Throne Wizard

Wizards are the dominant profession in Claude's world. Each race measures their racial strength by the number of wizards, just as countries in previous lives measured their national armed forces by nuclear weapons.

"Magic, soul, spiritual power, intelligence, etc., etc., any power attribute is not a wizard's specialty. Wizards are based on knowledge and move the world. Necromancy, machinery, and elements are the mainstream of the current wizarding world. Others are Special attribute genres such as seals, curses, space, and souls."

"Ghost is a profession dominated by undead and supplemented by curses. The great ghost is the special soul body that the founder of the first generation relied on to run the world. The body of a demon is the magic that necromancers are best at. At the same time, it can also be transformed into the body of a lich through rituals, making it truly immortal."

"No matter what genre it is, what a wizard needs to do most is the accumulation of knowledge. Even if it is to pass on knowledge, it cannot become the foundation of a wizard without a verification experiment."

"Remember, wizards use knowledge to move the world."

Liszt was immersed in "Basic Theory of Wizards", and the most frequent sentence was that knowledge moves the world. Whether it's a mainstream faction or a special one, it's all built on a pedestal.

"Wizard apprentices want to complete the promotion of formal wizards, they need to perform a life transformation ceremony. Different schools need different materials to promote wizards. Hearts, and other special genres all require their own transformation materials."

"The glory of the wizard shines on you."

It took a long time for Liszt to close this basic theory. He did not teach any knowledge in the whole article, but it made Liszt understand his own path.

This is a very strange feeling, the power of the wizard comes from cognition, and this is the conclusion of this book.

However, this career transformation ceremony needs to be carefully considered. The emergence of the system allows him to not worry about attributes, and inheriting knowledge also makes up for the shortcomings of knowledge accumulation to a certain extent.

However, Liszt clearly felt his own flaw, which was a strange feeling of losing control of his power. Even with high attributes, it doesn't work.

"The undead summons."

Liszt increased the output of magic power, but there was no change in the summoning circle, and the attributes of the little skeleton were still very garbage. This does not conform to common sense, just like being restricted by someone, the undead summoning (level 0) can only summon a small skeleton of level 0.

Is this why other professions can be compared to wizards?

Let the wizard have no magic power and can only cast spells according to the spell model. Moreover, the sea of ​​consciousness is also the source of limiting the strength of wizards. There are restrictions on spell slots. Other wizards may only have three or four spell slots when they grow up to the primary level. In this way, the choice of spell model is important, which further leads to the birth of the genre, where each wizard chooses a direction to develop.

Liszt has only now fully understood the meaning of the ghost's training when he became a corpse collector.

A wizard is a profession that even gods cannot tolerate.

…

"Jingle".

Liszt counted the time, it should be Hayazaki.

"grown ups."

When I came to the outside world, I saw that Hayazaki was still dressed in rags. Seeing Liszt come out, he immediately replied respectfully.

"This is today's purchase order." Liszt took out the prepared list. Since even engineering has been inherited, it will take time to practice later. Whether it is alchemy or engineering, it is the knowledge that wizards can accumulate, especially when they cannot be promoted to official wizards at present, "The rest is your reward today."

Taking the scroll and space ring in Liszt's hand, Hayazaki looked excited, "Thank you for your trust, I'll go right now."

As soon as he arrived here, Hayazaki found that this place was different from the rumors. As soon as I walked past the three muskets, I smelled the fragrance of orchid flowers. I thought of the things I bought with Liszt the day before. It is not difficult to see that Liszt did these things.

He was able to make such a big change in the surroundings, which made Hayazaki even more determined. This thigh was locked, and even if the Beast King came, he could not stop him.

Seeing Hayazaki's disappearing figure, Liszt smiled knowingly.

That's good, Mom and Dad, I will live a good life in this world, and I hope you will too.

Liszt returned to the studio to start the next step. He was going to write down the inherited knowledge in his mind. These things may have been lost in today's world, but their existence can reproduce the knowledge lost in the long river of time, which may be the reason why God arranged for them to come to this world.

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Liszt chose to use Chinese characters to record, to ensure that these contents would not be recognized even if they were seen. He didn't have the strength to protect this knowledge from being robbed, and it would be bad to cause unnecessary trouble.

At the same time, the process of writing down is also a process of thinking. This knowledge is just a theory, and Liszt is far from the level of mastery.

The production of magic props is the most important branch of alchemy. It mainly reflects the use of magic patterns. The biggest feature is that there are no restrictions on the use of materials. For example, blacksmithing is the processing and manufacturing of metals, and potions are the skills of changing flowers, trees, etc. with different characteristics.

It can be said that alchemy is the ultimate application of magic pattern and mysticism.

After two hourglasses, Liszt completed the beginning of the opening chapter of alchemy. While writing, he verified each other from different inheritance records to ensure the accuracy of these contents.

According to writing habits, the opening content is the general outline. After completing the compilation of the general outline, Liszt will record the inherited knowledge of alchemy from easy to difficult.

Liszt spent a lot of energy trying to sort out useful information from the clutter of inherited knowledge.

"I didn't expect that when I came to another world, the first thing I wanted to do would be to write a book."

After a long time, Liszt was very happy when he finally finished writing the general outline of the opening chapter. Looking at the twenty pages of parchment, Liszt felt very happy. This is the first mark he left in this world. Even if he is gone in the future, if these contents are discovered by others, they will surely surprise the world and then study them.

After carefully putting away these manuscripts, Liszt decided to take a break before continuing. He was too tired.

The inheritance of civilization begins with the appearance of words. Liszt is determined to pass on the knowledge he has acquired. He is not delusional about becoming a saint, but just wants to leave his mark in this world bit by bit.