The Creator of the Second Dimension

In April, spring returns to the earth.

Days of warming make people feel as if winter has entered summer all of a sudden, but the sudden drop in temperature drags people back to cold winter. From time to time, magical scenes of down jackets and short sleeves appearing on the street at the same time, and the number of people wearing masks is gradually increasing. The unpredictable weather makes people love and hate it.

"Steel Magician" finished broadcasting at the end of March, and its ending has been talked about. Wu Yi director has no work this season, but his new work has already had a promotional image. It is a superhero-themed animation named "Wolf" With Cats.

No more specific information has been disclosed, but people are guessing how wonderful the old-fashioned theme of superheroes can be performed under the hands of martial arts directors.

In addition, April animation is also worth looking forward to.

Rainbow Media's "Black Exorcist" is a collection of gorgeous Gothic elements, adapted from the popular comics of "Weekly Twenty-Four Grids", and has attracted much attention.

"White Wave" by iCraft Animation is an animation about mercenaries and killers. The scenes full of violent aesthetics in the trailer are very addictive.

There are also "Monster" such as Shuiyu Animation, which is an animation drawn in a classic ink style, telling the story of monsters, and the unique art style attracts attention; Mushroom Yinghua's sports-themed animation "Basketball Boy", adapted from "Weekly Magazine The famous basketball cartoon of "Youth Frontline", the original work is one of the pillars of "Weekly Youth Frontline"; the first animation "Throne of Thorns", the promotional song of this original animation is extremely amazing, and the setting is also fashionable.

A total of 36 animations were aired in April, which was 50% more than the 20 animations in January, making animation lovers completely overwhelmed.

"Have you watched "Strange" last night? I still feel a little creepy when I think of that story."

Tao Ran from the original animation group stretched his waist and asked casually.

"Ah, that's it. Indeed, what is more terrifying than monsters is the human heart in troubled times."

Gao Senmiao, who was pasting the positioning pin, immediately replied that after the animation of "Soul Eater: Zero", Li Ruoxuan came to the editorial department much less often, and Gao Senmiao became one of the people who made the atmosphere active.

"Xu Yang, have you read it?"

She poked Xu Yang next door again, the thin boy paused, then looked away and said.

"I'm not interested in the subject matter."

"You don't dare to watch this kind of supernatural monster theme."

Gao Senmiao joked, and looked at Xu Rui again.

"Boss, have you seen it?"

Hearing this, Xu Rui put down the manuscript in his hand and replied.

"Look, to be honest, I really admire Shuiyu Animation. They dared to use the style of full ink to make animations, and they succeeded. Sure enough, no company should be underestimated."

After he finished speaking, he checked the draft in his hand again. This is the performance draft of part B. In the forty-five minutes of animation, this is the second half, twenty-two and a half minutes of animation content.

Since it is a medium-length animation, Xu Rui first decides the script, then draws the storyboard of the entire animation, and then completes the performance draft of Part A, which is handed over to the next staff for production, while continuing to complete Part B by himself. Draft.

This is also because Xu Rui knows what's in his mind, so he can control a 45-minute animation with a complete story.

"The performance draft for part B is finished, let's go to the conference room for a processing meeting in half an hour."

Xu Rui said, looking at Yi Qianqian who was drawing the original painting.

"Um."

Yi Qianqian didn't stop her hands, but nodded slightly.

She has three screens, the middle one shows the picture being drawn, this is the scene of a female doctor in a white coat passing through the corridor, the left side is some pictures of reference materials, and the right side is the scene that has basically been designed .

If you don't observe this scene carefully, it is easy to mistake it for a photo. If you look closely, this is the scene in the laboratory of the Forensic Medicine Research Center of Ningjiang Medical University.

Different from simply taking photos, Xu Rui used cameras to let Deng Shixin make a 3D model of the laboratory, which almost perfectly restored every corner of the laboratory. Artists can use this model to refer to various perspectives to see the past laboratory. While avoiding painting mistakes, it also enhances realism.

Xu Rui's requirements for this animation are different from those of "Soul Eater: Zero". If "Soul Eater: Zero" is a purely commercial animation full of various animation techniques, then this animation about forensics is even more important. For realism.

Xu Rui's standard is a photo-level background, realistic characters and light and shadow, and strives to be the best at no expense.

On the one hand, with the funds provided by his superiors, he is not short of money at all. On the other hand, he also wants to squeeze the strength of the current Fantastic employees, and see how far the current Fantastic Animation can complete works, for the next generation. An animation lays the foundation.

Half an hour later, in the conference room, Xu Rui took out the performance draft of Part B.

"This scene is a bit troublesome, and you may need to find some reference films."

"Would the camera movement here be better in another way?"

"The number of sheets for this episode may need a lot, after all, it is a climactic plot."

A series of discussions took place in the conference room, mainly about painting. Xu Rui decided which parts needed more original paintings to focus on expressing acting skills, and which parts were not so important.

"Speaking of which, in the end, the ending song is inserted here while the plot continues. It's very movie-like."

Yan Zhe said that he had worked in a film and television company for several years before, and had also been exposed to a lot of film production content.

"That's right. In order to save money, the ending songs of general animations are used as cards. There are very few works that use the ending songs as background music, but the plot of the screen is still going on."

Cheng Ke nodded and said, then looked at Xu Rui.

"Speaking of which, have you chosen the ending song? According to the current performance draft, this song should have a certain sensational ability, the melody is also very beautiful, and it won't overwhelm the guest."

"To Me Ten Years Later" created by Xu Rui has become a KTV regular track after "Soul Eater: Zero" was broadcast, and it is popular among young people. Qu has no idea.

"Yes, I have already completed the preliminary composition work, and the rest is to arrange the music and find a suitable singer to sing."

Xu Rui nodded. There was already the most suitable song, so he naturally didn't have to worry about it. He just needed to modify the lyrics to suit the plot.

"Hey, really? Really, so you can write songs, Boss?"

Gao Senmiao opened her eyes wide and leaned out slightly.

"If you don't mind, I can tell you later."

Xu Rui smiled, and then said.

"The title of the song is 'Lemon'."