Tokyo life starting with painting

What Higashinoji wrote was a very common word - youth.

It is written in a very common running script.

After all, the block letters are too correct, and Aiko Kijo and the others might not be too satisfied.

Cursive script is too artistic, and Higashinoji's calligraphy skills are not that high, so he chose running script, which is both artistic and practical.

To put it simply, regular script is too serious and cursive script is too fancy, so Higashino chose cursive script, which is in between.

only

After Higashino put away his pen, he frowned and looked at the word youth in front of him.

Generally speaking, running script pays attention to the balance between large and small, the lines are relaxed and relaxed, and the fonts are dense and dense, so that the entire font looks comfortable.

In Higashinoji's view, the message he just wrote was undoubtedly a failure.

The lines are stiff and the density of the fonts is okay, but the fonts both horizontally and vertically show too much sharpness, and there is no sense of roundness at all in running script.

Although there is Higashinoji's personal style in it, it still doesn't work.

"Sure enough, it's been so long since I haven't written that my hands are raw." Higashino thought to himself.

I have very bad hands, and I am not familiar with the softness and hardness of the brush here and the texture of the ink, so I wrote this kind of thing.

He groaned and without hesitation picked up the 'Youth' card and put it next to him.

This abandoned look made Aiko Kijo and Jun Matsumoto next to him stunned.

They didn't expect Higashinoji to throw away such an outstanding work.

And he doesn’t seem satisfied with his appearance?

"Is it possible that I can write better?" Jun Matsumoto murmured to himself, getting closer and closer curiously.

Beside him, Aiko Kijo didn't say anything, but his eyes sparkled, thinking that he might have found a treasure this time.

Not to mention anything else, just this calligraphy, Higashinoji is enough to carry the banner of the Kitajuku Art Festival.

While they were thinking, Higashinoji over there covered the tip of his brush with ink again and began to write and move the pen smoothly on the new paper.

The rice paper in Japan is a little thicker than that in China, so naturally he used the pen a little more boldly this time.

It’s still the word youth.

Higashinoji wrote it down in one go, and seemed to have found some feeling.

Jun Matsumoto, an onlooker, could clearly feel the changes in the fonts written by Higashinoji.

This time's "Youth" has an indescribable sense of excitement compared to what Higashinoji wrote just now.

The word ‘行’ in running script is reflected.

Although it seems that the font has not changed much, the stiffness and lifelessness in the 'youth' just now has been gone.

"Can you really make progress?" Matsumoto Jun looked at Higashinoji in disbelief.

And then

"Still not satisfied?!"

After watching Tonoji pick up the paper and put it aside with his eyebrows furrowed again, and prepare to write again, Matsumoto Jun finally couldn't help but secretly asked Kijo Aiko.

"President Kijo, are you kidding me? Is Higashino-san really the candidate you found in the studio? Isn't he the calligraphy contest winner you abducted from somewhere?"

""Kokujo Aiko was a little confused.

She looked at Higashinoji who was taking action again, and finally turned her head to look at Asami Mamanaka: "Asami, you really don't know that Higashino-san can also calligraphy? You are his ex-girlfriend."

""Asami intermittently.

She didn't know what to say, her throat was dry: "I don't know either."

Who knew Higashikata could hide it so deeply?

If she knew that he still had these unique skills hidden, would there be hope for her and Higashinoji?

Occasionally Asami really regretted it, but it was useless to regret it.

The current Dongye Si only made her feel a little strange. Although he still had the same face, she could clearly feel that he had changed a lot compared to before.

How come you have become so mature?

In the meantime, Asami sighed, but she didn't say anything about getting back together with Higashinoji.

That was too cliché and inconsistent with her own character.

While the discussion here was going on, Higashinoji had already stopped writing.

"That should be enough." Higashino sighed inwardly as he looked at the words in front of him.

Sure enough, I was still a little neglected. I used to write two posts every day to maintain the feel, but it didn't feel like it. When I really neglected it for a month or two and started writing again, the difference was visible to the naked eye.

There is no end to learning.

Higashino sighed and put this piece of 'youth' aside unsatisfied.

Matsumoto Jun looked at it again and found that the "youth" in this post was different from the last time.

The font is jumping and floating, and the simple square and round strokes actually reveal an indescribable feeling of vigor and strength.

If the word "youth" in the second post is too floating, the font is floating in the sky.

So this third post is considered to have a firm footing. Although it still maintains a sense of vibrancy, the font feels like a human being has stood firm, without the previous shaky feeling.

"President Kijo, Senior Matsumoto, how do you feel?" Tonoji put down his brush and stood up: "Have I passed your expectations?"

"Uh" Aiko Kijo and Jun Matsumoto looked at each other.

Where does this pass? This has completely exceeded the expected line.

Originally, Kijo Aiko hoped that Higashinoji would be a small electric donkey and could barely cross the finish line. However, she never expected that Higashinoji would be a big truck and hit the finish line with no bones left.

"Higashino-kun's calligraphy is indeed very good." Jun Matsumoto looked at Aiko Kijo with a smile: "Since President Kijo has found such a good hand, naturally our calligraphy department will not have any objections."

At first, he had some objections to Aiko Kijo not choosing someone from the calligraphy club but a student from the studio.

But now that he saw Higashinoji's handwriting, he gave in generously.

There is no way. If it is written well, it is written well. If it is not written well, it is bad. This cannot be faked.

Although he was still a little unwilling to give in, Higashinoji was quite good at being a good person. He kept saying, "Please ask the seniors for advice." Hearing this made him feel indescribably comfortable - look! Even such a big shot wants my advice!

"I would also like to thank Matsumoto-senpai for lending me some paper to practice with. Since you two have agreed, let's solve the vertical problem now."

Tonoji rolled up his sleeves and said simply.

He wasn't going to waste too much time on this.

"That's fine." Kijo Aiko is also a very enthusiastic person: "Matsumoto-san, please help me take out the vertical banner I want to write."

"Okay." Jun Matsumoto smiled and called up a few students from the Calligraphy Department who were fishing, and asked them to help pick up the vertical banners.

Looking at these students, I also looked at the good environment of the Calligraphy Department - tatami mats, black columns, white walls, a dedicated calligraphy practice area, and tools.

Higashinoji also sighed a little.

Not being slanderous, not bragging, just telling a fact.

The cultural inheritance in Japan is really good. At least in China, if you want to learn calligraphy, you have to enroll in calligraphy classes at your own expense. How can schools here take the initiative to make space for students to hold activities?

Thanks to Nanfeng Chuanjing, Book Friends 20171217235307738, Imperial Guards, Fissioner, Devildan, Pray Night and Night, and walk the world with justice! Thank you so much!