The Director of Music Department

Even, it will make people have a kind of:

"This brat is really annoying and should be thrown away..."

"Yeah, when will you be abducted by human traffickers? I'm afraid it's enough for human traffickers, right?"

Don't think the audience is cruel. In fact, many times, people always look at problems from their own standpoint.

Of course, this is also the original intention of making the movie "Dear".

No matter how bad a child is, it is just a child, and it is still a treasure in the hands of parents.

It is difficult for people who have not experienced and experienced such things to understand.

Maybe a bear child, parents will often complain, my family's bastard is really annoying to people, but if their bear child is bullied, they will immediately change their face.

Of course, the older generation and the current younger generation have completely different views on children.

For the older generation, it is their pursuit to have more children, pass on the family line, and prosper the family. No matter how poor or miserable they are, they still want to have children.

Even family planning can't stop people from stealing babies.

Because people in that era, they pinned their hopes more on their children, but for young people today, "children" may be considered a burden...

Even if the two-child policy is liberalized, many people do not want to have children. The times are different, and the thoughts and concepts created are also different.

Ten or twenty years earlier, if you mention DINK, it is guaranteed not to kill you.

But now, today, many people pay more attention to self-enjoyment, and children are more of a burden to them, asking for trouble.

Su Zhijun heard the other audience in his ears saying that this brat deserved it for losing it, and he was in a bad mood.

how so?

Why do you think so?

For Su Zhijun, first of all, he himself is the father of the child, and secondly, although he can't understand the feelings of the parents who lost their child, he knows that if his child is lost, he will definitely go crazy.

But why, the young audience next to him would think this way, it's too scary.

Su Zhijun couldn't help thinking, perhaps, it's good if there are more movies like "Dear", at least it can make these people realize that no matter if they are a child or not, they are still the treasure of every parent.

The plot progressed slowly. On the screen, Tian Wenjun and Lu Xiaojuan were arguing fiercely. Tian Wenjun said casually: "The difference between us is that I accept my fate, and you don't."

In fact, another theme of "Dear" that runs through the entire film is this: Do you accept your fate?

Of course, many ordinary viewers don't think so much at this time.

"Dear" is not a purely commercial film, it is a realistic film.

In fact, the reason why many realistic movies are not well shot, or that audiences don’t like to watch them, is because, usually, the progress of the plot of this kind of movie is not as fast as that of blockbuster movies. This kind of movie pays more attention to reality and more Attention to detail.

Now that the movie is here, many film critics and media people are more patient. On the contrary, they feel that "Dear" is very good in terms of details.

But for ordinary audiences, many ordinary audiences don't have that much patience when watching movies, and the eloquent and slow-paced narrative technique of "Dear" obviously cannot make people who are used to fast-paced explosive dramas feel uncomfortable. Ordinary audiences of Mi Hua movies are somewhat unacceptable.

"Hey, didn't you say the movie about fighting abduction? Why did the parents always keep it short?"

"It's been so long, and the child hasn't been lost yet."

Yes, for ordinary viewers, unless they really watched the movie, otherwise, the matter of losing a child is actually no different from the murder and arson in the movie.

Because I have seen a lot, I don't think there is anything to say about this kind of thing.

But the fact is that those shootout movies would never happen in reality, but here, it happened in reality.

With these trivial plots, the audience slowly began to understand the background story of Tian Wenjun and his wife, and the gears of fate slowly began to turn...

When Tian Wenjun asked Pengpeng to go out to play with the children in order to deal with the random disputes that occurred in Internet cafes, when Lu Xiaojuan happened to drive past the kindergarten where Pengpeng was playing, there were many people, even ordinary audiences who didn't care. At this moment, I couldn't help but be tensed by the atmosphere created by the movie!

When the child disappeared, Tian Wenjun began to call the police, his anxious, nervous, flustered, bewildered, and tranced tone was shown in a close-up on the screen. It was gone, as if the whole world had collapsed.

People are not ruthless, even ordinary audiences, even those who complained about the slow pace of the film before, even those who said before that this brat didn't lose, at this moment, the expressions on their faces froze, and they began to Sit up straight and focus on the screen.

Tian Wenjun's various reactions, helpless and desperate look, can also touch their hearts.

And film critics and media people.

————

Lin Ke and Su Zhijun also had different reactions.

Lin Ke remembered an incident he had encountered, which was the first time he had come into contact with this kind of incident.

That time, he was going to interview another incident, but when he saw a man running out in a hurry, his reaction was almost as if Wada Wenjun had retreated.

Lin Ke couldn't help but nodded, it seemed that the movie was really well thought out.

It would have been difficult to produce this effect if it hadn't been done with care, if it hadn't been for in-depth investigations, and if it hadn't been in contact with the real parents who lost their children.

This made Lin Ke look forward to the next plot even more.

But Su Zhijun was in a daze. He had interviewed parents who had lost their children, but that was after the fact, so what he saw were parents who had been looking for their children for a long time, and Tian Wenjun had just lost their children in this scene.

He also noticed that the audience next to him who had made sarcastic remarks before, at this moment, the smile on his face disappeared, and his eyes were fixed on the big screen.

Perhaps, my insistence is wrong?

Su Zhijun had some doubts about his previous views!

However, Su Zhijun quickly dispelled this suspicion. When he saw Lu Xiaojuan scolding Tian Wenjun for being hysterical in the police station, a young audience's disdainful voice came from behind him inappropriately.

"Isn't this too fake? As for?"

"As for being so excited? These two are so young, wouldn't it be over if there is another one? It's like the end of the world?"

Su Zhijun wished he could go up and grab him and beat him up!

Just, are they cold-blooded? In fact, it is not cold-blooded. Many people think so in their hearts. Many young audiences do not know what is important about children.

Su Zhijun, looking at the big screen, felt extremely complicated.

He admitted that the film was not bad, but thinking of the audience's indifferent reaction to the plot shown in the film, he felt more and more that this kind of film should not be made at all.

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