Tokyo Literary Godfather

After another two days of rest, Kei Fujiwara returned to the crew.

As soon as I walked into the production center of Fukuyamadai, I saw a watermelon head wearing glasses who was in the production company at the same time. Seeing the return of Kei Fujiwara who was injured, he changed his previous indifference and began to care about Kei Fujiwara's body.

Ever since Kei Fujiwara became Hayato Kimura's stand-in and acted with Guixiang Arima, the attitude of these guys towards Kei Fujiwara became obviously indifferent, but today they suddenly warmed up, which made Kei Fujiwara a little unacceptable for a while.

What's going on with this guy? Transitioned? Or have you accepted reality?

When Fujiwara Keizheng was confused, Watermelon Head suddenly came closer and said, "Fujiwara-kun, I have some bad news for you. Kimura Hayato is back."

Fujiwara Keidao: "He is discharged from the hospital?"

Watermelon Head glanced sideways at him: "You recovered so quickly, why can't he?"

"Isn't that a good thing? What a bad news."

Watermelon Head said: "Do you really think it's a good thing? You just have to be tough. You can't play with Arima Guixiang in the future."

Fujiwara Kei sighed: "I won't show my face anyway, but being a substitute will make me more tired. It's a good thing that Kimura is back."

"You really think so? Well, what you say actually makes sense."

"Kimura-kun is back so soon. Do the previous scenes need to be reshot?"

"How could there be time, the saved film used up another episode, so I made up close-up shots for Kimura according to the original plan. I heard that the script has also undergone some changes, and some of his roles have been deleted."

When the two came to the set, Kei Fujiwara continued to work on his own AD. When he was adjusting the lighting, he found that there were always people in the corner looking at him.

Kei Fujiwara remembered that person, who seemed to be Hayato Kimura's manager, named Ishikawa or something, and once they met each other's eyes, but Ishikawa immediately turned his head away.

Kei Fujiwara felt a little strange and turned back to do his own thing.

The atmosphere at today's filming scene was very depressing. The two main actors seemed to have serious faces, and their expressions were as bad as they were.

Arima Keika was dissatisfied with Kimura Hayato's absence from the filming, so she naturally didn't look good.

In the afternoon, Fujiwara Kei was adjusting the lights. Kimura Hayato passed by him and suddenly smiled: "Are you acting as my substitute these days?"

Kei Fujiwara turned around and glanced at him: "Yes, this is Supervisor Sato's request."

"Haha, it feels good to be the leading actor!"

Kimura Hayato patted him hard twice on the back, smiled and left.

After a whole day of shooting, Nishimura Taro suddenly found Kei Fujiwara and said, "Fujiwara-kun, wait a moment."

"What's wrong, Director Nishimura?" Kei Fujiwara asked.

"It's like this..." Nishimura Taro thought for a while, "Your work here is over, you don't have to come to the crew tomorrow, just go back to Gao Gongli Production Company, they will have a new work arrangement for you."

Kei Fujiwara was startled, suddenly noticed something, and asked quietly: "Am I the only one who finished the work here, or did everyone do it together?"

Taro Nishimura swallowed his saliva and patted his shoulder: "There are other arrangements in the station. I... I'm not too sure about what's going on."

After saying that, he left.

Fujiwara Kei stood there and frowned. What's going on? Did you offend someone?

At this time, he felt the unpleasant gaze from behind again during the day, the feeling of being constantly looked at.

He quickly turned around and saw Agent Ishikawa again.

Manager Ishikawa stood not far away, holding a cup of coffee in his hand and looking at Kei Fujiwara.

Fujiwara Kei breathlessly walked over and said, "Mr. Ishikawa, right? What can I do for you?"

Manager Ishikawa took a sip of the coffee in his hand, and there was a trace of irritability between his brows: "Fujiwara-kun, I want to ask, what is your job assignment in the crew?"

"Director's Assistant."

"In that case, why are you communicating with Ms. Arima about scripts and acting skills? This is not your job."

"This is Supervisor Sato's arrangement. If you are dissatisfied, you should not come to me to vent."

"Pay attention to your attitude! Just a person..."

"You should pay attention to your attitude, Mr. Ishikawa. You and I belong to different personnel units. You have no right to give orders to me!"

Kei Fujiwara's voice was two points louder, and a female clerk who was passing by subconsciously looked over.

This made Ishikawa a little afraid. Kei Fujiwara, an employee of a small production company, is naturally nothing, but once the two of them make their conflict public, it will have a bad influence on Hayato Kimura.

"Hmph, yes, we are indeed not in the same organization, but so what, I can still transfer you out of this crew?" Ishikawa muttered, "Fujiwara-kun, you really give me the feeling...not at all. Like the Japanese. Is it because they just graduated?"

"Whatever job your boss arranges for you, you just do what you should do. Don't deliberately behave, don't overstep. This is the quality that a professional person should have."

"If I ask you to be a substitute, just show your back honestly. Really..."

After Ishikawa finished talking, he hurried away, because he didn't dare to look into Kei Fujiwara's eyes. There seemed to be something restless and restless in this person's eyes, which made him feel a little uneasy.

Although I felt that the opponent would probably not dare to do so, I still tried my best to avoid the risk of being punched.

Kei Fujiwara looked at Ishikawa's back, said nothing, and walked out of Fukuyama TV Station.

He still has a long way to go, so there is no need to get too entangled with this kind of person.

It was indeed Ishikawa's agent who said something to the producer that made Kei Fujiwara leave the crew. He was just an ordinary employee. Producer Shimizu just sent him back to the original company and no one cared about it.

Arima Keika noticed that Fujiwara Kei suddenly disappeared and asked Sato Wataru, but she only got the reason because she had other work arrangements.

After leaving the crew of "In the Name of Love", Kei Fujiwara returned to Gaogongli and worked for several days until he went to work on a variety show produced by the company.

Kei Fujiwara has been working as a screw in this crew for a long time. More than half a month has passed in a blink of an eye, and the results of the reader return survey form for the second issue of "Qiankun Spring and Autumn" have been compiled.

On the phone, Itagaki Kazuhiko told Fujiwara Kei all the problems of the two issues of "White Night Journey".

The quick report, small positive and full statistics of the first issue are all out, ranking seventh, eighth and seventh respectively.

In this issue, the quick report has just been calculated, ranking sixth, one place higher than before.

The first issue of "White Night Journey" received seven votes, and this time it was eight votes. Because the quick report only counts a hundred tables, so the difference of one vote can often lead to a difference in ranking.

But first place is twenty votes.

It is almost equivalent to no progress. "White Night Walk" has reached the second issue of the series and has officially unfolded the story, but it still does not reflect the power of its super best-seller.

"The quick report is just a reference." Itagaki Kazuhiko said, "Many times, there is a huge gap between the quick report and Komasa, so you don't have to be discouraged."

"I will definitely be a little disappointed, but Mr. Itagaki doesn't have to worry about it affecting my creative state... After all, it's already finished..." Kei Fujiwara said with a smile, "Isn't Mr. Itagaki not worried about the ranking of the book at all?"

After being silent for a few seconds on the other end of the phone, Itagaki Kazuhiko sighed: "Don't worry...how is that possible..."