind, pear blossoms in the rain, peach blossoms and flowing water, flying snow and plum blossoms, orchids in the empty valley, etc. are used one by one.

The Orchid Acupoint Brushing Hand and the Luoying Shenjian Palm were used together. I could see that he was elegant in his movements, had a leisurely demeanor, was understated, and acted as if nothing had happened.

When the palm comes, it is like falling flowers, and the place where it touches is like spring orchids. It is indeed a sharp move and a graceful appearance.

Shen Pingchuan and the two men were amazed when they saw it.

Of course, these two sets are said to be kung fu, but in fact they are just routine movements used for filming.

It cannot become an extraordinary work like Lingbo Weibu.

However, it is impossible for Chen Shuo to create so many extraordinary works for one play.

The two sets of moves look good, so it's fine if they can be used as a combo.

The two called two female martial arts practitioners, and the four of them learned from Chen Shuo. After mastering the martial arts, they taught Wang Jia and Chen Zihan.

It doesn’t require two people to really practice well, as long as they can memorize the movements and be able to do them one by one for shooting.

With the palm technique, it will be much easier to deduce the sword technique.

Since ancient times, Chinese martial arts have said that they turn weapons into fists and kicks.

Putting down the weapons is the martial arts of fists and kicks, and picking up the weapons is the martial art of going into battle to kill the enemy.

Picking up a sword and just combining it, a set of Luoying Divine Sword, or even the Yuxiao Divine Sword, was created.

He also taught martial arts to two women and asked them to teach Wang Jia and Chen Zihan.

For martial arts practitioners with solid basic skills, as long as they find the trick, such movements are not complicated.

After all, in order to learn from Chen Shuo, the people Zhao Jian sent here had learned at least a dozen or twenty sets of martial arts routines.

For example, Shen Pingchuan and Yang Tianle not only learned many routines, but also started to create routines themselves.

Next, Chen Shuo and the two of them created "Kong Ming Quan" based on Tai Chi.

Kongming Quan is a seventy-two-step boxing technique created by the old naughty boy Zhou Botong from the Tao Te Ching.

It is known as the most gentle and gentle boxing technique in the world.

Naturally, it was impossible for the three of them to create all of them. Chen Shuo had never seen Kong Ming Fist in his dream.

Just use the dodge ability of Lingbo Weibu and cooperate with the movements of Tai Chi Push Hands.

Develop a boxing technique that can receive hair.

When the enemy strikes, first use the dodge ability incorporated into the boxing technique to catch the opponent's punch in vain, preventing it from landing.

Then use push hands to turn the energy into force, leading the opponent to use old fists, all the power will be eliminated, and in turn use his strength to fight back.

Seeing Chen Shuo's Kong Ming Fist, Shen Pingchuan couldn't help but his eyes lit up and said: "Director Chen, based on this principle, is this boxing technique really used for fighting?"