The Fire-Chasing Herrscher Who Destroyed the World

Chapter 53 Summary + Answering some questions

Join the group to fencing (patting the bed: pat pat!): 455900388

Finally***finished coding!

I just want to say one thing: the first volume***finally***finished coding!

Do you know how***I spent this month!

It's really funny to say that when I first started writing this book, I didn't think so much. I had a very vague outline of thousands of words, and I started coding.

Even the beginning was written very casually.

For example, I said in the extra chapter through Ahua's mouth that the content of the second collapse was only written in six chapters at most.

At that time, what I thought was to quickly code to the third collapse, because there were many characters in the third collapse, Mei, Kevin, Su and Hua all experienced the third collapse-so don't look at Ahua's young age, she is really experienced...

Uh...I've said too much, let's talk about the specific content.

First, as I just said, there are actually many things that can be written about the second collapse, but because I really wanted to quickly let Kevin, Hua and others appear, I compressed it into such a short six chapters, and most of the content was about the fire moth, which I think was a failure.

Second, it is about the part about Vivi. In the actual plot, Vivi was arrested after the second collapse, so the time is roughly right, and the location, according to the description of the copy, she was wanted when she was defrauding in Dusk Street, and she ran away after hearing the news, which is not a big problem.

This paragraph is actually placed in the plot to play a buffer role, because I found that the second collapse was written too fast, so I tried to slow down the rhythm, and Vivi's paragraph is used to slow down, the length is eight chapters, which is longer than the second collapse... Forget it, I don't want to complain about myself.

Then, I also tried a new style in this paragraph... High EQ is called humor, low EQ is called neurotic writing... It doesn't seem to have much effect, but I think occasionally such a paragraph can dilute some of the heavy atmosphere.

I don't want to write too heavy, but I really don't know how to write about the content of the pre-civilization without being heavy. If it is a brainless pretentious face-slapping article, I think it may not be an insult to those fire-chasing heroes.

And if the pre-civilization achieved a complete and thorough victory, I believe that many readers would not be able to accept it, because how can a fan fiction of Honkai Impact 3 not have Nai Gou Qiao, Zhufan Po and Bu Langya?

Of course, if the readers are attentive, they should be able to understand what I buried at the end of the section about Vivi. Whether it is Vivi or Paduo, letting them appear and stay away from the fire-chasing moth is actually preparing for Mikael to escape from the fire-chasing moth in the future.

This is unavoidable. It's not Ultraman. After all, you can't see his face after the transformation. I can't hide it...

So once there is a problem, there must be a period of time when Mikael needs to leave the fire-chasing moth.

Then Paduo is very important, ahem, those who understand will understand.

The next Sakura was an accident, a pure accident. I didn't check the information carefully before. In fact, Sakura appeared very late, just a little earlier than the Twilight Street trio, because she assassinated Dr. Mei before the seventh collapse, and was later subdued by Kevin. When Mei talked to her, she had no idea what the collapse was, and asked if there would be a second collapse? And the copywriter described her as a girl.

It was really the royal sister's voice that deceived me...

But there was no way, it was already written, so I could only try my best to make it round. First, her age was lowered, and then she appeared, so I just pulled her into the protagonist group.

Of course, if you think about it carefully (I also hinted at it), her mission is too obvious, so obvious that it is abnormal, so Sakura is just a cover-up thrown by Vassago (is it too much spoiler?).

This part about Luluye... I think no one should not know why the buildings on Luluye Island are all green crystals, and there is a tall tower in the middle (doge)?

This part really made me vomit.

I wrote a detailed outline, and initially set this section to be at most twelve chapters long. As a result, I finished writing twenty-three chapters...

The motivation for writing this section, especially the section about the three blocks, actually came from a conversation between me and a classmate majoring in Chinese. At that time, we happened to talk about the issue of immersion in historical texts. We talked for a long time and finally concluded that if you want to have a strong sense of immersion, you can only start with character creation and era creation.

I feel that I am a failure in character creation and I am not good at it. I can't even describe it. So I wanted to try era creation, which seems to be a failure at the moment, because I started with too fast a pace and didn't give everyone a sense of déjà vu of the end of the world. Now I want to make up for it, but the effect is not very good, and my writing skills are not enough...

Of course, I was reminded by a reader that this section is too forced. Mikael, a Herrscher, can fight against an emperor-level Honkai beast Yasha so "up and down". It is indeed a bit deliberate...

There are many ways to explain it, but there is no need. Forcing is forcing. No matter how you round it up, it can't change the reality that I am not good at weaving plots.

The only time I wrote a detailed outline for a small plot was the 30,000-word duel at the end of the first volume of the Genshin Impact fanfiction (I haven’t posted it in full here), but that time was really a bit... The first 300,000 words were depressing just for the last 30,000 words of excitement, which resulted in almost no readers seeing that part, and the book naturally flopped...

In the initial setting, the Honkaimon should be Da ZiZiTian. The reason is very simple. In order to make Ellie super-transformed (Ellie's ability to use crystals does not come from Da ZiZiTian. This can be proved by the copywriting. Mebiu Si even directly questioned whether Ai Li had undergone super-changing surgery, because Ai Li did not show any side effects of Da Zi Zai Tian), because I began to realize that Ai Li has become a soy sauce outside of love scenes. The role...

But in the end, I chose Yaksha. At first, I couldn’t imagine how strong the final level Honkaimon was, because the other final level, Vishnu, had a perverted mechanism.

There is no information about Da Zi Zaitian at all... Ellie's fighting method cannot be used as a reference, so I can only create it myself...

And Yasha, well, actually Yasha's ability is also based on Sakura's inference, although I don't think Yasha's ability is this, because no one knew that Sakura had this ability before she used this knife on Kevin.

But there is no way, I have to write it. If Yasha's ability is only freezing, he will be indistinguishable from the ice pig. Anyway, that's what I think...

Of course, I personally feel that the portrayal of Yaksha is also a failure. I originally wanted to embody his assassin's temperament, but it seems that the effect has not been achieved at all.

In a word:

Not enough writing power!

Not enough writing power!

Not enough writing power!

Let’s talk about characterization again. I saw a comment before, saying that there was too little interaction with Ellie, not as much as with Snake...

really.

The reason for this is very simple - not enough writing power!

I don’t dare to describe Ai Li too much, for fear that if I don’t handle it well and it leads to OOC, it will be embarrassing.

But in fact, doctors are not that easy to describe, so I am really afraid of describing characters, very afraid!

The only exception is Pado and Hua. Pado is because she is a very simple character.

And Hua is because... uh... our personalities are somewhat similar?

Before experiencing the collapse, Hua, like me, belonged to the kind of person who obviously experienced an ordinary life, but upon closer inspection, he had very few things.

He is always in a very confused state. He has a sense of justice and a conscience, but his protest against questionable orders only remains in words. When executed, he can always obey well.

So if it is to figure out Hua's psychology, it is a little easier for me.

The one who failed the most in shaping must be the protagonist!

Generally, the author will substitute his own character into the protagonist, so you will find that the protagonist's character is too awkward...

That's not right... So, isn't it just like Hua...

But sometimes the protagonist will be a little more crazy, and the upper and lower limits of his moral values ​​will continue to fluctuate with the stimulation he encounters. Therefore, he was still ruthless enough to propose a super-changing plan before, but it didn't take long for him to persuade Mebius not to do anything to him. Innocent ordinary people take action.

In short, it has no sense of existence.

I’ve talked about the issues in the first volume quite a bit, and I’m afraid it would be a bit too much to talk about it any more. Let’s briefly talk about the second volume.

Please don’t think that when you see that there is a second volume in the chapter called “The Volume of Counter-Entropy”, you are going to jump to modern civilization. No, the reason for the chapter is because on the premise of ensuring Ellie’s status, the beginning of the second volume will talk about China. There will be more descriptions. Counter-entropy... The First Herrscher... I understand everything...

Okay, spoilers end here.

Is anyone impatient?

Okay, finally, it’s time for the main event.

It’s the emotional drama issue that everyone is concerned about (I actually dare to talk about it!).

Some people may think I'm stupid because I'm still in the new book period. Plus with this voting result, I may have finished half of the follow-up reading and sent it directly.

But I think we should have more sincerity and love between people. If we decide but don’t say it, and just brush off the edges when writing, we can hide it for a long time, but it takes up other people’s time and even takes away their subscriptions and calls. Reward, isn’t this considered fraud?

Let’s start with the conclusion. As of the time I write this, there are a total of 75 votes, not counting myself.

Among them, the single female lead accounted for 34 votes, accounting for half.

There are 31 votes for having multiple female protagonists, and the remaining 10 votes are for "it doesn't matter." However, among those who prefer a single female protagonist, there are also those who prefer multiple female protagonists.

Blanch! Now the pressure is on me.

The readers who first followed this book almost without exception chose a single female protagonist, or they didn't care but preferred a single female protagonist.

So I sat in front of the computer and hesitated about this matter for several days. I started voting on the 17th, and even when it first started to show signs, I have been hesitant until now.

This in itself is a character flaw of mine, as I tend to waver easily when making decisions.

Until I saw a comment: You have written everything...

I realized it instantly!

People have to take responsibility for what they have done, right? I wrote everything and flirted with it, but suddenly I waved my hand and said that I was writing a story with a single female protagonist. Then I think it will be very uncomfortable for those who want a single female protagonist or those who want multiple female protagonists.

I had a deep understanding of this when I wrote the book Super God. When I wrote the romantic scenes of Leng, I only touched on the point, and the love of Youda was not enough. As a result, I was criticized by both Yan fans and Leng fans, and I supported the single. The female protagonists and those who support multiple female protagonists also criticize me.

One certainly cannot satisfy everyone, but I have to take responsibility for what I write, and Mikael also has to take responsibility for what he does.

The answer is self-evident. The only thing I can guarantee is that, first of all, Ai Li's position will never be shaken. She is a character throughout the whole book. Secondly, I will do my best to write every love story as a single dog, and there will be no mindless love or mindless push.

I found that in most of the single-female protagonist stories on the market, the female protagonist is just a pure tool person, and she disappears in the later period. The multi-female protagonist stories are not much better.

So I sincerely want to be a strange man (doge) like Ji×da and Jin Gong.

If there are readers who support a single female protagonist and abandon the book, or even curse in the comment area, I really accept it all, and I am really sorry to those who have been reading this book from the beginning and even rewarded a lot.

If there are multiple female protagonists, it will indeed be a bit distorted, and I am very sorry for Ai Li. But how to say it, this story is not easy to begin with, and it is even heavy. If it is placed in other themes, it is estimated that it will be criticized for abusing the protagonist.

The increase in the weight of the emotional drama can relax the nerves to some extent-both for readers and authors.

The next question is the choice of the heroine.

Let me talk about the original design first. You can tell from the names that I don’t need to say much about the meaning of Alicia, and Michael means the gift from heaven and the guardian of paradise.

In other words, 50% of the original design is the single female protagonist Ai Li. Why do I say 50%? Because I know myself too well, and I have the possibility of letting myself go at any time.

In fact, this is the consequence of an imperfect outline. A perfect outline should have part of the emotional drama, and it is impossible to have a problem of sudden change halfway through writing.

So the original design can be expressed as follows:

[Aili, Ai Li + Hua]

Hua should be easy to understand. I said that Hua’s personality is very similar to mine, and she is a fairy... Who can hold back...

But when I wrote about Dusk Street, the memories of Mao Mao broke me, but Mao Mao was always in a state of hesitation... To borrow the words of a big guy I like: Collect xxx! That is something that only third-rate authors can do.

Because the character of Paduo... In short, it is very entangled... In fact, it is also very good to simply treat her as a sister, and her role in a certain section of the next volume is also very important.

Then there is Snake. The original design of the character Mebius was so successful that many people will choose to ignore the blood on her hands. Various human experiments, the Stigmata Project, and now the blame for the super-transformation surgery has been thrown from Mei to her, and there are countless experiments done on Hua and Qianjie.

An experiment with a success rate of 0% dares to be done on Ah Hua!

It's really a dare to propose and the dare to accept, right!

So Snake... doubtful. It is not clear what arrangements the stupid author will make for her. If the dark side does not change too much, it is likely that there will be no.

Ying... Speaking of Ying, I have to say one thing: I fell in love with your body and the voice of another woman.

Ignoring the CV itself, I really like this voice! So addictive! (This person is crazy, there is no hope)

But she is an unplanned product... Let me be frank, the author cannot control the actions of all the characters in his writing, and neither can the protagonist.

If you want him to show more human points on the basis of your cold words, you must leave room for free play. (Actually, it’s just letting the hands lead the brain to type)

So this incident was essentially an accident, and I thought the effect was good at the time, and it complemented and improved the character setting and personality transformation of the protagonist, so I kept it.

Then there was the tragedy of Ying.

But there is nothing to regret. If there is a chance in the future, I will talk to you about the problem between the author and the emotional drama.

Summary:

[Aili (Are you looking at me?) + Hua (Fifty thousand years! Do you know how I spent these fifty thousand years!) + Ying (I can’t hold it back when I see that donkey ear picture), Ai Li + Hua + Ying + Snake (You had no choice before, but now you can be a good snake) + Paduo (Sister Meiyi... I... I don’t want to die...)]

Nothing else.

(Qianjie:? Kevin:? Su:?)

Sorry, brothers who support the single female protagonist! I’m really sorry!

Bow!

Kneel down!

Three bows and nine kowtows!

Uh, how should I end it...

Let me think...

Let me use the opening words of the second volume:

Because the increase of entropy is the inevitable fate of the world, humans go against entropy.