Tokyo life starting with painting

Konoe Ryoka was still concentrating on the oil painting in front of her, but when Higashinoji tapped her on the shoulder, her whole body trembled subconsciously.

The brush in his hand was originally set to a dark color, but he was so frightened that he directly painted Higashinoji's eyes in the oil painting. The originally delicate and beautiful Higashinoji in the oil painting suddenly had eyes marked with black codes. Criminals' gone.

Screwed!

Konoe Ryoka let out a whine, and without having time to turn around and talk to Higashinoji, she started scraping down the paint bit by bit.

Fortunately, this stroke is very shallow, and the overlap of the oil painting is very strong. After scraping off the top layer, the eyes below came out again.

Konoe Ryoka was completely relieved and began to touch up the color seriously.

Her coloring movements are much smoother than before.

And he obviously dared to write, unlike before where he had to think about his next move for a while. Although there are still many shortcomings visible to the naked eye.

But this is the level of ordinary high school students, so it is normal.

Originally, Tonoji wanted to ask her if she needed help, but after seeing her actions, he didn't interfere too much.

After all, in addition to the teacher's instruction, a considerable part of the time for painting needs to be pondered by oneself.

After about ten minutes, she repainted the color.

Looking at the scene of regaining a new life, Konoe Ryoka let out a breath, then put down the brush and turned to look at Higashinoji.

Those big, extraordinarily clean and clear eyes seemed to be full of emotions, and the happy expression was basically visible.

But when she spoke, she turned into a dry 'Higashino-san'.

"Yes." Higashinoji nodded, looked at Konoe Ryoka's oil painting again, and then smiled and praised: "You have made a lot of progress, Konoe-san."

Yes, this oil painting shows that Konoe Ryoka's painting skills have improved a lot, both in terms of quality and technique.

"Uh." After hearing this, Konoe Ryoka stood up awkwardly, her trembling appearance seemed to be covering something behind her.

This abnormal behavior was immediately noticed by Tonoji. He looked at Konoe Ryoka strangely, and then showed an inexplicable expression: "Konoe-san, I can see it."

Yes, Higashinoji took advantage of his height to immediately see what was placed behind Konoe Ryoka.

That layer of canvas.

Higashinoji just glanced at about seven or eight pictures.

And they were all painted by him.

"Okay, Konoe-san." Higashinoji laughed: "You think of me as a model? Do you want to set a pose?"

He teased Konoe Ryoka, who was stunned for a long time. After being stunned for a long time, Konoe Ryoka shook her head vigorously.

I don't know what she was thinking, but her fair face turned red.

Naturally, Higashinoji was not idle either. He picked up the oil paintings that Konoe Ryoka had placed in the corner and took a look at them. Then he turned his head teasingly: "Konoe-san, I haven't noticed yet, but you're pretty cool." Someone with a talent for abstract painting.”

This is not to blame Higashinoji, the most important thing is that the way Konoe Ryoka painted herself is a bit too skeletal.

The proportions of my body in the first few pictures are wrong, and the coloring in the last few pictures is weird, like an abstract painting.

"No, no. I just practiced that a little bit."

Konoe Ryoka looked at the horrible paintings in Higashinoji's hands and did not dare to look up at Higashinoji's expression.

"Huh? A little practice?"

There must be more than ten of them, right?

Higashinoji only felt that as these days passed, Konoe Ryoka's speaking skills seemed to have improved a lot, and this "slightly" use was very interesting.

"Then I also want to draw two pictures of Konoe-san 'a little bit'. Is that okay?"

"Why?"

Hearing Higashinoji's words, Konoe Ryoka opened her mouth wide and stretched out her hand: "I, I can't do it! I really can't do it!"

"I said you can, then you can. Okay! Stand still! Hold your head high and chest out! Don't look around!" Higashino held the pencil, took out the sketchbook, and deliberately made a serious face: "What's the answer?"

"Yes" Konoe Ryoka subconsciously stood still as Higashinoji asked.

"The voice is too low! I can't hear you! And are you standing at attention?"

"Yes!" Konoe Ryoka hurriedly stood up and put her hands down, her big eyes full of confusion.

Where am I? who I am?

Seeing her pursed lips and raised chest, as if she was in danger, Higashinoji also laughed: "You should be so energetic."

Then he held the pencil in one hand and the sketchbook in the other, facing Konoe Ryoka in front of him, and started drawing.

Relax your arms, hold the pencil on your wrist, and don't throw your arms away, so that the lines you draw will have charm.

If others were to look at it, they would definitely think that Higashinoji painted very quickly, basically just looking up occasionally, and then lowering his head to continue painting.

This can be regarded as Higashinoji's style.

He handles the general tone and composition very quickly, but when it comes to details that require time, such as the eyes, eyebrow corners, and lips, he does not waste time and spends a lot of time carving.

He painted like this for more than half an hour. During this period, he had already asked Konoe Ryoka to sit down. After all, it was not good to keep her in the same position.

When the painting was almost done, Touyoshi smiled and waved to her, gesturing for her to come over here.

Konoe Ryoka walked over with some confusion, until she was almost close to Higashinoji, when she was pulled to his side.

She exclaimed softly - this was the first time she had been so close to someone other than her parents.

But her exclamation was quickly suppressed by Higashinoji's voice: "Konoe-san, look at this sketch."

Forehead

Konoe Ryoka subconsciously looked at Higashinoji's sketchbook.

The paper surface remains as clean as ever, with almost no erasers used.

Both the proportions and the human body are just right. Coupled with Higashino Tsukasa's very personal style of creation, the image of Konoe Ryoka on the screen is different from her own image.

But these are not the most important, the most important thing is

"I didn't draw the eyes." Konoe Ryoka subconsciously opened her mouth.

Yes, Higashinoji didn’t draw eyes on himself in this sketch.

"The eyes are very important in the painting." Higashinoji said with a smile: "You stand next to me and look carefully, and I will teach you how to draw."

"Oh," Konoe Ryoka nodded and moved closer obediently.

She is like this, she likes painting very much, and as soon as she heard the topic of painting, the matter of Higashino holding her back was forgotten.

"Come closer, what can you see if you stand there?" Higashino smiled and motioned for her to come closer.

"oh"

"Don't be afraid if you get closer, can I still eat you?"

"I, I understand." Konoe Ryoka lowered her body and got closer.

This time almost everyone was close.

Her face was right next to Higashinoji's face, her eyes looking down, intently looking at the sketchbook in his hand.

Higashinoji didn't continue to show off, picked up a pencil and began to draw the eyes.

As mentioned before, the eyes are the most important part in sketching a person. How to see a person's emotional expression mainly depends on the eyes, followed by the movements.

His hands moved.

The longer line is the eyebrow, the shorter line forms the eyes, and then the brow arch, the subtle details in the eyes, which requires attention to human anatomy and structural bone points.

But in Konoe Ryoka's eyes, Higashinoji's few simple strokes were really simple.

But just these few relaxed and freehand strokes made the whole painting seem to come to life, and the whole picture was also full of tension.

In the sketch, Konoe Ryoka purses her lips and smiles, looking quite happy, but her eyebrows are lowered, and her eyes seem to be a little dodge-a happy but shy emotion is revealed from the characters in the painting. out.

It's really vivid.

"Look, if you do this first and then do this again, won't the eyes be formed? Aren't they pretty? The eyes in the oil painting you just painted were lifeless, and you can't see the vitality from them."

Why? The oil painting just now?

Konoe Ryoka only reacted after hearing this.

Could it be that Tonoji suddenly wanted to draw a sketch of himself after looking at the eyes he drew? He just wants to teach himself?

Konoe Ryoka was stunned, but soon she heard Higashinoji's strange voice: "What's wrong? Konoe-kun, do you think it's ugly? Why don't you say anything?"

"No, no! Very beautiful! The eyes drawn by Higashino-san are really beautiful!"

Konoe Ryoka reacted and answered.

But after listening to her answer, Higashinoji just smiled and waved his hands. He turned his head and looked at Konoe Ryoka's eyes: "It's not that I draw well, it's that Konoe-san's eyes are inherently beautiful, so you are a little bit Be confident and hold your head high.”

This was also the biggest reason why Tonoji asked her to stand at attention, raise her head and hold her chest out.

It's obvious that he is not hunchbacked and his head is always lowered. No matter how beautiful his face is, it can't save him.

""Besides, Konoe-kun, are you too close? "

Higashinoji could even feel the hot breath of Konoe Ryoka's breath, so he laughed and teased: "Konoe-san is really not afraid that I will eat you."

Why?

Konoe Ryoka was a little stunned when she heard it, but she was actually very happy when Higashinoji praised her eyes.

But when I heard Higashinoji say this, I fully realized—it was indeed so close!

If her face only moved a little further forward, she would be in close contact with Higashinoji's face.

Konoe Ryoka's body quickly leaned back, and then she stopped.

Recalling that she was so close to Higashikata just now, she felt dizzy.

Seeing her like this, Higashinoji also laughed twice: "I am a relatively harmless person. Konoe-san, you can get so close to me, but you can't do this to other boys. They might kidnap you." Let’s go. After all, you are good-looking and have a good figure.”

Higashinoji originally wanted to say, 'Nice figure,' but after his eyes circled around her body, he changed his mind.

"Abducted?" Konoe Ryoka raised her head.

She didn't quite understand what 'abducted' meant at first.

But Japan's sex education has always been excellent, so she suddenly thought of something, her face turned red and she didn't dare to speak.

Kidnapped?

She looked at Higashinoji, and for the first time she wanted to ask him if he also wanted to abduct her.

As soon as this idea came up, Konoe Ryoka was shocked and suppressed it.

What on earth was I thinking?

My head started to feel dizzy again.

But before she could finish thinking about it, Higashinoji over there had already taken the initiative and said, "I'll give this sketch to Konoe-san."

"Huh? Why are you so embarrassed?" Konoe Ryoka shied away sheepishly, but Higashinoji quickly smiled: "If you're embarrassed, why don't you trade Konoe-san's oil painting with me? How about it?" Although you are the one who suffers."

"ah?"

But that oil painting was originally painted and given to you.

Konoe Ryoka wanted to answer Higashinoji like this.

Yes, her painting was originally intended to be given to Higashinoji, so she practiced it many times.

But now Higashinoji is talking about exchange

Seeing Higashinoji smiling, Konoe Ryoka suddenly understood something.

Higashinoji probably knew as soon as he came in that the oil painting he painted was going to be given to him.

That’s why I suddenly sketched to teach myself how to draw eyes, and then suddenly offered to exchange

Konoe Ryoka's heart trembled, and she was inexplicably moved.

To be honest, this was the first time she received a gift from a friend of the opposite sex.

To be precise, this was the first time a boy was willing to go through such roundabout ways to do something for her.

Konoe Ryoka clenched her fists slightly, then nodded gently and bowed deeply: "Well, thank you, Higashino-kun, I, I will definitely cherish it."

"It's just a sketch." Higashinoji smiled: "Why is it so formal?"

"I want it." Konoe Ryoka said seriously, holding the oil painting in her hands (the paint was not yet dry).

Seeing her look like this, Tonoji didn't say much and exchanged the sketchbook with her.

Konoe Ryoka was happy to see her come alive above, but she wasn't too excited.

She just looked at the sketch quietly and smiled softly.

After taking the oil painting from Konoe Ryoka, Tonoji put it aside.

The paint on this is not dry yet, so let it dry in the studio before doing any preservation measures.

After doing this, Higashinoji sat down and chatted with Konoe Ryoka.

He is very talkative, so even if Konoe Ryoka can't pick up the words sometimes, he can still humorously bring up some topics that Konoe Ryoka can easily pick up.

The two chatted like this until Madoka Fukushima and the others also came to the studio. They saw Higashinoji and Konoe Ryoka chatting enthusiastically, so they also joined the chat group.

It has to be said that Higashinoji does have the talent of misleading others, and it is really fun to tease these girls, so they all responded with a smile.

Another twenty minutes passed, and the person Higashinoji was waiting for finally arrived in the studio.

"Teacher Okano." As soon as he saw Ryoko Okano coming over, Tonoji's eyes lit up and he stood up.

He does have something else to do

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