The Rise of the European Emperor

Marin originally wanted to pass "Peach Blossom Fan", but after a move in his heart, he finally decided to keep "Peach Blossom Fan". However, the plot of the demise of the Ming Dynasty must not be written, otherwise it is courting death.

Therefore, when Marin wrote "Peach Blossom Fan", he changed the Ming Dynasty to the Dakang Dynasty and Nanjing to Jiankang...

Also, King Fu Zhu was changed from Song to Kang Song, and Chongzhen Zhu changed from inspection to Kang inspection. However, Chongzhen's era name has not changed, anyway, Chongzhen has not been born yet. And with Malin's intervention, it is unknown whether Chongzhen's grandfather will appear.

Therefore, Marin only changed the Ming Dynasty country name and the name of the Ming Dynasty royal family with distinctive features. Nothing else has changed. Even, the names of many people in the play should not be. Anyway, they were not born, and Marin wrote it directly.

For example, the names of Hou Fangyu, Ruan Dacheng, Wei Zhongxian, Ma Shiying and others, Ma Lin did not change a word. Anyway, these people's grandfathers haven't been born yet.

However, the name of the heroine Li Xiangjun was changed by Ma Lin to Li Qinger, in order to make Li Qinger famous. And in this way, in the future, if other famous women want to act in this drama, they will have to pretend to be Li Qinger first, which will undoubtedly boost Li Qinger's fame...

Then, Marin also made revisions to Kong Shangren's political views in the play. Among them, he added the plot of the Donglin party fooling Chongzhen but embezzling himself, and also emphasized the plot of the eunuch Wang Chengen accompanied only when Chongzhen was hanged on the coal mountain. When Chongzhen was hanged, the "gentlemen" of the Donglin Party went to greet the king of Chuang...

In the original book, this was not written. Because Kong Shangren is also a descendant of the literati of the Donglin Party faction. According to the normal thinking of the Donglin Party, Kong Shangren put the blame of Daming's demise on Wei Zhongxian's head, as well as on the heads of Wei Zhongxian's remnant Ruan Dacheng and others.

When the Ming Dynasty fell, Lao Wei had been dead for more than ten years, and he still had to bear the blame. Marin felt that he was too wrong, so he rehabilitated him in the play...

At the same time, Marin also focused on the issue of collusion between the civil service group and the business group in the southeastern region to hollow out the corner of the Dakang Dynasty. Then he also described the fact that after Li Zicheng broke the capital, he exceeded 70,000,000 taels of silver from the minister's family. Before that, Chongzhen wanted to borrow millions of taels from the ministers, but he couldn't borrow it, and he watched the Dakang Dynasty perish...

...

However, Marin's mind was broken by the scenes he added. After all, although he was a liberal arts student in his last life, he was not proficient in ancient literature and did not know how to write lyrics.

You know, Lao Kong's "Peach Blossom Fan" is famous because the lyrics in it are so classic that they can be handed down from generation to generation.

For example, one of the most classic "Sorrows in the South of the Yangtze River\

,"Later generations went to middle school Chinese textbooks, and Marin memorized it. Look at people's writing -

"I have seen the ying tingling in the Jade Palace in Jinling, and the flowers blooming early in the Qinhuai waters, who would have known that it would be easy to disappear! I saw him lift up the Zhulou, saw him banquet guests, and saw his building collapse! This moss and green tile pile, I once slept romantically. I feel that I am full of the rise and fall of fifty years. That Wuyi Lane is not surnamed Wang, Mochou Lake ghosts cry at night, and Phoenix Tai is perched on owl birds. The dream of a mountain is the most real, and it is difficult to lose the old state. I don’t believe this map is changed! A set of "Mourning the South of the Yangtze River", sing sadly until old age."

...

Such beautiful lyrics, Marin could not compose it himself. Even later literature professors would be hard-pressed to write. Therefore, Marin thought about it, and had to write most of the scenes he added as narration. In this way, it can also cover up the weakness of his poor level of ancient writing.

But in some parts, some lyrics must be included. Otherwise, it's too embarrassing...

Then, Marin had to ask Li Qinger, a real talented girl, to help think of the words. Fortunately, Li Qinger's ancient writing skills are good, and he barely helped to think of a set of lyrics. However, compared with the original version of "Peach Blossom Fan", the force is still a bit lower...

But no matter what, Marin Mo's revised version of "Peach Blossom Fan" has finally been released. And after Li Qinger read it, she burst into tears. Obviously, Li Qinger was also seriously infected by the sad and gloomy style of "Peach Blossom Fan".

Then, Li Qinger approached Malin with tears in her eyes:

"Why is this drama so sad? Can't it be changed to a happy ending?"

Marin shook his head and said:

"Tragedy can be unforgettable and classic enough. If it is forced to be a comedy, it will be inferior..."

Li Qing'er was stunned for a moment, and her gaze towards Ma Lin was filled with admiration...

In fact, Marin just casually said something that was later seen on the Internet...

...

In addition, in this "Peach Blossom Fan", Ma Lin adopted the Yue Opera singing method. In later generations, Yue Opera was rated as the second largest drama after Peking Opera, and its status was higher than that of Huangmei Opera.

Moreover, Yue Opera is a drama dominated by women, and even the male protagonist often pretends to be a woman. His singing is also very characteristic of Jiangnan, and his literary style is very full.

Of course, Marin had only heard the Yue Opera version of "Peach Blossom Fan", and after listening to it eight times in a row, he almost heard a shadow...

In addition, it should be pointed out that the female-based Yue Opera mainly focuses on singing, and there are few action scenes. Unlike Peking Opera, there are many action scenes, which are also very lively, and there are many unique skills. Therefore, Peking Opera should be more popular.

But for Li Qinger, a weak woman, Yue Opera is the most suitable way for her to perform. After all, she didn't come from the Peking Opera troupe of later generations, and Li Qinger knew nothing about flipping somersaults and using weapons. Therefore, it is more appropriate to perform a more elegant Yue Opera. Otherwise, just the somersaults in Peking Opera can stumped Li Qinger.

And Wu Yue's strong Yue Opera is also very popular with the women of Qinglou. After all, this kind of soft singing is not difficult to sing. And, it sounds great.

Like Li Qinger, the famous female members of Qunfang Pavilion are not professionals who have practiced singing since childhood. If they were to sing Peking Opera, they would definitely not be able to do it. After all, people who sing Peking Opera are people with a solid foundation who have practiced sing-song since childhood.

The soft singing style of Yue Opera does not require too solid singing skills. Therefore, this play directly allowed the girls of Qunfang Pavilion to participate in it with great enthusiasm.

As for the heroine, of course, it is Li Qinger, who is the champion of Ma Linli. Moreover, in order to support her, the name of the heroine was changed from Li Xiangjun to Li Qinger. From then on, Li Qing'er's name has been difficult to keep in the Ming Dynasty...

It was already late August, and there was not much time left before the Double Ninth Festival. As a result, many famous female branches of Qunfang Pavilion, including Li Qinger, participated in the rehearsal of Marin Magic's revised version of "Peach Blossom Fan" with great enthusiasm, and planned to make a blockbuster at the oiran selection conference on the Nine Nine Chongyang...