The Treasure Hunt of an Antique Dealer

This is a set of jewelry, basically inlaid with gems: two different styles of bracelets, a string of about 20 centimeters long, should be the same type as that on the chest of Princess Sissi’s dress, and there is a flat Brooch, a gold bracelet, a gold necklace and a pair of gold earrings.

The craftsmanship is still the kind of staggering craftsmanship!

The bracelet is divided into seven sections, each section is a horizontal oval, all hollow carved with characters and stories, similar to the gold inlaid tortoiseshell bracelet obtained last year.

However, the character stories on the bracelet I got last time are all from Huaxia, and the characters on this gold bracelet do not look like Huaxia. The theme and carving techniques of the story are not traditional Chinese techniques, but they are almost the same fine.

The bracelet is still engraved with double-sided hollows, because the overall look is relatively wide, I don't know whether the original owner is a man or a woman, and it can be worn at all.

The brooch has a flat oval shape, about seven centimeters in diameter on the long side, and a ring of dense gold beads in the shape of papillae and smooth gold beads are decorated with three flower bud-shaped wind chimes.

What flower?

do not know.

As for the necklace, it looks more "cheesy". It has a width of 4 cm and a length of about 60 cm. It is completely connected by large and small, round and elliptical gold beads. According to the size and density of the gold beads, it forms several pieces. Large different geometric patterns-people with intensive phobias are best not to look at it, because there is no way to count how many gold beads there are!

The chest charm is divided into 5 layers, each layer is inlaid with "golden grid", red envelope stones and emeralds into geometric figures and floral figures that match the inside and outside.

The most beautiful is one of the bracelets: the hard gold is the bone and the "jewelry flower" is inlaid with 5 precious stones. The middle one is close to 4 cm in diameter and has three layers: a round ruby ​​with a diameter of about 6 mm in the middle, surrounded by diamonds in the second layer, and rubies one size smaller in the third layer.

The bead flower has four small and one large. The "four small" is an emerald in the middle and seven rubies in the outer circle.

The outer periphery between the large bead flower in the middle and the two small bead flowers on both sides is surrounded by a circle of round pearls with different diameters. The sea water bead fills the vacancy in the geometry. Between the two pearls at the widest point, there is also a black gemstone separated by a gold grid. The material of the black gemstone is inaccurate by Zhang Nan.

The middle of the other bracelet is white jade, but the whole body is covered with hollow gold, and it looks like a dragon. The dragon is also inlaid with small red and green gems, and the eyes are two small rubies.

The white jade seems to be Hetian jade, but it is not 100% sure-this thing is not only used by China, and this dragon is different from the traditional Chinese dragon, with a Southeast Asian style.

The pair of earrings did not use gems, and were made of gold wire and gold beads. The pattern and structure were full of the taste of the Arab Empire thousands of years ago.

After checking this, Zhang Nan said: "It should be something from Islan, but it is not in the ancient Islamic period. It is much later.

The craftsmanship level of the Arabs themselves was in a mess in the early days, but after the occupation of West Asia, North Africa and southern Spain, a large number of skilled craftsmen returned to Arabia, and later also influenced the South Asian subcontinent. These things also brought some craftsmanship from India and Persia.

These are probably the products of the Malay region two or three hundred years ago. At that time, some of the Sudanese had the financial resources, and there were also good enough craftsmen from India and China to make jewellery of this level. "

At this point, Zhang Nan divided the necklace, bracelet, brooch, and earrings into one pile, and put the two bracelets, the chest ornament and the indescribable "scepter" together. "This should be two pieces of jewelry, not a series."

...

There is such a harvest in one box, and I have more hope for dozens of other boxes.

Open again!

Thomas Jacob tried to carry a large rectangular box more than one metre long, but he said as soon as he started, "It's very heavy, it should be 300 pounds!"

Good job, there is hope!

Jacob could hold a 300-pound thing, but the problem was that the box was not easy to start, so he didn't do it recklessly. Mark hurried up to help.

The two brothers lifted the big box to a spacious place and pried it open with a crowbar. There was still a lot of cloth in it.

After the messy filler was removed, a bunch of big men didn't understand the situation—"What's this again?"

Especially Mark and Jacob, they couldn't understand after several seconds, and Boss Guan was about the same, but other people quickly had speculations.

Lifting things out, Zhang Nan looked up and down for a while and then said: "This is a crib, **** it! Pure gold, diamond and ruby ​​crib!"

Regarding the boss's words, others deeply agreed.

"Emperor Huaxia didn't play with such a local tyrant, what kind of fairy is this?"

It was Guan Xingquan who was talking: I felt like a crib in front of me, or the kind of high-end goods with a cradle function.

There are two "golden wheels" at the two ends. In the middle is a golden plate with a width of about 60 cm and a length of 110 cm. There are reinforcing ribs at the bottom. A row of golden pillars with a height of about 20 cm is located on both sides.

There is also a round golden ball on the two "wheels", and a golden rod with the thickness of an egg and a length of more than one meter is connected between them.

A slab crescent-shaped gold base was attached to the bottom of the "golden wheel", which caused the baby to look a little swaying-push it laterally with a little force, and this incredible crib became a cradle.

But this crib is too heavy~www.wuxiaspot.com~ If it is not on a very smooth floor, it takes a little effort to shake it!

There are two small hidden gaps at the bottom of the base, and it seems that something can be stuffed in—Zhang Nan feels that as long as two small corks are inserted into it, the bed will become flat and stable.

As for the decoration...Even the gold bedboard is carved with bas-relief, and the entire surface is engraved with complex decorations that repeat geometric animal and plant patterns. This is a typical Islamic decoration.

The "axle" is inlaid into concentric circles with dozens of densely packed rubies and diamonds, and in the middle is a diamond the size of the first little finger!

The outer sides of the 20 gold axles are all inlaid with peanut kernel-sized ruby ​​strips, and the position on the outer contour facing the axle is 20 "jewel flowers", inlaid with red and green gemstones into a flower shape.

The gold base is inlaid with rubies, diamonds and emeralds into interlocking geometric figures. There is not a single gem on the "tire surface" of about five or six widths and the upper gold crosspiece. All of them are welded. , The carving method is processed into blossoming golden flowers and geometric patterns, as well as animal shapes.

A group of people watched it strangely. Various comments focused on issues such as "This king is definitely a nouveau riche." Zhang Nan felt the same way-why didn't he think of spoiling children like this?

It seems a little bit inferior to the father who made this bed! 8)

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