The Righteous Player(s)

Chapter 475, a nine-month update—the second volume of this book [Book of Crane] is finally over.

　　 This also marks that the player's book has officially gone through two thirds.

　　As Annan smashed through his six mirrors and found the light in the mirrors, the real light of the crane is about to hatch—

　　 To put it simply, it is time for Annan to complete the sublimation ceremony in the next volume.

　　 A little notice, the length of the third volume should be slightly shorter than the second volume. In other words, if you start writing in mid-March, you should finish the book before the Spring Festival.

　　 The next book has already taken shape, and my friends all say it’s like it (thumbs)

　　 However, after writing this book, Amao will definitely not publish a new book immediately, but will have to rest for a while, adjust his schedule and exercise (probably it is difficult to save the manuscript). But it will certainly not be later than the end of March next year.

　　 This book has the last nine months—maybe less, maybe a little more, mainly depending on whether there is any sudden inspiration, which makes me suddenly feel that a certain nightmare is particularly awesome, even if I add a stopper, I have to write it.

　　 If you encounter this situation, then it is inevitable to continue a short section.

　　 After all, you guys also like to watch it too (sincerely).

　　The main stage of the next volume is the United Kingdom and the Church, as well as a small number of otherworldly plots.

　　 By the way, yesterday I saw someone said that this book is relatively plain...that is of course.

　　Because the initial positioning of this book (or all the original worldview works of Qi Miao Miao), it is based on the concept of "a travel note in a magical world". All my books so far are based on "settings" as the main axis and "small stories" as flesh and blood, which rationalize and logicalize a new and wonderful worldview.

　　 Compared with the blood of mercury, which was quite blunt back then, I am now quite proficient in the skills of inserting the plot in the setting process...

The specific reason for adopting this writing method is that Amao is very compelling-when I read the book myself, I feel that the ups and downs of the strong orgasm, if I can't finish it in one breath, it will be stuck for several days, no It's particularly uncomfortable to get up and down...

　　 But I believe that I shouldn’t be able to make it (akimbo).

　　 And the subject matter of my book is a type that can't be changed. If you accidentally explode too much, some strange bugs may appear.

　　 Of course, this can also be regarded as a kind of self-confidence, not so market-oriented.

　　 However, I have been focusing on writing self-heavy articles for six or seven years, and I can write good-looking and earn money. Then I think there is no problem to continue this self-heavy road.

　　 When the readers are tired of watching the same big fish and meat, they come back to take a bite of the new cucumber, which is sometimes refreshing.

　　 Another thing, I still remember that some readers often mentioned why there are so few stories about players.

　　 Part of the reason, I have already said in the first volume of the testimonial-if the player has too much plot, it is very easy to collapse. In that case, the essence is actually funny, and Amao’s character is too serious. I really want to write that but I can’t do it...

　　 About four or five months before the book was opened, when I had a dinner with other authors, the definition of the player element in this book was "scaling." The Misty Continent is actually a desperate style similar to the world of Mercury's Farnes. If you remove the player, it can indeed make the plot more smooth-or more flammable, but the legibility will undoubtedly be much lower.

　　 The role of players in this book is to pull readers out when they are about to sink into this world.

　　 This is a technique I heard from Uncle Tong before-how to calmly tell a tragedy without making readers sad?

　　 The answer is to keep the stage distance. Let readers always realize that "that is a story far away from themselves", instead of being immersed in it.

　　 If it is a tragedy that is too close, such as a tragedy that happens around oneself, with relatives and friends playing the protagonist, it will make people unable to hold their hearts and feel sad. The short mother-in-law drama of the parents actually uses this effect to "catch the heart."

　　 But I don't like the kind of plot that makes people feel sad after watching it.

　　 Telling books and singing operas to persuade others. I started typing the first word from the top, and this is the philosophy I hold. Even if you don't realize any profound principles when you read a book, you can flash by "as if you understand something" when you are aftertaste.

The solemn and solemn tragedy does have its artistic value and is very high, but when the readers opened the book with the attitude of "I will come to see a relaxed and happy", they were overwhelmed by the heavy despair— I think this is also a kind of fraud.

　　 Therefore, the reading experience must be considered.

　　I was very fond of hair cutting during the mercury period. But the more he writes, the more he frustrates his hands and dared not make a sword. This is exactly the truth.

　　 There are some characters I actually wanted to kill, UU reading www. uukanshu.com However, considering the reading experience and the accumulated feelings of readers for the characters, I can't bear to start. In the end, he could only start a new plot and make it invisible—something that saved his life.

　　 A strange analogy... It's like killing a pet in front of the owner's eyes. I think that when you cut off an important role of "love" from the reader's heart, the heart shock felt by the reader is probably the same.

　　 He is heavier than a device, but lighter than a person. But he can be remembered after all.

　　 is probably the tenderness remaining in the heart of the cat...

　　 Finally, there have been a lot of people asking in the past few days. Here is a unified reiteration of the fan attitude of this book-attitude is welcome!

　　 After all, I am a fan myself. Whether it is a fan map or a fan, as long as it does not violate the relevant laws and regulations, it is very welcome here. As long as you don’t make a commercial profit and you show the source, you don’t need to ask my opinion specifically. Asking is welcome.

　　 After the player’s book is finished, if someone wants to use the player’s worldview to write that the same person is on the shelf at the starting point, I don’t mind as long as the source is indicated. The reason why I have to finish the book is because I don’t want to explain the settings that haven’t been published yet, but I don’t want to see you get slapped in the face by me...

　　 The code word. Finally, the ending words of this volume.

　　 The appearance of the [Book of Crane] marks the opening of the door to the light world again.

　　The next and last volume is, "The Crusade to Heaven".

　　Recommend the new book of Urban Great God Lao Shi: