The Righteous Player(s)

Good guy, it's a real wolf extinction. More ruthless than ruthless people.

Dare to dig the grave of a mother and mentor who prepares the righteous god, the light world HR, and all the gods and false gods in name... She can even be regarded as the birth mother of the evil "worm" in this world.

No wonder Nigel said that he seemed to be taking time out.

Even if he exhausted his talents for this painting, Annan is not surprised.

That is indeed "the wound of the world". But the wounds of the world itself are not rare. What is rare is the "pearl hidden in this flesh and blood."

Nigel thought that what he was painting was the wound of the world, but what he actually painted was revealed in that wound... the **** of the past, the **** of the heavenly chariot!

I personally confirmed and depicted the corpse of the crown wheel, but did not die or go crazy because of it, which is really rare.

Just the death of the crown wheel master is undoubtedly the mysterious knowledge of the "creation" level.

In other words, it is precisely because he is an ordinary person that he can barely remain immortal. Because the light of the crane is the "light of sublimation", the closer you are to the light world, the more you can feel the sacredness of the crane.

Nigel is not an extraordinary person, he is just an ordinary person. He also doesn't know any mysterious knowledge...

Perhaps because of this, he was able to observe the "Crown Train Mate" with his eyes.

He didn't even use his eyes to "see" the corpse-he just used his intuition about "beauty" to forcefully recreate the superb view in front of him.

His painting alone is extremely powerful.

The portrait that Yaweng painted for the old grandmother in the past, that is, the painting of Zhiji's body, is just the roar of the dragon in the painting, and the windows of the whole street outside the painting will be instantly sealed by ice in the hot summer.

That painting can easily attract cold currents and blizzards... and the painting Nigel drew has one percent power.

As long as the curtain on this painting is uncovered, the room will become very hot, some things will start to ignite spontaneously, and the mirror will no longer be able to reflect objects, but will continue to emit scorching light...

As we all know, the eyeball itself has a mirror surface.

In other words... mortal eyes may not be able to see this painting clearly. It even makes the eyes of the person watching the painting blind.

This is already the category of magic painting.

But its power is obviously much better than peeking directly at the "Death of the Crown Wheel Mate".

This is a kind of filtering, a... pseudo-canon.

It's like knowing from the very beginning that I must not peep into the crown wheel Mita. Nigel, who is "not a transcendent person, and doesn't understand mystery", but has the "intuition of beauty" and is able to observe and paint the corpse of the crown wheel without the naked eye.

In this world, I am afraid that only he can do this.

...But what are they planning to do?

——This is really big news that has never been imagined.

Annan took a deep breath, and the whole person became energetic.

He originally thought that this was probably at most problems of the "Icebreaker Remnants", "Artificial Frost Beast Experiment", and "Self-made Curse Cellar".

Unexpectedly, this stick could actually involve the crown wheel and the worm.

The inside of the world-this is not an illusory description.

It is the third layer of history, that is, the history of "toward a deeper depth", the history of "secret" itself. It's like the mystery knowledge was sacrificed... Those histories that store the "buried mystery" are the third histories.

People who live in the first layer of history can never observe the third layer of history. Just like without light, people cannot see things; in the third history, there is no "light" that can make people know.

Only gods who are themselves related to secrets, secrets, and darkness can directly search through the third level of history through the power of truth.

Entering the third level of history is like "data that has been deleted." However, the deleted data can also be retrieved by special means.

If they are just thrown into the third history, they may also be reproduced in the world by the special rituals of "Mysterious Lady" and "Silent Lady"...

However, being "sewn on the inside of the world" is like being excluded from the inside. Even if the gods use special rituals, they can't find this goal.

——But just like the cards that are excluded from the inside display, it is still possible to be recycled.

If she is sewn into the inside of the world in this way, there is still a way to find her again.

The moment she herself entered the world, the information that belonged to her in the world would disappear at the same time.

It's like after sacrificing mysterious knowledge, the brain will forget it.

If someone is sacrificed, the [world] will forget it.

And if it happens, without any intelligence, directly tear the world apart-if that area happens to be the location where she was "sewn in the world", then she can be re-planed out.

"It turns out that the crown wheel Mita died in'Lushan' back then..."

Annan muttered to himself.

but……

Count Felix and Rafaelo Santi, where did they get this information?

Even the name of the crown wheel Yushou no longer exists. I am afraid that apart from Ms. Silent, the other righteous gods don't know where she was buried.

It can't be a coincidence, right?

The skill that can tear the world apart is itself a very high-level ceremony.

It is about a difficult ceremony with the high-ranking ceremony of the tragedy writer, "Sleeping Beauty", or the high-ranking ceremony with Suifu, "Dragon's Purification of Fire". As long as a slight mistake, it may cause disgust or even hostility from the gods.

Not to mention, the large amount of mantra materials required for this ritual.

And there is the vertical channel dug down by hand...

Construction around an active volcano is very difficult. If you use too rough methods, such as explosives, there is a possibility that something will happen.

It took a lot of money, time and manpower to dig a channel vertically ~www.wuxiaspot.com~ and then stay at a certain depth, launch a large-scale ceremony, and tear the world out.

It just so happened that the corpse of the crown wheel was sculpted out.

——It’s almost like, walking in the wilderness, starting to plan a clearing without warning, and then the oil is sprayed out like this.

In principle, it seems that it can only be explained by coincidence.

But it is a coincidence. Coincidentally, Annan began to doubt its possibility.

Is this really reasonable?

They even knew that they could not peek at the corpse of the crown wheel, so they specially invited Nigel, who may be the only painter in the world who can depict the image of the crown wheel.

Even Annan himself did not know what consequences this would lead to. It is still through Nigel's narrative of his own finished product that it can infer its possible influence.

…In any case, Annan could not sit idly by.

They may not be Annan’s enemies, but what kind of disaster will this move cause...

...Actually, Annan himself is not very clear.

Because the specific information of the crown block Mita does not exist in this world at all.

Everyone can't remember it, and all the classics can't describe it.

The real "people who have been forgotten by the world".

Nigel won't know more information.

He himself doesn't know what he did... I am afraid that even Pagoda Hugo would not know this secret.

The only person who can answer Annan's doubts is probably Silver Sir.

The only good news is that this question does not seem to be urgent... It will not directly disrupt Annan's pre-arrangement and let him sit on the subway on the spot and then run back.

Annan frowned and sighed at the situation beyond his control.

I thought that after all the mirrors were collected, I could rest the meeting...

......As a result, I have to work overtime again.