Tokyo Gentleman Story

So the time came to July.

"GGO" has become more and more popular, and this "chicken eating" game has begun to enter everyone's attention.

But the first "chicken-eating game" was not a first-person shooter game, but...a cube.

The square is quite interesting.

But for many fans of Mr. Xia Sen, what they are looking forward to now is not the game there, but the animation in July.

"Swordsman Witch" is one of them.

This work is the latest work by Mr. Xia Sen.

Moreover, this work is as "crude" as the previous works of Musashino Animation, and it started with two episodes.

Speaking of it, it seems that because of the action of Musashino Animation, many animations in the industry have begun to do two episodes at the beginning. Some are simply produced by the first and second episodes, and some are directly produced. It has become a single episode long story with two episodes.

Some producers are also heartbroken, chanting industry pills.

But the audience is very happy.

After all, it was quite happy to be able to watch two episodes at first.

Of course, not all works are two-episode simulcast. This two-episode simulcast mainly appears in half-year and annual episodes, and there are only a dozen or so episodes in seasons.

Speaking of it, this kind of simulcasting of the two episodes in the semi-annual show and the annual show seems to be about to become a practice in the industry. This can be regarded as a little change brought by Morinia.

"Huh... get it done." After finishing a fistful of chicken eating, Hideki Kobayakawa looked at the TV.

The more you look at Xia Sen's work, the more you will be attracted to Xia Sen. Hideki Kobayakawa has become a fan of Xia Sen at this moment.

"Starship Voyage: Borderlands" is a good game, but he is basically playing GGO now.

Don't talk about him, everyone in the group is playing this game.

Relatively speaking, Starship Voyage pays more attention to social interaction, but in terms of gameplay, it is relatively small. It is suitable for playing when you are alone, but it is not suitable for everyone to play games together. But GGO is an exception. This game is very suitable for everyone to connect with each other.

He had just eaten a handful of chickens, and seeing that the time was almost up, he opened the website of Hatsune Station.

——Actually, Hideki Kobayakawa almost forgot the time, but at this time someone said on the game’s public screen, "Friendly reminder, "The Sword Maiden" is about to start", and he was surprised that it was night. Up.

Obviously, I feel that I only played two or three games. Why did today's time pass so quickly?

Hideki Kobayakawa hurriedly opened Hatsune Station.

Although there is a TV now, Hideki Kobayakawa has become more and more fond of watching anime on a computer, because when watching anime, he can still make complaints, which is really cool.

And as far as Hideki Kobayakawa knows, many people buy GS not to play games, but to watch the bullet screen when watching videos...

The barrage of GS is targeted and optimized. At this time, ordinary machines can't afford it.

"I'm coming!"

At this time, the animation begins!

When I watched it the first time, Hideki Kobayakawa turned off the barrage.

He now likes watching anime three times.

The first time I watched it on the monitor without opening the bullet screen.

The second time I will open the barrage and watch everyone's complaints, and I will follow them.

For the third time, he will connect the machine to the TV and watch it on the TV.

However, the resolution of TVs is generally not high now. In fact, the definition of watching animation is even worse than using a monitor-but you can watch TV with a 29-inch Sony large color TV, so why not?

The big screen is cool!

As far as Hideki Kobayakawa knows, there seems to be someone who rents a digital projection hall specifically to watch the show in that kind of place. They are really rich.

You know, nowadays movie theaters basically use film. Digital movie theaters are very rare and expensive. That kind of local tyrant's approach is really not something ordinary people can do.

There is no OP at the beginning of the work convention.

This kind of first episode starts directly, without direct OP design, and it is also a "bad wind" brought by Musashino Animation.

Someone used to do this before, but this approach only became popular after Musashino Animation.

In the eyes of many traditional animators, Musashino Animation is really an "industry cancer".

The opening scene of "The Swordsman Miko" is the heroine Kanami Eto and Miyan Ando and other classmates who are encircling a desolate soul who has broken into the city.

Although I made this game in five groups on another world line, Morinka didn't learn much from it. For example, school uniforms were completely free to design.

The story itself is not amazing. When the monsters were encircled and suppressed at the beginning, several girls chatted with each other, which was an introduction to the world view and the world.

It turned out that there is a monster called Awaken in this world, and only the witch with a sword can fight against it.

Therefore, the fourteen-year-old Kanami Eto is not only a student, but also a "sword maiden" who drives a sword.

Point the question directly, simple and clear.

"How handsome……"

Hideki Kobayakawa was attracted by the opening fight.

There is also a part of fighting monsters in the story. The main designer of this part is Montum.

Montum is also constantly improving himself. He thinks it might be a good idea to work hard towards the Reality Department. In the opening section, he was responsible for one of the rare action designs of "The Swordsman Witch", and it was also the rare non-realistic combat part in the whole work.

Of course, in this section, when he was painting, Ando also made adjustments to make everyone's movements more characteristic of his own genre.

Kanami Eto's classmates complained about being disturbed by Desolate Soul when they were about to have summer vacation. They couldn't bear it, and they cooperated with each other here to kill Desolate Soul.

The story here basically gives a brief introduction to the world view and leads to the identity of the heroine.

Kanami Eto is a second-year high school student, and will participate in the imperial competition during the summer vacation.

Moreover, her swordsmanship seemed to be a bit unstable. Every time she fought with others, Maiyi Yanagase found that Kanami was also at fifty-five when fighting against Aura.

Here, Hideki Kobayakawa has discovered that this role doesn't seem to be a mere fifty-five, her fifty-five is for a reason.

In the story, Kanami also said that what she likes the most is to watch other people's moves, even the moves of the wild soul, she is very curious.

"This heroine is someone with a story." Hideki Kobayakawa thought.

After the wild spirit was beheaded, everyone returned to the classroom.

In the work, there are two people representing the school, one is the heroine and the other is the second female Yanagase Maiyi.

Another passerby character Ando Miyan is Kanami's defeat.

"Oh, this passerby character is really a protagonist." Hideki Kobayakawa feels quite a pity. This person from Ando Miyan has a very good set. How can he be a passerby? Will the official play!

——Well, he didn't know that the other party was the protagonist of the "Swordsman Miko" game on another world line, and the plot abundance of this character was no less than Kanami.

This character is also a "nervous knife" character. When she is "in state", she can be close to Zhen Kanami, but she does not maintain that state for long.

The character Morika left an introduction in the story.

"Swordsman Miko" is an experimental animation. If it can be successful, he will consider using this Ando Miyan as the heroine in the follow-up sequel.

"This animation is really interesting."

Hideki Kobayakawa hasn't seen the plot much, but the heroines in the opening scene are still very good.

The school will soon be over for summer vacation, and the heroine is practicing at the shrine.

"Kanami who put on the witch costume is also very cute..." Hideki Kobayakawa sighed.

He didn't know, but Nami still had a witch formal dress. It wasn't cute, it was domineering.

So far, there is nothing special about the story.

In the story, after Kanami and Mai Yi discussed at the shrine, the story moved to the competition.

"The start is the game, is it okay?"

Many animation works have competitions, but they are all in the middle of the story. How can a story start a competition at the beginning?

However, this game is quite realistic in the story. It seems to be similar to the real world of kendo, except that the story is all about ancient swordsmanship.

Oh, not exactly.

In the story, these characters will use two special abilities, one is called Swift and the other is called writing.

The former is a technique similar to teleportation, and the latter is similar to putting a mirror double on one's body surface to bear the damage. As long as the state of writing is removed, the previous injury will disappear.

Originally, Hideki Kobayakawa had no idea about this.

But at this time, in the first game of the story, Kanami killed the enemy with a single knife. This feeling made Hideki Kobayakawa's attraction all attracted.

——This is directly cutting the enemy's melons and vegetables!

In the current animation, there are actually battles.

But how to say it.

These battles are actually uncomfortable sometimes.

Because in these battles, no matter how bad the protagonist is, his body is intact.

The so-called tricks, although all kinds of tyrants are cool, but in fact, the harm to the human body is basically zero-you see, even in works like Saint Seiya, the characters in it rarely lack arms and legs because of battle. Right.

But the battle of the sword maiden is not a "fake fight", but a "real fight".

In this work, fighting is called a quick and neat.

The battle in the whole work is not very long, but every one is very experience, as if...the swordsman in the real world is fighting.

Hideki Kobayakawa thought of the Zato market of the "Sword Halberd Pieces" he had seen.

The works in this series are great, they are the fine works of old dramas.

Although the character battles inside are messy, but sometimes some clips are really great.

Although the temperament between the two sides is not the same, the feeling of fighting with a real sword is very shocking.

Because of this scene, Hideki Kobayakawa even wondered: Is it an animation I am watching now?

Of course, he also knew that this was an illusion of his own.

After playing her own game, Kanami was attracted by another character's fight.

"Black, black long and straight!"

Appeared!

Black is long and straight!

A character named Jujo Hime appeared.

Obviously, this is a "Heavenly Fall" character, which is in sharp contrast with the "childhood boy and bamboo horse" of Mai Yanagase next to him.

In an instant, in Hideki Kobayakawa, there was a flash of "Ome is not against the heavens" as summarized by a man named God on the Internet.

In Hideki Kobayakawa's view, it is also very unpleasant for this childhood sweetheart to be loved by the heavenly sword.

...But what does it matter?

Hideki Kobayakawa unconditionally supports the character named "Jujo Himewa" who just showed up.

The reason is simple, because this character is-black! long! straight!

Black long straight match high!

After all, my life, so the Yanagase Maiyi children’s shoes over there are really sorry~

In the story, everyone had a wave of interaction. Eto Kanami’s sword seemed to resonate with Jujohimeka's sword. This made Kanami very curious about it, and Jujohimeka's Ichinoda sword also Kanami couldn't look away.

"This guy is really a sword idiot..."

In the beginning, Nami had this tendency. But after seeing Shijo Jihe, this feeling became more obvious.

In the story, Mai Yanagase had already complained about it before, but when Nami was in the game, in order to watch the enemy's sword moves, she went into danger several times, which has explained everything.

And after seeing Jujo Himeka's Ichinoda Sword, Kanami also entered a state of excitement.

Here, Hideki Kobayakawa immediately saw through the character of Kanami.

Not to mention, he doesn't hate this feeling.

The story gradually goes on.

But Hideki Kobayakawa felt something was wrong.

"Hey, why is it the final?"

Take a closer look at the time, now only half of the first episode.

This... is the final?

Isn’t the game in the animation the main story?

Hideki Kobayakawa here is very concerned.

How will the animation be performed?

He was curious.

Sure enough, at this time, the game began.

As expected, the match was the final between Kenami Eto and Himewa Jujo.

however……

"What?!"

At the game, UU Reading www.uukānshu.com Jujohime and even went to assassinate the boss of the "Sword Management Bureau" who was holding the game.

Super expanded!

But Kanami Eto realized that something was wrong at this time—for a moment, she seemed to see something in the hair of Zakushen Zi.

Then she rushed up too, but not to stop Shijo Jihe, but...to help her who failed the assassination and ran away...

Can this happen? !

...

Zatoichi is telling the story of a blind swordsman. There are actually a lot of gifs, one swordsman and one Ihe, and then the enemy's wine glasses are cut in two pieces, which are basically clips of Zatoichi.

So the national costume of the sword maiden should be out of play, tragedy Orz

I quickly jumped to July, and I didn’t write much about June. The author Jun was timid.

Two-in-one meow~