Tokyo Literary Godfather

"Hey, Kyogoku, good morning."

"Kyogoku, do you remember me?"

Kyogoku walked into the school with his head lowered, and happened to meet two seniors from the drama club on the way, who greeted him warmly.

Kyogoku nodded a little at a loss, then quickened his pace and walked quickly into the classroom.

Since "Looking Back" was broadcast at the film festival, it quickly spread. Even many people in the school have watched the movie, and some people who knew Kyogoku recognized her immediately.

Kyogoku quickly became a campus star, far more than anyone else in the school.

Everyone said that Kyogoku was appreciated by a great director and would soon become a star.

This also makes many people of the same age envious. Teenagers have a serious filter on celebrities and idols. They wish to think that being an artist is the most noble profession in the world, even if the income of an artist in Japan is not exaggerated. Countries are no exception.

The seniors who had targeted her before were now swarming over to play with her, seeming to want to incorporate her into their own small group, and asking her some strange questions from time to time.

"Do you have Mr. Fujiwara's contact information?"

"Does Mr. Fujiwara plan to shoot new works soon? Does he still need actors?"

"Ms. Fujiwara is so young and handsome, does he have a girlfriend? What kind of girls does he like?"

The sudden change of people's faces made Kyogoku feel a little uncomfortable. Kyogoku always felt that those concerned faces were a little ugly.

Kyogoku began to miss the time when she was shooting movies, and she felt more at ease with Sato Mayi.

After school, Jing Jixiang walked towards home as usual, when suddenly a black business car stopped in front of her.

Kyogoku was startled, and suddenly remembered the scene in a gangster movie, where a car suddenly appeared in front of the heroine, and several burly men got out of the car to kidnap the heroine, so she quickly took a few steps back.

At this time, the car door opened, and what came out was not a ferocious big man, but a woman in a business suit. Before the woman could speak, a familiar head poked out of the car window. It was Mei Sato: "Little Fragrant! Little fragrant!"

Kyogoku was startled, why, have you been kidnapped too?

The woman smiled and said, "Is that Kyogoku-san?"

Kyogoku nodded.

The woman took out her business card and handed it to Kyogoku: "My name is Takahashi Mikiro, and I am an artist manager. I would like to invite you to officially become a contracted artist of our agency. I wonder if you are willing."

Before Kyogoku could react, Sato Mei said: "Xiaoxiang, go back and discuss it with your parents, so that you can act with Miss Arima in the future!"

Before Kyogoku could react, Takahashi Mikiro said with a smile: "If you are willing, you can visit my office now. Of course, you have to call your parents first."

Kyogoku nodded in agreement.

After getting in the car, Mei Sato said excitedly: "Xiaoxiang, we can really become artists in the future! Maybe we can become a star like Miss Arima in the future!"

"Yeah..." Kyogokuxiang still felt unreal.

Sato Meiyi clasped her hands together and made a wish: "This is thanks to Fujiwara-sensei and Ono Supervisor... I hope the two of them will have smooth sailing in the future!"

…

The opening ceremony of "Hansawa Naoki" was officially held.

Shibazaki Hideaki and Fujiwara Kei are responsible for the directorship, while Shuzo Kobayashi is in charge of the filming of "Housekeeper Mita".

There have been one script reading meeting after another before. After countless adjustments and adjustments, the actors are now able to cooperate well, and the performance quality is also of the highest level.

The new winter wind began to gradually sweep through Tokyo, and as time went by, it finally arrived at the root of the year.

The Japanese attach great importance to the New Year, and every year from December 29th to January 3rd is a national holiday. The crew is also on holiday, and producers have to reserve one or two episodes of footage in case they are unable to continue filming due to holidays, earthquakes and other emergencies.

Soon, it will be the 31st. December 31st is also called "Great Darkness Day". That night is the Japanese New Year's Eve.

Kei Fujiwara lost his parents very early, so when it comes to this kind of reunion festival, he often faces the dilemma of having nowhere to go. Last year, he went to Ono's house to grab a meal, and he plans to continue this year.

On that day, many New Year gifts were sent to Kei Fujiwara's residence, most of them were gifts from artists, various souvenirs, high-end chocolates, top-up membership cards of restaurants, various products endorsed by artists, etc. Thank you Mr. Fujiwara for your care in the past year, and I hope there will be more opportunities for cooperation in the new year.

Fujiwara Kei also bought some gifts and brought them to Ono Nagaji's house. Fujiwara Kei and Ono's family are already very familiar. Ono Changji's father, Ono Kyouko, is a director of a company. He also owns seafood shops, bookstores and other industries. He is a small and successful investor.

It is also because of his father's financial support that Choji Ohno has the capital to be a street director and street sneaker for so many years. If he were someone else, he would have starved to death.

Kyo Ono also admires Kei Fujiwara very much. After all, he is not a simple person who can make a name for himself in Tokyo in such a short period of time. I heard that Kei Fujiwara was filming a new drama recently, so I asked a few more questions. I heard that it was about the banking industry, and he seemed very interested, so I asked him what the specific content was.

When I heard Kei Fujiwara say that "Naoki Hansawa" is about a young man with a righteous heart fighting against an unscrupulous banker, I suddenly became energetic and asked Kei Fujiwara to tell the story in detail.

Of course, Kei Fujiwara couldn't tell the whole story in detail, so he blurted it out during the narration, but Kyo Ono still listened with gusto.

When I heard Kei Fujiwara say: "A bank borrows an umbrella when it's sunny and takes it away when it's raining", he slapped his thigh excitedly and said loudly on the spot: "That's right, the bank is such a group of corrupt guys!"

Seeing Ono Kyouko's excited expression, Fujiwara Kei glanced at Ono Changji suspiciously, Ono Changzhi spread his hands helplessly: "The old man opened a factory when he was young and suffered losses from the bank, so he has never had a good impression of the bank. .”

"Boy Fujiwara, do you still need the production fee for that drama?" Kyo Ohno suddenly patted Kei Fujiwara on the shoulder and said, "I can invest in this drama. I believe in your ability. This drama will definitely be popular!"

Kei Fujiwara was taken aback. The company that Kyou Ohno worked for was a well-known condiment company in Japan. The status of their company’s yuzu vinegar and bibimbap soy sauce in Japan was equivalent to the status of Laoganma in China, which belonged to the national level. Seasoning.

Advertising is an important source of production costs, but the advertising sponsorship is generally driven by Yui Mizuhara. Kei Fujiwara suddenly got an advertiser, and he was a little caught off guard for a while.

But the sponsor who sent it to the door had no reason to refuse. Kei Fujiwara directly asked for the contact information of the advertising department of Kyou Ono, saying that he would contact them later.

In fact, Kei Fujiwara also knows that the reason why Kyouko Ono is willing to offer sponsorship is probably because he wants to thank Kei Fujiwara... Nagaji Ohno has always had a dream of being a director, and Kei Fujiwara has helped him realize his dream.

If Nagaji Ohno has been unable to become a director, it is estimated that he will only inherit a family business of hundreds of millions in the future. How unwilling it is for him.

That night, Kei Fujiwara lived directly in the guest room of the Ono family. The Ono family now has a special room that belongs to him, and other guests are not allowed to enter.

Early the next morning, Kei Fujiwara returned to his apartment, only to find a bag hanging from the doorknob.

Open the bag, there are some handmade rice cakes and small snacks made by yourself, and there is a card in the bag:

"I'm relieved that you didn't spend New Year's Eve alone."

The signature is Arima Guixiang.