Tokyo Literary Godfather

Inoue Morita seemed a little hesitant, Fujiwara Kei said: "Mori Mata, what do you think performance is?"

Inoue Mori was startled again, realizing that Kei Fujiwara was testing her professional issues, and immediately sat up, and answered seriously: "Mr. Fujiwara, I think acting is to create a new soul in my body."

"That's very good, but it can be said more bluntly." Keimao Fujiwara, "Performance is an actor's imitation of the outside world. The behaviors that actors see in their daily life are imitated and restored on the set. It's just acting."

"The biggest gap between a good actor and a bad actor is not the gap in expressiveness, but the gap in observation ability. An actor who doesn't know how to observe the outside world will gradually degrade in acting skills."

Fujiwara Kei touched Morisamata's head, "Acting on the set is a process of consumption, leaving the set to experience and observe in different places is the accumulation, so going out at the right time to relax is also a process of learning to act. Don't think I'm just lazy. Your junior high school's school festival is over, right? Then go to our school and have a look, it'll be tomorrow."

"There should be many famous painters and designers returning to school that day. You should be very interested, Morimata."

Inoue Morimata's face turned red, and he bowed to Kei Fujiwara: "You really took the trouble, Mr. Fujiwara."

Kei Fujiwara looked at Inoue Mori's sensible appearance, and then thought of Arimasai's wicked appearance, and couldn't help but sigh in his heart, the gap is really big for the same child.

On the day of the school festival, Kei Fujiwara drove to Tokyo University of Literature and Art.

Mori Inoue put on her school uniform again, sat obediently in the back seat of the car, holding a cute wombat wallet in her hand, which was given to her by her mother, and told her to spend her own money if she wanted to buy something, don't Kei Fujiwara always spends money.

"Morimata, when did you like to draw?" Kei Fujiwara asked casually along the way.

"When I was in elementary school," Inoue Mori continued, "My mother bought me comic books at that time. I thought they were very cute and I fell in love with them."

"Are you still painting now?"

"Sometimes when I'm in a bad mood...but I won't affect the shooting."

"That's not what I meant..." Kei Fujiwara glanced at her in the rearview mirror and couldn't help but smile bitterly. This child is very sensitive. It seems that you need to be careful when talking to her.

Soon, the two arrived at the gate of the university, a bustling scene.

From the nearby subway station to the gate of Tokyo Bunge University, there are people wearing theatrical makeup and anime COS costumes.

The school festival, also called the school culture festival, is similar to the campus open day in China. On that day, other schools and even nearby residents outside the school will be invited to visit. It is a grand campus celebration.

School festivals are all organized independently by students, and the student union holds various activities on campus that day. There are float parades, various performances, live portraits, haunted houses, food courts, and even blind date parties, etc.

On the day of the school festival, the leadership will not be too involved, nor will they express their will on such occasions. The Japanese campus adopts a student autonomy model. Whether it is sports games, school festivals, or club activities, all are run and managed by the students themselves.

However, taxes will be collected, and 50% of all profits earned by students on the day of the school festival will be handed over to the school, but the school will not give students any financial support. Therefore, for the school, holding a school festival is a sure-profit business. It can make a little money and improve the school's reputation. Why not?

There were a lot of people watching the excitement around the school. Kei Fujiwara and Mori Inoue walked in again. There was a scene full of people, and a doll wearing a mascot bent over and stroked Mori Mata's head.

"Yeah, it's the bell."

"What Suzu? Homeless kid, Aizawa Suzu!"

After entering the campus, less than ten minutes later, Inoue Mori was recognized again. Two female college students pointed at Inoue Mori and said.

"Who is the man next to you? Is he her father?"

"Nonsense, this person obviously looks very young... He seems to be Keita Sima! The author of "White Night Journey" and "The Detective Mitarai Collection"!"

It didn't take long before some viewers and readers approached, asking for autographs and group photos. Mori Inoue saw the enthusiastic people surrounding him again. A trace of fatigue flashed in his eyes, but then he showed a business-like smile and walked towards everyone. The person responded with a warm smile.

"Teacher Fujiwara, I like the work "Homeless Children" very much and watch it every week. Can I take a photo with Suzu?"

"Sorry, just take a photo." Kei Fujiwara refused with a smile. When Kei Fujiwara refused the request, Inoue Mori looked up at him in surprise.

Kei Fujiwara is a person who attaches great importance to the relationship with the audience and readers. Even when he is eating outside, he will put down his bowl and chopsticks when he encounters someone asking for an autograph. It is almost never seen that he refuses such a request from an audience.

"We went out to play without telling the crew today. It would be bad if the producers found out." Kei Fujiwara joked with a smile, and quickly changed the topic: "Are there any activities worth looking forward to in this year's school festival? ?”

"Yes." The rejected college student was not angry and replied patiently: "Starting at two o'clock in the afternoon, there will be a joint performance by multiple groups in the auditorium, which will last until six o'clock in the afternoon. It is very exciting."

"The manga club also has a portrait sketching activity. You can draw a portrait for 200 yen, and you can make a fine painting for 500 yen. It is very popular. Many people from the neighborhood come to our manga club."

"The orchestra is the ace group of our art college. This time, the ace musicians from the conservatory will perform together. Today, many managers of well-known orchestras will take this opportunity to select powerful orchestra players, so those who can perform on the stage They are all top-notch people, and they have given professional-level performances, which are worth looking forward to.”

"There are also our students' independent films, which are broadcast in the campus theater..." The college student glanced at Kei Fujiwara and said with a smile: "I remember that Mr. Keita Sima is also in the film and video department, so I won't introduce it more."

"Thank you very much." Fujiwara Kei thanked politely.

Fujiwara Kei again refused other people's request to take a photo with Inoue Mori and left with Inoue Mori.

Inoue Mori was a little uneasy again, "Teacher Fujiwara, actually I can take a photo with them, it doesn't matter."

"I took you out to play today, not work." Kei Fujiwara said.

When Inoue Sen heard this again, he stopped talking and lowered his head, not knowing what he was thinking.

People in strange costumes often walked nearby. At this time, two people with oil paint on their faces walked past Kei Fujiwara. One had a curly beard on his face, and one eye was blackened to form a pirate's one eye. There is also a big scar on one cheek, but at first glance it looks real.

The other person's face has monster scales painted almost all over the lower half of his face. The blue-purple scales look very real, and it can be seen that the person who painted this painting has good skills.

Kei Fujiwara and Mori Inoue walked behind these two people again. Kei Fujiwara looked at the back of one of them, and it became more and more familiar to him. He tentatively called out in a low voice: "Togata?"

The one-eyed pirate stopped immediately, turned around, and when he saw Kei Fujiwara, he felt a little embarrassed. He covered his face with both hands and said, "Oh, Mr. Fujiwara..."

The other one is, of course, Ogata Shinyo. When Ogata Shinyo saw Inoue Morimata, his eyes lit up: "Oh, it's Suzu. It looks better than on TV."

"Today she is not Suzu, she is Inoue Morimata." Kei Fujiwara smiled, then pointed at their faces and said, "Who painted this on your faces?"

"Haha, this is the special effects makeup that my senior gave us. It's not far away. Teacher Fujiwara, do you want it too?" Ogata Shinyo said enthusiastically.

Kei Fujiwara hesitated: "Will it not be washable?"

"No, they use special paints, and there won't be any traces when wiped with alcohol!"

"Okay, please," Fujiwara Kei said, then lowered his head and whispered to Inoue Mori, "Draw one so that others won't recognize you."

Inoue Mori raised his face again and nodded.