The Director of Music Department

He Jun looked at Wang Yifan with resentment on his face and said, "I'm not the number one box office player in Huaguo. Although the statistics are very beautiful, you know that I was put on the crater of a volcano, and everyone is waiting to see me go down!" How can a movie collapse."

Wang Yifan couldn't help laughing and said, "No way, no way!"

"However, are you really not tired? Do you need to rest for a while?" Wang Yifan asked again.

He didn't believe in filming "Wolf Warrior", and He Jun didn't feel tired.

In China, making commercial films puts enormous pressure on directors.

Because, after shooting during the day, the director can't rest when others are resting. He has to review the materials shot during the day and prepare the shooting plan for the next day.

If it doesn't work, you have to retake it, and so on and so on.

It can be said that everything needs to be done by the director himself.

In this regard, the domestic director-centered system does have serious drawbacks.

In Hollywood, it's actually not that tiring, because most of the time, directors don't need to be so tiring.

After all, a producer in Hollywood is not like in Huaguo, it is basically a decoration.

I have no say in the movie at all.

In Hollywood, it's usually the producers who do the review!

Of course, most directors in Hollywood are probably envious of the great power of domestic directors.

After all, domestic crews and directors, unless they are directors of tool people, basically, directors are the biggest.

"Tired, but I'm more worried that there will be no filming." He Jun said.

"No filming? I'm afraid that the notebooks that I want to ask you to film now can fill your house?" Wang Yifan said angrily.

"Hey, that's right, there is no good book, so, that "Operation Red Sea"..." He Jun said a little embarrassedly, and then looked at Wang Yifan with hope.

"You don't feel tired, of course I don't care, the script will be filled in by the screenwriter later, for you, in fact, there are many things in "Operation Red Sea", which overlaps with "Wolf Warrior", so it is most suitable for you to continue filming That's it." Wang Yifan said with a smile.

"Operation Red Sea" can be said to be another version of "Wolf Warrior".

However, in comparison, the box office potential of "Operation Red Sea" is difficult to compare with "Wolf Warrior".

He Junxi left with a smile on his face.

For him, the achievement of "Wolf Warrior" is indeed an honor, but it is also a pressure.

However, with "Operation Red Sea" as his sequel, he was finally relieved.

As for Hollywood, anyway, He Jun felt that he had already hugged Wang Yifan's thigh. If there was a suitable opportunity, how could he not consider himself?

Wang Yifan is destined to be very busy tonight.

In fact, these domestic directors who have worked together, although Zhao Dongming seems to have put down the bait, Hollywood A-level productions, but in fact, relatively, compared to Ahri Media’s earlier achievements, they are still more willing to trust Wang Yifan’s side .

Of course, it doesn't mean that no one is tempted.

However, Zhou Zhan was the first to find him, which really surprised Wang Yifan.

Because, in Wang Yifan's opinion, Zhou Zhan is not the most urgent kind. After all, Zhou Zhan is not exactly a commercial film director.

He himself is actually a great director of literature and art.

In fact, what he is best at is not a commercial film.

Among the many great directors, Zhou Zhan is actually the weakest in terms of commercial achievements.

But as the saying goes, a hundred flowers bloom and a hundred schools of thought contend, Zhou Zhan has his own reasons for being unique among many great directors.

What Zhou Zhan is good at is the balance between business and art, although it is still difficult to achieve now, but the same skill makes Zhou Zhan's movies often different from commercial popcorn movies.

According to some viewers, that is, if other commercial movies are popcorn, then Zhou Zhan's movie is the kind of popcorn that is more chewy.

Something to reminisce about occasionally.

But for people like Zhou Zhan and others in the literary and artistic film industry, in fact, domestic films are still dominated by commercial films.

Literary films, it can be said, are in decline.

The main reason is that the movie market in Huaguo is currently exploding, but what has exploded is the movie box office market.

Generally speaking, commercial films are becoming popular, and the film industry is beginning to explode. It seems that it is also an opportunity for literary films, right?

The same is true of the facts. In fact, the domestic film market does not mean that literary and artistic films cannot be tolerated.

But the audience is something that cannot be cultivated in a short period of time.

In Hollywood, there is a dedicated art movie theater chain. The reason why it can continue to operate and become a norm is actually because they have cultivated a group of audiences with a relatively high level.

These people are usually the main audience of art movie theaters.

In fact, in China, the biggest problem is not that the country does not support it, or that there is no living space for art films.

It's because domestic movies have just started and they are rising too fast. As a result, audiences, or those audiences, still have an attitude towards movies that is mainly entertainment, and has not risen to the level of appreciation.

For this reason, filmmakers in the domestic literary and artistic circles often go out. The domestic film awards, very interestingly, usually do not give these literary and artistic films too many opportunities.

As a result, Zhou Zhan and his group of early literary and artistic film directors became a little embarrassed.

In the early years, when the domestic market hadn't actually risen, these literary and artistic film directors were still doing very well.

At that time, on the contrary, commercial film directors have been suffering.

Because commercial films usually require a larger investment, but at that time, the domestic film market was very small, and it was impossible to pay back.

On the contrary, it was a literary film. At that time, because the domestic literary film directors, their concepts and ideas were all influenced by European film images.

Therefore, on the contrary, the films they make are usually accepted by the three major European film festivals.

For this reason, they went to film festivals, mixed awards, and then sold overseas copyrights, which made their lives extremely comfortable.

But today is different.

The three major film festivals in Europe began to approach Hollywood more and more, and were influenced by Hollywood.

In the early years, it was the Berlin Film Festival, which was tough enough to reject promotional advertisements from Hollywood movies and the like.

But as a result, after that year, the influence of the Berlin Film Festival dropped sharply.

In the end, it was a compromise with capital.

And because literary and artistic film directors from more and more countries have begun to take the route of the three major European film festivals, the result is that there are naturally more monks and less flesh. Every year is less and less.

This makes their life more and more difficult.

Those who know how to be flexible began to switch to making commercial films, but they soon discovered that commercial films were never better than literary films.

The result is even more embarrassing!