The Greatest Showman

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From an objective standpoint, animated films are still somewhat different after all. Whether the word-of-mouth is good or not, it is difficult to involve actors, and it is more up to the director and production company to bear the consequences——

Good reviews are the director's credit; bad reviews are the director's responsibility. As for the actors, they are just a piece of the puzzle of the animated film, and the impact on the quality of the finished product is very, very small; more strictly speaking, those reviews do not even mention the voice actors, there are only a few special cases.

Actors such as Jim Carrey or Robin Williams with pure natural comedy talent, their dubbing can often give the characters distinctive features and make different adjustments according to the characters, which is eye-catching; another example is Kevin -Exceptional actors such as Hart or Arnold Schwarzenegger, whose voice is so distinctive that no matter what character is dubbed can hardly escape his own image, and the latter whose voice lacks variation so much that all the dubbing work seems Stiff and clumsy, it may upset the balance of the entire animated film, which is embarrassingly disappointing.

and so on.

Otherwise, reviews for animated films hardly ever mention voice actors.

The most intuitive case, the core voice actor of the "Toy Story" trilogy is Tom Hanks, but film critics have never commented on his dubbing, not because it is bad, but because it is not good enough to take it separately. When they come out to discuss, they only need to evaluate the work as a whole.

As for whether the audience will enter the movie theater because of the voice actor, it has been a mystery until now. There is no direct or indirect data that can give a systematic proof. The only thing that can be said is that the influence must exist, but at the same time Minimal.

The "Toy Story" trilogy is well known, but only a few people know that the voice actor of the male protagonist Woody is Tom Hanks; the "Shrek" series is very popular, and Eddie Murphy is voiced The donkey is widely known, but Princess Fiona, voiced by Cameron Diaz, and Shrek, voiced by Mike-mers, are hardly known.

These details are the best proof: the voice actors, for an animated film, are just the icing on the cake, but not the finishing touch.

According to common sense, the "Super Marines" should do the same.

But Renly's situation is a little bit special: so far, Renly has remained undefeated at the box office, and after experiencing the ups and downs of "Interstellar" in the summer vacation, the whole of Hollywood has pushed Renly to the top of the box office. Altar, this also aroused more curiosity-

I am not just curious about when Renly will encounter Waterloo and officially break the undefeated gold at the box office; I am more curious about whether Renly's strong market influence can penetrate deeply into animated films, allowing the film box office to create More success. This is one of the reasons why Disney invited Renly to cooperate, and it is also an important data from the market observation of industry insiders:

In a nutshell, if Renly is the last and only superstar in Hollywood since the 21st century, how far and wide can this superstar influence the entire industry, and how far can they be made through Renly? How much benefit does it make, and does industrial development need to be adjusted?

In the end, it's still profit.

To be honest, people in the industry are eagerly looking forward to Renly's further boost to box office numbers and even market potential, which is good for all studios and the entire film industry - Renly eats meat, they drink soup, not to mention, If you can replicate Renly's rising curve and create another superstar, then there will be more meat eaters, who can refuse?

Therefore, more or less, people in the industry have also paid attention to the box office performance of "Super Marines", especially after witnessing the Don Quixote grand party at Disneyland in Orlando, all of them endured He kept gearing up, like a gambler with rolled up sleeves.

Before the box office figures came out, the first round of comments from major media came out first!

"The New York Post," Fifty Points, "'Super Marines,' even the title name seems like one of those quick-service restaurants that combine a myriad of elements into a package and sell it to customers in a bundle, which can Great, but only if one of the many elements of the mix is ​​outstanding. Sadly, in this case, the answer is disappointing - just one cute guy won't light up the movie ."

"The Globe and Mail", Sixty Points, "For me, by far the best comic book superhero adaptation is Pixar's 'The Incredibles' -- because it's all about superheroes, 'Superheroes' The team' is inevitably unable to get out of the framework of Pixar, and lacks enough new ideas; in addition, the story can also see the shadow of DreamWorks' "How to Train Your Dragon", especially the scene where Xiaohong is flying on Dabai's back. The lack of novelty is undoubtedly regrettable, but despite this, this work still interprets its own characteristics, which I can accept."

"Entertainment Weekly," Sixty Points, "Overall, it's a 'big white show' that's cute, harmless, gentle, thoughtful, and a little bit humorous. So even though the whole movie is filled with a lot of It's flawed and lacks a sublime highlight, but it's still a work worth watching in theaters."

Just like all popcorn movies, "Super Marines" also faces the problem of finding a balance between "business and art", and film critics are inevitably harsh and harsh. All of the above reviews were critical of the movie, obviously they didn't buy it, but Xiao Xiao was a little surprised

Yes, among the first batch of 38 professional media reviews, zero negative reviews were successfully achieved!

Even the controversial "Interstellar" in the summer vacation had a bad review, but the "Super Marines" completed the feat of zero negative reviews, with only five middle reviews, including five The very lowest rated "New York Post", they still chose the middle review instead of the bad review.

This also means that even if the "New York Post" doesn't like the movie, it still doesn't dislike the movie. It is far from the level of severe crusade. Fifty points is the lowest score in the first round of ratings. This is undoubtedly very gratifying news for commercial films, and it is foreseeable that the audience should like it very much.

What's more, there are 33 positive reviews in the first batch of reviews!

"U.S. Weekly", 90%, "I promise on my own honor, or you can verify for yourself, 'Super Marines' is definitely worth the price, this is Halloween's 'candy'."

"The Hollywood Reporter", Ninety Points, "The perfect fusion of Eastern and Western cultures after the collision, the perfect combination of scientific knowledge and entertainment effects, 'Super Marines' did it!"

The New York Times, Ninety Points, "I wouldn't say it's the best superhero movie, but the reality is...sweet! Sharp! Funny! Profound! A beautiful landing: starting from an original story through the processing of superheroes and ending with a warm and touching aftertaste."

The Washington Post, Ninety Points, "Watching the movie is a treat because it's so enjoyable! But it's not the action scenes that make this movie stand out, it's the soul of the movie."

Obviously, this is not a full-point frenzy. The media did not give full marks in a collective adoration. As mentioned in the middle reviews, the film does have flaws, but these flaws will not affect the overall viewing effect. Both the high praise and the high praise have reached a consensus on the entertainment level, which is also the reason for the "zero negative review" - and the difference between the two review grades is that the positive review thinks that the flaws are not concealed, and the medium review thinks that it is not bad.

Can "Superpowers" become an immortal classic like "Toy Story 3"? The answer may be no, but is this work above the industry's "excellent" line? The answer is yes. More importantly, is this work worth going to the cinema to watch over the holidays? Well, the answer is beyond doubt!

The 90-point score is still very eye-catching. In the absence of Pixar this summer, Disney lived up to expectations, handed over a good answer, bravely took on the heavy responsibility of the market, and won a round of applause.

Other positive reviews beyond Ninety Tens bear this out.

"Variety", eighty-nine points, "When you come across a work as interesting, exciting, smooth and visually stunning as 'Super Marines', who cares what happens next, and the story will be How does it end? What's more, it has a super cute pet that you can't refuse."

"Chicago Sun", 88 points, "The story line is a little aristocratic, but it stands out because of the full and clear characters, which is also the charm of the film."

"Totally Movie," 83 points, "There are many moments where 'Super Marines' is too loud, especially for the effect of hilarity and humor; but these loud moments don't hide the subtleties of quieter moments. Moments, and it's these moments that create a captivating effect."

"Empire", 83 points, "Following 'Frozen', Disney once again presents a soul-melting animation journey, those sweet, delicate, gentle brushstrokes, in a busy, noisy, noisy In a superhero story, it's a touching attempt to successfully land on a moving character relationship."

The Los Angeles Times, Eighty Points, "Inspired by the fantasies of tech nerds, giving the film's main characters superhero abilities, perfectly allowing the comic book fantasy to evolve into reality, is undoubtedly the film's greatest success. , the ending of the whole film also sublimates the whole story.”

Good, good, good!

Yishui's praise accurately grasped the essence of the whole film. Those humorous, warm and budding successfully moved the harsh critics and ushered in a perfect start to the applause; if there is anything else that can make the first film The debut of critiques is even more perfect, and that is the "playlist" of comments.

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