The Greatest Showman
2066 Ways of getting along
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"Carol" is about a love story between two women. In the social context of the 1950s, this was undoubtedly strictly forbidden, and it became an obstacle and barrier between them. For actors In other words, this will inevitably become the core that cannot be bypassed in their performances.
At this moment, Rooney was thinking about this.
Renly didn't speak immediately, but thought about it seriously, "In the past ten years, 'Brokeback Mountain' is becoming a classic masterpiece that everyone praises, and many people think that Li will be turbulent between the two men. The emotions that burst out but had to be silenced and suppressed are vividly explained.”
"He consciously weakened the noise and chaos of the social environment, and only existed as a background, but focused all the focus on the characters, reflecting the heaviness of social constraints from their struggles and pains. This part originated from the East. The forbearance and restraint of culture endow the story with a strong stamina. This is undoubtedly a very clever work, and his oriental temperament and western understanding can be perfectly combined.”
Renly didn't give an answer directly, but started a discussion, which made Rooney relax a little, and her thoughts went up and down with Renly.
“Admittedly, that’s one of the reasons, but I think there’s one more thing that can’t be ignored: it’s the context. In Wyoming in the 1960s, it was a taboo subject that no one wanted to talk about, and no one dared to admit, even if Occasionally, the cowboys are also contemptuous and aggressive. In such an environment, they have to choose to be forbearance and restraint, otherwise a little disturbance may lead to death.”
Rooney savoured Renly's words carefully, "You mean that the emotions they show are closely related to the times, the environment, the status, and so on."
"Yes, it also has to do with the style the director expects." Renly nodded affirmatively, "If you shoot similar stories in the 80s or 21st century in the same way, then the overall style will not be convincing. Even if it's Li, he can't make a classic."
In other words, different directors have different interpretations, such as Pedro Almodovar's bright colors, Tim Burton's gothic style, Wang/Jia/Wei's blurred dreams, Gus Van Sant's alienation and coldness... They can all give the same story, completely different styles, even if it is the same "Brokeback Mountain", the final appearance may be very different, as to whether it can finally become a classic. , then no one knows.
"Carol" director Todd-Haynes is an art creator who is very good at using color conflict to create moral dilemmas, "Far From Heaven", "Velvet Goldmine", "I'm Not There This is the case with works such as "There". It seems to be unrestrained and unrestrained, but it is actually reserved. All the delicate and complex emotions deep in the heart are all explained in the middle of the desire. The details of the actors' performance and the use of space, etc., are also One of his strengths.
It can be understood that Todd Haynes is also a director who is very demanding on actors. The way of acting needs to be restrained, but the emotional content needs to be complicated. Julianne Moore is his favorite, which has many similarities with Ann Lee. However, there are requirements that belong to the director himself.
Going back to the film Rooney is shooting, similar to "Brokeback Mountain", "Carol" takes place in the 1950s. Even if the background is switched to New York, the social environment has many similarities -
The original novel "The Price of Salt" couldn't even get published, and Patricia-highsmith, the author of "Strangers on a Train" and "The Genius Ripley", even had to publish anonymously, which was enough It shows that the social environment at that time was bad and depressing.
"...Then, should I restrain myself and minimize this struggle as much as possible?" Rooney seemed to be stuck in a rut and couldn't get out of it.
Renly understood the situation—he was there too often, as if thinking was stuck in an endless loop, and then another opinion was needed to break the cycle, "Should it be presented, how should it be presented, and how should it be presented? , this is the actor's self-feeling during the performance, and more of it still needs you and the director to complete the coordination; personally, your focus of thinking is a bit biased."
Rooney leaned on the back of the chair and cast a questioning look at Renly.
"I think the root of the entanglement should be whether you really love Carol, not the fear of social taboos, like Ennis in 'Brokeback Mountain', Jack is very sure, but Ennis always refuses Facing who you really are and refusing to admit that you're completely in love with Jack also makes for a powerful explosion at the end of the story. As for the social environment, that's part of what made Ennis."
Renly's words were slightly convoluted, and it was the source of the entanglement and the social influence, and it was confusing to go around. In fact, it was explained in popular words:
If you really fall in love, then you will fly to the flames desperately. Those entanglements and taboos will not be able to restrain the restless emotions after all; but if there is still hesitation and consideration, measurement and calculation, then it is not love, not love. Not enough is love not pure enough - or, more love yourself.
Rooney chewed it carefully and slowly came back to her senses, "'Sense and Sensibility'?" Her perspective was slightly different, but she keenly grasped the core essence of the problem.
Jane Austen's original novel "Sense and Sensibility" is the best example. These two emotions are inherently contradictory and seldom can be shared.
Existence, even if it weighs a lot with reason, will eventually succumb to emotion - that hot and crazy emotion will eventually burst down like a flood.
Similarly, in the film version of "Sense and Sensibility" directed by Ann Lee, Emma Thompson's performance also delicately shows the kind of entanglement and struggle.
"Tangles and hesitations will inevitably arise, because the influence of the social environment is omnipresent and cannot be ignored, and they are always objective; but the real source is not from the obstacles of the world, but from my feelings for Carroll, Those hesitations, those thoughts and those timid steps are still rooted in their own thinking: whether that kind of love is the 'emotion' I guessed, whether it is the impulse to open my arms after burning my life and soul."
For the film as a whole, the differences in these details are almost negligible, because entanglement is entanglement after all, whether it is entanglement for social pressure or entanglement to discern the heart, if the emotions finally presented are accurate, the audience will not be able to tell the difference. reveal the essential differences hidden within.
But for the performance, these details are the context and framework of the entire performance. The actor's understanding of the "origin" will also affect the understanding of the entire script, role, and emotion, which in turn affects the actor and the opponent. The chemistry between the actors In response, the performance presented has a huge gap in quality.
In other words, although the performances presented are all "tangled" - or confused, hesitant, timid, and other mixed emotions, the quality of the performance may be completely different, which further affects the nuances of the entire perception and affects the audience. more impact on the viewing experience.
Gradually, gradually, Rooney's eyes brightened, she muttered to herself, even without Renly's dialogue, she was able to complete her thinking, and she could clearly perceive that the aura energy around her entire body had changed. It became warmer and brighter, which also meant that her thoughts finally returned to normal, and those confusion and confusion were slowly disappearing. Then, she began to read the script again, and her eyes were obviously firmer.
Rooney was so immersed in the world of the script; Renly didn't say much, picked up the children's book on the table again, and read it again.
"Did you drive here by yourself?" Rooney's thoughts were finally sorted out, she raised her head and looked at Renly quietly, her smile couldn't help but rise.
"Yeah." Ren Li replied in a deep voice, but found that Rooney's eyes were still on him, which made him look away from the children's book in his hand, "Why, you doubt my self-driving ability?"
Rooney didn't deny it, the smile in her eyes slowly overflowed like this, "According to Matthew's information, you are a physique that can stop the engine and fail the start, so it is not suitable for self-driving, it is best to have a driver when you go out. Accompanying him, he also earnestly handed over the responsibility of the driver to me, didn't he?"
"..." Matthew's fellow, Renly drooped his shoulders speechlessly, "Yes. He's right. But this time from New Orleans to Cincinnati, my car only broke down twice, and I didn't get lost, although the consumption It took a third longer than expected, but I still arrived safely!"
Looking at Renly who was earnestly defending, Rooney's smile rose slightly, and she nodded in appreciation, "Fortunately, Andy didn't use the positioning system this time." Is this a... praise? "Why do you suddenly think of coming to visit the class? I thought that the recent filming schedule is very tight. Isn't that Disney movie also waiting for you to start? If you sneak over like this, it would be bad if Disney and Universal Pictures knew about it. "
Rooney was actually joking.
Renly looked at the smile in Rooney's eyes carefully, and said calmly, "Because I miss you."
"Shuh," Rooney's cheeks flushed red in an instant, so hot that it was almost dripping blood, and she didn't even dare to look directly at Renly. Rarely, Ren Li suddenly started to talk about love, and he still said such a disgusting word without blushing and heartbeat. This feeling is really...
"Ha. Ha. The level of cold jokes has dropped." Rooney herself didn't know what she was talking about.
Renly had the upper hand in an instant, still looking serious, "I'm serious. I drove over from New Orleans because I missed you, just to see your eyes."
Pfft! Pfft! Pfft!
Rooney could clearly hear the sound of her heart hitting her chest, and in an instant, the whole world seemed to light up, and then she fell in love again.
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