Tokyo Literary Godfather

"Hello teachers, my name is Sato Mei."

Mei Sato is 16 years old this year, and she still looks like a student. Unlike many people who have been in the idol industry for many years, her body has been soaked in makeup and powder, giving her an aura of dust.

"Sato, how long have you been an idol?"

Sato Meiyi was a little embarrassed: "Actually, I just touched the stage last month."

"Aren't you going to study anymore?"

"Read." Sato Mayi said, "It's just a public school..."

She didn't have the nerve to say the name of the school, presumably it should be a low-class school, the kind full of hooligans, a prison preschool.

"Have you ever acted?"

Sato Meiyi nodded: "I was a passer-by actor, and I also studied voice acting for a while."

Said, Sato Meiyi tried to act in front of Fujiwara Kei, and also read a voice actor's lines in the cartoon.

Jing Jixiang, who was watching from the side, was so impressed that she didn't have stage fright at all...

Kei Fujiwara tried to let her perform a lot of scenes and found that the performance effects were of a certain level. Although they were not comparable to actors of that level, they could still perform well on camera with some training.

So the second character, "Fujino", decided on this little idol.

"You two are in similar grades, you can communicate more in normal times." Fujiwara Kei said.

"Hello." Kyogoku greeted the other party somewhat cautiously.

"Has the crew been formed yet?" Kei Fujiwara asked.

It is certainly impossible for a crew to have only two directors and screenwriters, assistant directors, cameras, editors, scene notes, and so on. Although it is common for some new directors to have multiple jobs per person, this is when the filming funds are not enough to hire manpower, so they have to sacrifice the director's personal energy and shooting time to make up for the lack of manpower.

But for Ono Changji and Fujiwara Kei, two wealthy people, funding is actually not a big problem.

Fujiwara Keimoto wanted to directly bring the professionals from the TV station over for filming. These people are rich in experience and become more sophisticated as they get older. Calling them here can avoid a lot of trial and error costs and greatly save time and money.

But after some thinking, he dismissed the idea and decided to find people in the school to form a crew.

The Peer Film Festival is designed to support newcomers. It is enough for Kei Fujiwara to join as a well-known screenwriter. If more professional teams are found to participate, it will inevitably lead to criticism.

Moreover, Kei Fujiwara had just approached the station director not long ago and claimed that he wanted to shoot a short film with his friends. Yoshida Kafumi thought that Kei Fujiwara was in charge of the budget of the TV station for investment, so he directly asked Kei Fujiwara how much budget he wanted.

Fujiwara Kei told Yoshida Kafumi that he did not want investment from the TV station. This is not a commercial work, but an experimental and public welfare short film. It was also created to support new directors and will participate in the peer film exhibition soon.

The reason for informing Yoshida Kaishi was just because he was still under contract with Fukuyama Television, and in order to avoid any confusion over subsequent copyright issues, he informed the radio station in advance.

It didn't require investment, and it was still a short film. Yoshida Kafumi didn't care, and directly asked his subordinates to make a supplementary agreement: "Suddenly Looking Back" is an independent copyrighted work of Kei Fujiwara and has nothing to do with Fukuyamadai.

Since it has nothing to do with Fukuyama, Kei Fujiwara is not good at using Fukuyama's staff. Although even if it is used, Yoshida Kashi will not say anything, just turn a blind eye to the matter. But Keiki Fujiwara has been attracting so much attention lately, the people in the stage are watching him very closely, especially the people from the production bureau.

Seeing that the "Moon Nine" schedule is getting fatter and fatter, the production bureau is also a little dissatisfied with the way he has been occupying the time slot. If Fujiwara Kei uses the staff of the station to make his personal movie, there is no guarantee that these people will not chew it up. maggot.

Since he couldn't find staff in the stage, Kei Fujiwara turned his attention to his alma mater.

As a well-known alumnus, Kei Fujiwara went directly to the Film Research Society of Tokyo University of Literature and Art, claiming that he wanted to find a few people to shoot an independent short film.

I heard that Kei Fujiwara was going to make a movie. There were many people in the imaging and video department who responded. Kei Fujiwara selected a few professional people who had personal works to serve as cameramen and assistant directors.

In the Japanese film crew, most positions are collectively called assistant directors, and their responsibilities are determined in sequence. The fourth assistant director is responsible for planning and doing chores, the third assistant director is responsible for scene notes and paperwork, the second assistant director is the person in charge of beautification, and the first assistant director is responsible for cost, schedule, and on-site direction.

During the interview process, Ogata Shinyo and Togata Nanako also came over. One of them is from the music department and the other is from the imaging and video department. They also hope to shoot with the group. Because Kei Fujiwara is now a well-known figure in the industry, and having worked on his crew can be included in his job application resume.

A small crew, mostly students, was assembled quickly and will officially start filming tomorrow.

"I heard that Kei Fujiwara is also going to participate in the peer film festival? Is it true?"

"It's true news. They have already started to assemble a crew, and in order to respect the film festival's original intention of supporting newcomers, the entire crew is composed of newcomers except him."

"Haha, has Fujiwara-senpai finally reached out to the film industry?"

"But movies and TV series are different after all... In terms of artistry, the audience has higher requirements for movies."

"Hey, you guy, don't underestimate our well-known senior in the imaging and video department. His Virgo "White Night Journey" is a work with profound ideas. Alas, it's just that most of the subsequent works are entertainment-oriented works. I really hope he can come up with another far-reaching work."

"Haha, wasn't there a debate in the school magazine about who is more important, the screenwriter or the director? Isn't it that Mr. Fujiwara is now working with a new director and participating in the film festival to show his strength as a screenwriter?"

"If you say that, it's really possible..."

Tetsuya Iwai was queuing up to buy fried noodles and bread. When he heard someone talking about Kei Fujiwara, he subconsciously listened. Then he heard that "Kei Fujiwara is also going to participate in the peer film festival." He was stunned at first, and then listened more carefully. got up.

After buying yakisoba bread, he walked down the road with his head down, just in time to see Nanako Togata and Shinyo Ogata, and he just wanted to go up to say hello. But they saw Kei Fujiwara standing beside the two of them. Surrounded by many students from the video and video department, some of them are even in the same research class as him.

Tetsuya Iwai stopped in his tracks, looked at Kei Fujiwara's profile, and his desire to win the film festival became stronger in his heart.

Originally, I thought I would have to wait for at least a few years, but I didn't expect to meet him head-on so soon...

Iwai Tetsuya thought to himself, okay, since that's the case, I'll beat you head-on!

He looked at Nanako Togata's snow-white side face, and his determination was further strengthened.

He has always been interested in this cute school girl Togata, and he is quite confident that he can conquer this cute girl. However, since he met Togata and Fujiwara Kei walking together at the last school festival, he My confidence was somewhat shaken.

Seeing Nanako Togata look at Kei Fujiwara with adoring eyes, I feel even more upset.

In addition, he, who was originally known as the number one talent in the video and video department of the 90th class, was kicked into the second place by Kei Fujiwara because of the birth of "White Night". The superposition of various reasons made Kei Fujiwara gradually become the heart knot of this talented man.

He had to take advantage of the opportunity of the Peer Film Festival to get rid of the knots in his heart so that his heart could become open again.