The Director of Music Department

Of course, although "Dear" was done in the front because of the previous work, whether it is the theory of human blood steamed buns or the later remarks of "beautifying human traffickers", it has not formed much influence.

However, things are in place, but these things are also time to make some clarifications.

Tomato TV, "Story Behind" column team.

"Welcome everyone to watch "The Story Behind", I am the host Li Mang."

"A recent movie has aroused great social repercussions. Some people say it is a touching movie. They were moved to tears after watching the movie. Others scold that it is a movie that 'glorifies human traffickers'. They hate it deeply. ! That is "Dear" directed by director Wu Tianxiong!"

"In this episode, we have invited the director of "Dear", director Wu Tianxiong, as well as the leading actors Ge Jun, Liu Anran and others. Let us listen to them tell the story behind the movie "Dear"!"

Amid the applause, Wu Tianxiong walked out with Ge Jun and other leading actors of the film.

"Director Wu, Teacher Ge, Teacher Liu, hello." Li Mang greeted with a smile.

"Hello host." Everyone greeted.

"Director Wu, what made you think of making a movie like "Dear"?" Li Mang asked.

Wu Tianxiong crossed his legs and said, "At the beginning, director Wang Yifan came up with the idea of ​​writing a story about abduction because he encountered a trafficker abducting a child."

"This matter should be reported in the news."

Li Mang nodded and said, "Let's take a look at the information at that time!"

Soon several reports appeared on the big screen.

Many audience members were a little surprised. They didn't expect the script of the movie "Dear" to appear because of this.

And Wang Yifan's approach also reduced their negative influence on "Dear" by a lot.

Obviously, Wang Yifan himself hated the traffickers. He fought against the traffickers himself and assisted the police in cracking the case of the traffickers. So how could the script he wrote beautify the traffickers?

"As for me, I met a father who was looking for a child before. He has been looking for more than 20 years, but he still hasn't found it." Wu Tianxiong said.

Then the big screen appeared again, the father who Wu Tianxiong said was looking for the child.

In the picture, there is a photo of the child and the father when they were young, and there is also a photo of the father pushing the stall on the way to find the child later, with a missing person notice posted on it.

It's just that an originally handsome father's hair turned gray in just a few years.

The audience at the scene couldn't help but choked up.

"For this reason, I took the initiative to find director Wang Yifan, hoping to take over the filming of this movie!" Wu Tianxiong said.

"I just hope that through this movie, more people will pay attention to the fight against abduction. As long as the movie is released, one more person will pay attention to the fight against abduction. When you meet beggars on the road, you can think of them. It may be that the abducted child can extend a helping hand, so that the world can have one less abducted child, and the parents in this world can find their own child, even if there is one more, I think all this It's all worth it!" Wu Tianxiong said sincerely.

"Papa papa!" The audience applauded!

"So during the filming of "Dear", did you encounter any difficulties?" Li Mang asked again.

"This must be true. In fact, we did a lot of preparatory work before filming "Dear"." Wu Tianxiong said.

"Everyone knows that although a movie with realistic themes cannot be the same as reality, we still hope to make a movie that is closer to reality, so in terms of details, we must do it right." Wu Tianxiong continued.

"So, we visited relatives and mutual aid associations on the spot, and met many parents who lost their children and were looking for their children, because we need to shoot the most real emotions and the most real reactions. Although this is cruel, we must do it because, If you imagine it out of thin air, then it is a disrespect to the film, and it is also a disrespect to the society."

"At the same time, we have collected a lot of information. You may not have noticed that a lot of the information is true."

"For example, in the scene in the film where Tian Wenjun holds a portrait of a child and reads a monologue, the phone number he reads is the number of the Anti-Trafficking Office of the Ministry of Public Security!"

"And careful people will find that when our movies are shown in various places, the shots are slightly different!" Wu Tianxiong said.

At this time, the scene of Tian Wenjun holding a portrait of a child and reciting a monologue began to appear on the big screen, but the phone number he read was different each time.

The audience at the scene couldn't help being surprised, and some people even lowered their heads and searched on their mobile phones.

"I didn't expect it to be like this!"

"It's so thoughtful!"

"What beautifies traffickers, how is this possible?"

"They don't make any money at all, why do they want to beautify the traffickers, what benefits can the traffickers give them? It's purely blind comparison!"

No matter what the audience in front of the TV thought when it was broadcast, at least at this moment, the audience on the scene were shocked by this tiny detail.

"What we hope is that if you encounter human traffickers, you don't need to do anything. You only need to call the police or call the National Trafficking Office. In this way, all our work will be fully worth it!" Wu Tianxiong said.

"Teacher Ge Jun, what about you? Why did you accept this movie?" Li Mang asked Ge Jun again.

"First of all, the role of Tian Wenjun is very challenging. Secondly, I also hope to play some more meaningful roles."

"Actually, this role is not easy to play. For example, what is Tian Wenjun's reaction after losing his child? What kind of mood, what kind of feeling he felt when he was looking for the child, and when he found the child? These are all based on imagination. Come out." Ge Jun said.

"Then how did you solve this problem? I saw that you acted very well in the film, especially when you held up the portrait and read the notice of missing persons. Let's watch it again." Li Mang said, and the big screen played again That scene.

If it was said that when watching it in the cinema before, many people's immediate reaction was that it was funny, but at this moment, when everyone went to watch it with their minds, they quickly discovered the details that they had overlooked before.

"We found a father who had been looking for his child for four years and finally found him!" Ge Jun said.

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"Actually, at the beginning, that father didn't want to talk to us, because that period of time was a nightmare for him, and he didn't want to talk about it." Ge Jun said slowly.

Li Mang nodded, and so did the audience.

"But later, he took the initiative to find me. He said that he didn't want others to suffer the same pain. He found his own children, but there were still many parents who couldn't find them, so he hoped that he could do something for them."

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