This star just wants to learn

"Why don't you stop doing classical music and write novels? They will definitely be bestsellers..."

This is the true reaction of Yu Wanwan and the other two after listening to Pu Tong's story. Although he told it very simply, it is not difficult to hear that this is a very dramatic romantic love story.

With such detailed names of the male and female protagonists, this story is definitely not his impromptu idea, but Pu Tong thought it out after careful consideration.

Rather than letting him compete in music, it is better to let him compete in storytelling ability. Pu Tong is really not afraid of anyone in this regard. Isn't it easier than writing obscure classical music?

The ending of Liang Zhu is tragic, and tragedy is often more impactful than comedy. In the end, Zhu Yingtai jumped into the tomb and the two were buried together, which is also perfect in another world.

Compared with the lovebirds, mandarin ducks, bluebirds, swallows, etc., which were often used to express love in ancient times, Liang Zhu chose to use the image of butterflies.

In addition to expressing the meaning of "lovers are like butterflies flying together", the image of butterflies itself also carries a special meaning of transcending love.

Butterflies, reborn after breaking the cocoon, become butterflies after metamorphosis. In folk culture, the transformation from a cocoon to a butterfly has always been full of mysterious colors such as "resurrection from the dead", "reincarnation of life" and "immortality of the soul".

In Liang Shanbo and Zhu Yingtai, Liang Shanbo and Zhu Yingtai died for love, which is a love story with a strong tragic color. However, this story does not end with the death of the two people, but with the two people turning into butterflies after death.

The image of the butterfly is extremely beautiful and ethereal, and it is a portrayal of a beautiful and free soul. For the butterfly, the process of turning into a butterfly is a process of breaking through shackles, getting out of difficulties, and regaining new life, which is the replacement of old and new life.

Similarly, for Liang Shanbo and Zhu Yingtai, turning into a butterfly after death is a transformation and rebirth of life, and it is another way to achieve the perfection of love.

The ending of both turning into butterflies is too romantic. This pair of lovers who failed to get married during their lifetime turned into butterflies after death and accompanied each other from then on.

While this story touched countless people, it also made the butterfly one of the symbols of beautiful love in traditional culture.

Although everyone knows that "people cannot be resurrected after death", people tend to see "lovers finally get married" in literary works out of pursuit of a happy and fulfilling life.

Liang Zhu turned into butterflies after death, making this love story with a strong tragic color "sad but not desperate" and having a warm ending full of hope. It is also because of this that this love story is so enduring and deeply rooted in people's hearts.

In the eyes of the three women, this story is very interesting and very suitable for screen presentation. If it is made into a film and television drama, it will definitely be a big hit...

But what puzzled them was that Pu Tong said that his music this time was created with the story as the background, but how should this story be presented in the form of music?

Classical music itself is very difficult, and Pu Tong even tried to choose the more difficult path of using music to narrate.

The narrative of music is a tool for expressing songs and music. It can transcend the boundaries of language and culture and directly touch the hearts of the audience.

To achieve this state, the creator must have a very high understanding of the music work and solid skills to support it, which happens to be what Pu Tong does not have.

The narrative nature of music refers to the fact that music works tell a story or convey an emotion and situation through elements such as melody, harmony, rhythm, and timbre.

Using songs to tell stories is an integral part of musical language. As for the creative expression in songs, it is to tell a musical story with songs and music.

It is not easy for him to write a qualified classical music, let alone to tell stories directly with music, which is too difficult.

In classical music, this can only be achieved through the clever use of melody, rhythm, timbre, dynamics, structure and motivation. He has not yet entered the door, and he still has time to think about this?

"You know how to increase the difficulty for yourself."

Yu Wanwan sighed. If she didn't know that Pu Tong's real purpose was not to win the competition, she would probably be anxious to death when she heard this idea.

However, since he only wants to be a successor, let him do whatever he wants to do with the music.

Lin Yuxi and Iori Yukino couldn't figure it out, but they were more curious than worried. Pu Tong was so confident that he couldn't be unprepared at all.

As for what kind of music he prepared, you will know when you hear it.

Pu Tong and Liu Mu arranged to discuss the cooperation in detail on the weekend. Yu Wanwan and the other two girls went with him, which was also considered a trip in a sense, although the destination was not far away.

In the Magic City, under the introduction of Lin Yuxi, Pu Tong formally visited the master of classical music.

Although this teacher Liu Mu and senior Lin are from the same period, he looks very well maintained. Except for a pair of calm eyes, no other traces of time can be seen.

It is worth mentioning that when Teacher Liu greeted Pu Tong, he completely adopted the mode of getting along with peers, but when facing Lin Yuxi, he used the tone of a celebrity elder to a younger generation.

Pu Tong also had to admit that his prestige in China has reached a terrifying level, so that many older artists will regard him as a "confidant".

"I want to ask about your current progress so that we can have better cooperation." Liu Mu paused, "I heard that you still chose domestic traditional music. To be honest, I am very glad that you made this choice. If you give up, I can't think of anyone else who can take up this responsibility."

Just as Pu Tong guessed, when trying to persuade him to give up, no one would struggle more than Liu Mu. She hoped that Pu Tong would stick to this road like her, but she was also afraid that Pu Tong would end up on the same road as herself.

"If you have ideas, my team can help you complete the music production..."

"No need." Pu Tong waved his hand. He understood Liu Mu's kindness, but he really didn't need it.

“I’ve already done it, it’s just a matter of your team structuring it into different instruments and playing it.”

"Are you serious?"

Liu Mudu suspected that he had heard wrongly. The last time Pu Tong asked him questions about classical music was a week ago, but now he said that he had completed the composition?

Yu Wanwan and the others on the side were observing the antique furnishings in Aunt Liu's house. Who would have thought that Pu Tong would actually say that he had finished his creation when he opened his mouth?

No, is this done? When was it completed?

Pu Tongke has been going to school and returning home from school to the first line this week. He has not fallen behind at all in the intense study in the third year of high school. Where does he have time to create!

Now this guy says he's done with it?

"you……"

Liu Mu wanted to say bad words, but her upbringing made her hold back.

"My team and I need to listen first."

Is it done when you say it's done? No matter what happens, they have to be the ones to check it. If Pu Tong composes a piece of music randomly to cope with the errand, it will not be appropriate.