Tokyo Literary Godfather

"The Lonely Gourmet" soon entered the promotion period. Kei Fujiwara specifically asked Yui Mizuhara not to deliberately emphasize that Keita Sima was the screenwriter of the show during promotion.

The reason is very simple. The fans he has accumulated now are all fans of "White Night Journey" and drama fans of "Long Vacation". "The Lonely Gourmet" has a completely different style from these two works. Fans who come here to see it I will only feel disappointed, and it may actually hurt the reputation of this drama.

Mizuhara Yui agreed and did not deliberately emphasize the identity of the screenwriter in any promotional resources. Therefore, even though many viewers have seen the advertisements for this drama, they did not notice that the screenwriter of this late-night drama was actually the screenwriter of "Long Vacation" It's the same person.

The audience doesn’t know, but that doesn’t mean that peers don’t know. Kei Fujiwara's new drama is about to be aired, which immediately aroused the alarm of the broadcasting industry, especially the other five major TV stations.

But when I learned that Kei Fujiwara's new drama was just a late-night drama, I felt very confused.

The success of "Long Vacation" made Kei Fujiwara a first-line screenwriter. It stands to reason that even if you want to cooperate with the most senior director and require the show to be broadcast on the prime time of the weekend, so that the TV station can devote the most publicity resources, the top executives in the station should have nothing to do. Just satisfy him without hesitation.

But why is his new work just a late-night drama? Could it be that there was a conflict with the leader in the station and he was put in the wrong position?

People from other TV stations were puzzled. In fact, even the top management of Fukuyama Channel found it incomprehensible.

Director Yoshida Kashi was also a little depressed. The success of "Long Vacation" not only made Kei Fujiwara an all-round author and genius screenwriter, but also brought him great glory and the trust of the TV station's shareholders.

The newspaper group and major shareholders behind the TV station praised him one after another, thinking that it was a very wise decision for him to keep Kei Fujiwara in time, which shows that it is extremely correct to let him be the director.

After "Long Vacation" got the historical level, Yoshida Kashi also wanted Kei Fujiwara to come up with a new drama, strike while the iron is hot, as long as Kei Fujiwara speaks, let alone September 9, he can choose any weekend prime time. Even if he is interested in someone else's time slot, as long as the opponent's performance fluctuates, it is not impossible to discuss that he will immediately cut it in half and let Fujiwara Kei take the horse.

Unexpectedly, Fujiwara Kei proposed to do a late-night drama first, and the plan and script he presented were difficult to understand.

As a TV drama, there is almost no plot, and the bland and lukewarm one is like a glass of boiled water. Can such a drama really gain ratings in the late-night file where the bottom line of human nature is frantically chafing?

Yoshida Kashi also euphemistically raised such a question, but the reply given by Mizuba Productions made him want to vomit blood: "It's no big deal if the performance of this drama is not good. This is an experimental work, mainly for the sake of Train the team."

Yoshida Kaishi couldn't wait to call Fujiwara Kei to the office and scold him: You bitch, Xipi, are you fucking using real money from the TV station to practice? And even if it’s a late night slot, it’s a late night slot on weekends. Do you know how many producers want this time slot? !

But in the end, he didn't do it. As soon as he achieved historical results, you called him in and reprimanded him, which was more or less suspected of suppressing talents.

Moreover, I heard that this guy has a good temper, and technical talents are often not very obedient to discipline. If he swears in the street again in a fit of anger, how can anyone dare to join him in the future?

So he endured it, and after some thought, he approved the production and broadcast of this drama, and determined the broadcast time.

Seeing that the broadcast time of "The Lonely Gourmet" is approaching day by day, the new issue of "Spring and Autumn Literature Appreciation" has also been officially released.

What is serialized in this issue of "Spring and Autumn Literature Appreciation" is the second chapter of "Genius Detective Mitarawashike".

Mitarai and her childhood sweetheart Miyuki Nanase were invited to a villa to attend a gathering of members of Miyuki's sister's film club. However, while the two were strolling on the suspension bridge in front of the villa, they suddenly discovered a man covered in bandages...

At night, Nanako Togata was reading this chapter alone at home, and suddenly felt a chill on the back of her neck, so she turned her head subconsciously, but only saw the dark window.

Nanako Togada always felt that a face would pop out of the window, so she hurriedly ran to close the curtains, then sat on the bed and put on a quilt to read.

The bandage weirdo started chasing the heroine for some reason. At the same time, the suspension bridge in front of the villa broke and the entire villa became an island. People inside can't get out, and people outside can't get in.

The Blizzard Villa mode has appeared... Togada Nanako thought to herself.

Blizzard Villa Model is the name given by Mr. Sima Guita for this kind of situation in class. It refers to a group of people trapped in a closed environment and unable to communicate with the outside world due to special circumstances. However, there are gradually strange people in the crowd. Death, the murderer is among everyone.

Everyone gathered together to discuss the bandage monster they had just seen. At this moment, the bandage monster suddenly appeared with a corpse on his chest...

The atmosphere of terror was so well rendered that even under the quilt, Togada Nanako felt a hint of coldness.

This chapter still did not reveal the final mystery, Nanako Togata closed the magazine, and now suddenly wanted to discuss the plot in this chapter of the novel with others, so she turned on the computer and entered the reasoning forum again.

Re-entering the forum this time, Nanako Togata subconsciously looked for the familiar ID, who was Sima Keita's biggest black fan, and was always committed to finding fault with Sima Keita from various angles.

At first, Togada Nanako was still angry, but as time passed, she calmed down and became curious about what reason the man would use to criticize Keita Shima this time.

But this time he seemed to be late, and his speech was not found in the forum.

Yukie Minakami is writing hard at this time, because in addition to his identity as an Internet troll and book reviewer, he also has an identity as a mystery author.

Only after he finished writing his own novel did he have free time to "point out" other people's works.

His novel is being published in a magazine called "Wild Stories", which is not far behind the publication of "Genius Detective Mitarashi Kiyoshi". Although the two do not contribute to the same magazine, they can be regarded as rivals at the same time.

If I can defeat Keita Sima head-on, maybe the reasoning world will recognize my talent... Yukie Minamizu thought to himself.

Yukie Minakami subconsciously clenched the pen in his hand and used extra force to write every word.

It's Saturday, and it's finally time for "The Lonely Gourmet" to be officially broadcast.

The title of the first episode is "Chicken Skewers in Hamamatsucho, Minato-ku".

What appeared on the TV screen were the streets and new people everywhere, and an ordinary-looking uncle suddenly appeared on the screen.

The uncle walked among the crowd, and the voice-over came from the TV, which was all from his heart.

The uncle seems to be a salesperson, but he is not the kind of salesperson who sits at the counter in a department store. He personally delivers the products that customers want to their doorsteps.

Many viewers watched the show at twelve o'clock on Saturday night, but these viewers were mainly divided into three categories.

The first category is that they think what’s so interesting about this kind of drama, where a passerby-looking uncle picks up oranges for an old lady, then goes to meet a client, and finally finds a random restaurant to eat? Can this also be called a TV series? Isn't this just the daily life of ordinary social animals who just grab a camera and shoot it? The TV show "The Sick Building" on Dongdao Channel is still interesting, so I decided to change the channel.

The second type of people think that all late-night dramas are too boring, with all kinds of pornographic elements, which are disgusting to watch. Do those guys who make TV dramas understand that not all viewers are interested in watching obscene movies? Can you make a normal late-night drama for those of us who have noble interests but can’t sleep at night? Um? This one is not bad, it doesn't seem to have any violent and pornographic plots, so give it a try.

The third type of people were attracted by the shiny chicken skewers that appeared in the title sequence from the beginning, so they patiently watched it. And when Inokashira Goro walked into the yakiniku shop and enjoyed the food one bite at a time, their mouths began to secrete saliva, and there seemed to be a small fire burning in their stomachs.

Damn it, why am I watching this in the middle of the night?

Instant noodles, do you still have instant noodles at home?