The Greatest Showman

Remember in one second [End of the God Station] Mobile phone user input address: m.xinwanben.com

It was just eye contact, just verbal exchange, just a passing pause, but the undercurrent between Owen and Claire was already overflowing.

"You know, I like to see you at a loss."

Irving's big boy's tricks to play tricks on the girl he likes are said calmly, and then you can see Claire pinning her hair behind her ears uncomfortably, looking down at her clothes, seems to care a little, I don't know what I care about, and the look of being at a loss makes the relationship between the two more interesting.

"We want you to re-evaluate the weakness of the fence." Claire returned to the main business, and directly and selectively ignored Owen's ridicule, which also caused a sense of contradiction between words and actions. No silver three hundred taels comedy effect.

It's a pity that Owen's footsteps have drifted away, and he has no chance to see Claire's appearance like this. He has circled to the side of the cabin and seems to be busy with something, but in fact, he has nothing to do at all. Just pretending that he has a lot of things to deal with is not much more childish than Claire, he responded loudly, "Why are you looking for me?"

Claire spread her hands to express her helplessness, and rolled her eyes: What the hell is this? But he still answered seriously, "I guess Mr. Maslani thinks that since you have a way to control the raptor..."

"I'm not controlling the Velociraptor, I'm just making friends and establishing connections between us." Owen walked back, stopped in front of Claire, and said solemnly.

Claire endured and endured, and at this time there was finally no way to bear it any longer, "I'm sorry? Who doesn't want to establish contact?" Claire's voice became sharp and excited, "I work hard, I work hard, I Wish I could connect with you, but you keep pushing me out? Remember? You hurt me! You chose to break up! You pushed me out! If my efforts don't wait for anything, then you Tell me, how am I supposed to keep going?"

Claire's emotions were out of control.

There was no warning, this emotional outburst seemed to have no warning at all, but after careful consideration, it was not the case. Since the meeting between Owen and Claire, the two have been suppressing their emotions. The surging sense of non-fatality has dimmed a lot in Owen's gags, but it still exists objectively.

Now Claire has vented all the repressed words, but it has broken the balance and pieced together the relationship and past between the two people in just a few words. Some questions have been answered, but more doubts have been opened up. This kind of entangled fetters, with a little helplessness and pain, but reluctant to part.

Then, all of Claire's words fell on Owen and began to ferment and spread.

Immediately, Claire noticed Owen's back, he just stood there with his back to himself, his straight and tight shoulders faintly revealed a sense of loneliness and fragility, as if he could clearly see the scars. Even if she didn't say a word, she could easily hit her softness.

She knew she was crossing the line - but Owen shouldn't have brought this up, should he? Why is Owen provoking himself? Can't they live together peacefully?

Owen turned his back to Claire, and Claire didn't see his expression. At this time, his expression became softer than ever before. There was no other emotion or emotion, just a piece of softness and lightness, as if he was caring and protecting him carefully. The love of her is normal, but the loneliness hidden behind the tenderness flows out involuntarily.

This is the difference between humans and animals.

Humans always expect their efforts to be rewarded. The so-called unconditional payment has never existed. Payment and reward seem to be an equation, but when this equation cannot be reciprocated, the two sides begin to become unfair. Get up, and then hurt each other little by little, trying to find balance in this way.

If there is no way to give and return, then keeping distance is the best way to protect each other, and even if it is very hurtful at times, there is not necessarily a better way.

Bryce's emotions were a bit mixed, and her mouth was full of bitterness, but she couldn't find a clear idea: no lines, not even expressions, just a back, silent back, but Renly showed the scarred soul under the skin. Incisively and vividly, those lingering pasts reappeared in front of them and became obstacles to them.

She should know that it's not that he doesn't want to, but that he can't. Those self-protection are not his fault, but his self-defense mechanism in crisis situations. Those scars always exist objectively. In fact, he is working hard. He has been working hard all the time, but he is trying hard. In the process, hurting her and hurting himself. He finally chose to push her away in order to protect her, and then take all the pain on his own.

She knew all of these, but she still said those hurtful words impulsive. They are all victims, but there is no trace of the perpetrators.

Bryce showed an unbearable look, opened her mouth, but couldn't say any words of comfort, and finally she could only turn her eyes away and looked to the side, concealing the fragility and turbulence in her heart, her eyes deep. The struggles revealed are fleeting, but delicate and real.

Even Bryce herself didn't realize that she was completely inside Clay.

Er's world.

Colin, who was standing behind the monitor, looked at the images captured by the three cameras at different angles at the same time, and used all his strength to control his urge to scream and cheer:

This is the perfect effect he imagined!

There is no need for too many cumbersome explanations of the lines, and there is no need for excessive interpretation of the performance. One back and one look are the simplest and cleanest way to express emotions. He only needs to give space for one shot to express the kind of elusive and intricate expression. The relationship between the two is perfectly presented, which leaves a hidden clue for the audience, and then solves the puzzle bit by bit through the follow-up story - and even the sequel story, and then continues to advance the whole story about dinosaurs, while avoiding Overly cumbersome and disrupting the narrative rhythm of commercial films, this is perfect!

In fact, Renly and Bryce's performances were still higher than Colin's expectations, but their subtle body language perfectly interprets the story behind the script - those extended stories that cannot be seen on the script and cannot be read, but are filled with By looking at the corners and corners of the characters, these meticulous and peripheral emotions make the characters full and three-dimensional. Even if there are not too many brushstrokes in the film, they can still present a vivid and real image to the audience.

This skill is enough to eclipse most of the actors in Hollywood. Colin wasn't surprised by Renly's performance; Bryce's was a small surprise.

Colin had to squeeze his thigh hard to avoid the urge to cheer, and now that the scene wasn't over, he didn't want to ruin the flow. So, only the thighs suffer.

Claire turned her head away, hiding her emotions awkwardly, and then said a little bluntly, "Can we focus on dinosaur assets?"

"Assets?" Owen's emotions also picked up. He slowly turned around. Although the corners of his mouth were still smiling, the sincerity and concentration in his eyes slowly began to become serious, and the violence and harmony could be vaguely captured. Irritability, seems to be particularly sensitive to such a topic, even a little spark can set off firecrackers.

Claire also realized that her words had hit Owen's dead end. She understood it but couldn't understand it, so she was now stuck in a rut: trying to explain that her words didn't mean that, but she didn't know how to start, and finally He could only let out a long breath, lowered his eyes, and refused to compromise.

"I understand that you're the one who's used to giving orders, and you have a lot of difficult decisions to make. It's easier to treat dinosaurs as numbers on the books, but they're not numbers, they're living animals." Owen went back to In front of Claire, she said in a relaxed but absolutely focused tone.

Claire took a deep breath. "I totally know that, they're all alive."

"You created them with test tubes, but they don't know that," Owen continued, his tone slightly sharp, indicating he cared. "They need to eat, they need to hunt, they need to..." Owen held up He raised his right hand, clenched it into a fist, and then made a piston movement that moved back and forth, and his expression became serious again. "You should be able to feel the need for at least one of these behavioral patterns, right?"

"Casanova," Claire said with a smile, walking down the stairs of the cabin to Owen, "I need a pattern of behavior far above these: I need to feel warm, like those dinosaurs. You can feel it. It's called trust. I'm sure you should be familiar with it."

An understatement, but hit Owen with a heavy weight. He still maintained the appearance of a fool, but the smile on the corner of his mouth began to stiffen slightly. He tried his best to hide his pain, but it was exposed in front of Claire. After all, there is no way to be completely honest.

Claire lowered her gaze, not feeling complacent at all because she "has the upper hand", "I'll be waiting for you in the car." She lowered her voice and said, when she raised her eyes again, the depths of her eyes had returned to calmness. Status, "You'd better change a piece of clothing, they are very sensitive to smell."

Smell can also be interpreted as: a particularly obvious odor, such as sweat.

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