The Director of Music Department

Everyone began to feel the pain and despair of losing a child and becoming a parent from the superb acting skills of the actors.

To feel the vast, endless void that loss brings... despair.

No matter how much I struggle, resist, and work hard...it can only come to naught again and again.

Do you believe in fate at this time? Have you seen the ruthless face of "Destiny"...

It can be said that what the film shows up to this point is all despair and darkness, without any light!

This made the atmosphere on the scene even more depressing.

Yes, since the loss of the child, it seems that Tian Wenjun and his wife, and other parents looking for their children, met and saw the darkest side of human nature.

What is presented to the audience is endless despair, which makes people see no hope.

Such a movie, Su Zhijun shook his head, this is definitely not a steamed bun dipped in human blood.

Because this kind of movie is really not commercial at all, the audience at the scene, including him, was extremely depressed, and there was an urge to vent crazily.

However, "Dear" is a realistic movie, a movie adapted from reality.

These dark and hopeless people are certainly part of society, but at the same time, this world not only has darkness, but also has light.

Human nature is ugly and dark in many cases, but at the same time, it also has brilliance.

Not everyone is bad, and there are good people.

And these are what "Dear" wants to show.

Darkness without light is incomplete and unreal.

There is light without darkness, and it is incomplete and false.

Only the alternation of darkness and light is eternal.

Finally, the brilliance of humanity began to flicker.

Tian Wenjun got help. An ordinary peddler gave him the most crucial clue, but refused 200,000 in return.

Ask yourself, if it were me, would I be like that peddler?

The small vendor is not a big man, he is just an insignificant little man, but at this moment, the light on him is unmatched by many big men.

His appearance has injected a bright color into the movie, making the world no longer full of despair, human nature is no longer only ugly, but also glorious!

The camera turns to an ordinary farmyard in the countryside, children feeding geese, and the silhouette of a woman choosing vegetables in a dark kitchen. Everything seems normal.

But the audience is full of expectations.

Because the clues given by the small vendor before may be true!

The moment they saw the child, all the audience took a deep breath, like someone who had been struggling underwater for a long time, finally breathed out, the child was found~!

—————

Many people couldn't help but breathe a sigh of relief.

It's just that many people frowned, and the child was found?

But it seems that the movie is only halfway through?

How will the next plot continue?

Of course, this is only the hesitation of a small number of people. The vast majority of audiences would not care about so much. At this time, they are no longer watching a movie, but are immersed in the world created by the movie.

Their eyes always followed Tian Wenjun and his wife.

When Tian Wenjun picked up the child and ran wildly, he was chased, beaten, and cursed by the whole village.

The audience clenched their fists and their lips were trembling. I don't know who yelled: "Run!", but suddenly, the whole audience yelled "Run!" Before I realized it, my red eyes were still nervously staring at the big glowing screen...

Many rational and calm film critics and media people were a little confused by this scene.

They read countless films and participated in countless screenings, but such scenes are really rare.

This shows what? It shows that this movie has successfully conquered the audience.

Let the audience's emotions change with the plot characters of the movie.

At this time, they were no longer just spectators, but also participants. Their minds fell on Tian Wenjun, so when they saw Tian Wenjun running wildly with the child in his arms, they would spontaneously and involuntarily shout "Run! "

At this time, they even forgot that it was just a movie, because everything was so real!

Of course, in reality, that's what the movie needs.

Blindly depressing movies will make people extremely painful to watch.

And the previous depression also needs to be vented.

So, the child was found.

Tian Wenjun, who found the child, was crying bitterly in the corridor of the police station, squatting on the stairs, weeping like a dog, and finally redeemed the suffering and torture that had been suppressed for too long...

Lu Xiaojuan and Han Dezhong looked at him, the cold wind whistling in the night, the light shone like a holy light, and the soothing music wandered in the night sky.

The child was found, and for everyone, the mood suddenly became extremely good, and the dark clouds in the sky dispersed!

This was originally a happy scene, but also a scene of tears bursting.

But another kind of restraint is shown in the film.

Lu Xiaojuan didn't cry along with her, she just looked at her husband sadly, stopped Han Dezhong who wanted to go up to comfort him, and looked back at Tian Wenjun, who was squatting on the ground crying and twitching, and comforted him silently.

As her wife and the mother of her child, she can better understand and understand Tian Wenjun's pain, not empathizing with her, but connected with the pain. But here, she didn't cry. She used this method to explain that the great grief is sometimes silent and silent.

After this flood-like venting process, the heavy heart was relieved a lot, and a dangling knife in everyone's heart was finally let go, and the child was finally found!

But many people came to their senses, but returned to the previous idea.

At this point in the movie, it seems that the plot has almost come to an end, and the child has been found, it seems that the story should end here?

But is this really the case?

Obviously not!

Because the time of the movie is obviously not as long as it has passed!

In fact, the plot has only just begun!

Why was "Dear" called the most commendable one among the anti-trafficking movies in the previous life.

It is because, this movie, the point of focus, is very special!

Closer to home, it seems that the plot of this movie has developed to find the child's biggest emotional flashpoint, so how will it proceed?

Soon the movie took a turn that surprised everyone.

The plot on the screen suddenly changed from the narration from the perspective of Tian Wenjun, and suddenly turned to Li Hongqin, the wife of the trafficker.

In the previous plot, Li Hongqin is definitely a villain through and through. She is the wife of a human trafficker.

The trafficker's wife, how can she not know what the traffickers do?

Could she not know that the child was abducted?

What is the director going to do?

What is Wang Yifan's story trying to say?

Laundering white traffickers?

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