The Strongest Learning System

This answer was expected by Yan Jiuxi, but also outside of reason!

Why do you say that?

Because Yan Jiuxi had unconditional trust in Su Mo, and she predicted that Su Mo's winning rate was only 50 or 60%.

But if Yan Jiuxi is more rational, in her opinion, Su Mo has no chance of winning at all in this match.

Not at all!

But under this circumstance, Su Mo even said that he was 50% sure, which really surprised Yan Jiuxi.

At this moment, even Yan Jiuxi felt that he couldn't understand Su Mo. What kind of boy was this?

Looking at Yan Jiuxi who was stunned, Su Mo couldn't help but put his hand on her little head and rubbed it up, messing up the originally supple hair in a few strokes.

"Oh, what are you doing?" Yan Jiuxi looked at Su Mo angrily, and he could hang the oil bottle with his small mouth.

"Girl, this is my punishment for you."

Su Mo said indifferently: "I am your boyfriend anytime, of course, I will be your husband in the future, if you look at me with strange eyes again, be careful with family law!"

"I do not have!"

With an angry look, Yan Jiuxi turned his head to the side, but his heart was as sweet as eating honey.

Yes!

No matter when, this boy is her little Mo!

This will never change!

"Ting Bell--" The bell rang.

As soon as Annie walked in, the art classroom became quiet for an instant. She stood on the building platform and glanced around, paused when her eyes passed Su Mo, and a complex look appeared in her eyes.

"We drew a horse last class, and everyone drew it very well."

Retracting her gaze, Annie said: "Next, I announce the classwork for this class, landscape painting!"

"You can draw the landscape in reality or the fictional landscape in your mind. The time limit is 30 minutes."

As soon as the words fell, all the students began to ponder, including Su Mo and Yan Jiuxi.

Landscape painting, good painting is not good painting!

It is not difficult to draw the shape, but it is difficult to draw the gods!

"Xiao Mo, how should I paint landscape painting?" Yan Jiuxi looked at Su Mo asking for help. She didn't even know how to paint and didn't know how to paint.

"This is a bit troublesome to say."

"It's okay, you say."

Seeing Yan Jiuxi who was looking for knowledge, Su Mo nodded helplessly.

"There are six points to pay attention to when painting landscapes."

"Which six o'clock?"

"The first point is that the conception is the soul of the art work. It is the thoughts and feelings that the author wants to express. The level of the conception determines the depth of the painting's meaning and the artistic charm. If the image is composed without the conception, it will inevitably be filled in. Dominate, the composition should follow the "intention" to produce a suitable composition to complete the author's painting intention."

Su Mo thought that these Yan Jiuxi should not understand well, but seeing her serious thinking appearance, he continued to speak: "Second point, take advantage!"

"The composition of landscape paintings is primarily based on taking momentum. The so-called "potency" is a kind of image dynamics. In ancient landscape painting theory, it has long been mentioned: "When painting a large landscape, it is important to gain power. The qi veins are still continuous, and the forests are in power. Although they are different from each other, they are unobstructed. The water is in power, although strange and not unreasonable, that is, it is not mediocre. The hillside is in power, although it is staggered and not messy. What? It is reasonable. "

"Excellent landscape paintings always make people feel bold, while some paintings make people feel like rockery or bonsai in the garden. The main thing is that they don’t have the momentum that the mountain should have. The "potential" is related to the perspective. The scenery can show its aura through perspective processing."

"I seem to understand a little bit."

Regarding Su Mo's remarks, Yan Jiuxi looked surprised and whispered: "Xiao Mo, you continue."

"The third point, the guest-host relationship." Su Mo chuckled.

"A painting must have a theme and highlight its key points. Avoid fragmentation, treat it equally, and not have a main pivot. The theme in the painting is the host, and the foil is the guest. To determine the guest and host, not only must the guest and the host be distinct, but also They must also respond to each other and cannot be independent."

"If you have a guest or an owner, it will be messy, and if you have an owner or not, it will be tedious. Only when the guest and host are arranged properly can the picture feel comfortable.

"The fourth point is the handling of virtual reality, density, and severity."

"As far as the object of expression is concerned, in general, trees are dense places, mountains and rocks are sparse places, trees and rocks are real places, and clouds and water are vacant places. But sometimes the picture needs to treat the mountains and rocks as thick and solid, but the trees do. It's simple and light. In general, rocks, buildings, and trees are heavy, while clouds, etc. are light."

"But sometimes things that are still on the screen are large but light, and things that are moving are small but heavy, which involves the balance of lightness and weight. The appropriate configuration of lightness, weight, and size in landscape paintings requires changes like Xia Guo’s beam scale. The balance should never be the average of the balance scale."

"When considering these aspects of a painting, the most important are the two characters of virtual and real. In the processing of virtual and real, the processing of the four sides and four corners of the picture is extremely important, because it is related to the far effect of the picture, which is the first. Feeling. Generally, it should be forbidden that the picture image is parallel to the four sides, and the dynamic image is diagonal."

"And pay special attention to taboos. The four sides and four corners should be treated similarly to the virtual and real, and pay attention to changes. The so-called "white and black", often use light ink or dry thick ink in the imaginary area, and use the pen to be simple. , Just need a few strokes."

"Wow!"

Yan Jiuxi looked at Su Mo in admiration, with little stars in his eyes, "Xiao Mo, you know too much!"

"You!"

Su Mo amusedly clicked on the girl's Qiong nose, "Who told you to read books, only those autobiographical novels? Read more useful books."

"The book has its own golden house, and the book has its own Yan Ruyu. I don't need me to teach you this truth?"

"Never."

Yan Jiuxi blinked, and spit out his tongue mischievously, "I only have you. If you don't understand, just ask!"

Su Mo: "..."

It seems to be the same!

This is really...

"There are two more points?" Yan Jiuxi smiled.

"The fifth point, perspective and light and darkness."

Su Mo shook his head and laughed, and said lightly: "Generally, dimming is very important for painting. The light source is also from a single direction, so it is unified. However, landscape painting generally does not emphasize light, and the light source does not necessarily require uniformity. It can be from many aspects. In the future, most of the lighting in landscape paintings is also top-down or partial to the top."

"There is the last point, three stacks and two stages and opening and closing, this is very important!"

Su Mo coughed, raised his eyebrows at Yan Jiuxi, and said in the teacher's tone: "Take your notes, this will be a must in the future.