Tokyo Literary Godfather

"Wha...what? Why...why...so sudden?"

Yamaguchi Tsutoyo was overjoyed, but still couldn't digest it for a while.

He was almost able to get the filming rights for "Furuhata Jinsaburo" before, but in the end the fat duck flew away, which made him feel very heartbroken.

During this period, Tsutomo Yamaguchi was the director, but he was very courteous to Kei Fujiwara, a screenwriter who had no actual job. In fact, he was also thinking about what Kei Fujiwara had in mind. Now he was fighting a ratings war with external stations, relying solely on Fujiwara. Kei's Yuejiu is not good, and the production bureau has to stand up.

As long as Kei Fujiwara is willing to shake his head, reveal a little bit of his secrets, and hand it over to the production bureau for filming, the winning rate of the Fukuyamadai Production Bureau can be increased to a certain extent.

As long as Fujiwara Kei can agree to his request, Yamaguchi Citoyo is willing to invite him to the club in Ginza every week to see which female anchor is in the game. He doesn't even have to ask, just hint, leave a key, and promise to go home. There is a surprise when you open the quilt.

Yamaguchi Citoyo planned to develop a relationship with Kei Fujiwara first, and then make this request when the relationship became deeper. However, he did not expect that Kei Fujiwara actually made the request on his own initiative, and there were no other requests.

Let him choose the main creative staff and decide the broadcast time. What kind of requirement is this? Doesn’t it just require some producer power? I’ll give it to you even if you don’t ask! Even if you are willing to be the producer, there is no problem at all!

Wait, I thought I heard something just now... He said that in addition to "Furuhata Jinsaburo" and "The Lonely Gourmet", he is also willing to write another drama for me?

Yamaguchi Cito swallowed his saliva: "Mr. Fujiwara, if I heard you correctly, you seem to be saying that in addition to "Furuhata Jinsaburo" and "The Lonely Gourmet", are you willing to write another script for the production company?"

Fujiwara Keido: "Yes, Director Yamaguchi, if the TV station can reserve a broadcast time for me."

"Yes, of course I can!" Faced with this pie falling from the sky, Yamaguchi Cifu was overjoyed.

Yamaguchi Cito stood up suddenly, held Teacher Fujiwara's hand and said: "Well, Teacher Fujiwara, we have made an agreement. I will coordinate the timetable, approve the budget, and promise to try my best to satisfy you. The production bureau's You can use your hands as you like. By the way..." Yamaguchi Citoyo suddenly thought of something, loosened his hands slightly, and showed a tentative smile: "Will Miss Mizuhara not be allowed to participate in the new drama?"

It's a bit strange that Kei Fujiwara suddenly left Yui Mizuhara to write the script for the production company alone, because the two have been staunch allies for more than a year.

When he first started producing TV series, a producer wanted to poach Kei Fujiwara, but Kei Fujiwara ignored him. Yui Mizuhara could have been promoted to the production bureau to take a practical position, but because the two-year contract between Kei Fujiwara and Mizuha Productions had not ended, So I never accepted the appointment from the production bureau.

Therefore, there have been rumors in the station that the relationship between the two is unusually close. When Kei Fujiwara was still the chief planner of "Anthropological Observation", some people said that Kei Fujiwara was the pretty boy kept by Yui Mizuhara. Later, Kei Fujiwara officially became a celebrity and the theory was reversed, and Kei Mizuhara was Yui Mizuhara. Kei Fujiwara's concubine. He also said that Kei Fujiwara has special taste and likes older women.

Yamaguchi Tsutoyo understands Kei Fujiwara very well, and Yui Mizuhara is only in her early thirties, and has always been well-maintained, which is when she has charm. Kei Fujiwara is a young man in his twenties. It is normal for his heart to burn when he sees such a woman... Oh, I am digressing.

Kei Fujiwara said: "It doesn't matter. Ms. Mizuhara is currently mainly responsible for the production of the Yuejiu drama. There are too many projects and she is too busy. If Ms. Mizuhara has spare time for new projects cooperating with the production bureau, let her participate. ,is that OK?"

"Yeah, of course no problem."

Before Kei Fujiwara came to Yamaguchi Tsutoyo, Kei Fujiwara had already discussed it with Yui Mizuhara. Kei Fujiwara plans to do more in the last year of his contract. In addition to the original September 9 time slot, Fujiwara Kei also plans to open up other time slot battlefields. He wants to get back all the trouble TTV, Fanxing Channel and NBC caused him.

However, Shuibo Production has insufficient talent reserves after all, and the production bureau still needs to devote more manpower. It happened that Kei Fujiwara came to the shooting center today and met Yamaguchi Tsutoyo, so he took the opportunity to tell him directly.

Unsurprisingly, Yamaguchi Tsutoyo readily agreed... and there was no reason to disagree. If a pie falls from the sky, is there any reason not to open your mouth to catch it?

Yamaguchi Tsutoyo suddenly stood up from the sofa chair happily, with his hands half-clenched in front of his chest, his calves tightened, and he kept tiptoeing. His face was very rosy, and he seemed to be in a very good mood.

Yamaguchi Citoyo suddenly remembered something and quickly called his assistant: "Quickly, help me contact Miss Shirasaka and reserve a private room in advance..."

Kei Fujiwara stood up: "Director Yamaguchi, I thought about it and let's forget it for today. I plan to make the new drama catch up with the autumn release, so I don't dare to waste a single minute during this time."

"Well, a meal doesn't waste much time... Mr. Fujiwara is really dedicated, no wonder he has such achievements." Yamaguchi Cito said with a smile. At noon, Yamaguchi Cito strongly requested to invite Fujiwara Kei to dinner. The club can I’ll talk about it next time, but you have to eat.

After returning to the apartment where he lived, Kei Fujiwara once again spread out his notebook, which was filled with the names of various film and television works, especially TV series. Not only Japanese dramas, but also Chinese dramas, Korean dramas, American dramas, and British dramas. Everything Kei Fujiwara has watched is recorded one by one.

Kei Fujiwara was a senior practitioner in the industry in his previous life. He has watched all kinds of movies and TV series at home and abroad, and has a clear film and television database in his mind.

He not only remembers the content, but also remembers the commercial data of each drama - this is his professional quality. After coming to this world, I was worried that my memory would become blurred over time, so I wrote it all down in my notes. From time to time, review the old and learn the new.

Because I was afraid that the contents of my notes would be seen by others, they were not recorded in Japanese. Instead, they were recorded in simplified Chinese, traditional Chinese, Japanese, English, plus a little Korean I learned in college, all mixed together to create a record. A new type of written record.

When Kei Fujiwara was in college, the professor spoke very fast in class, so he developed the habit of abbreviating. He often took apart the characters of a certain idiom and mixed their radicals together to form a brand new one. Character.

For example, next to the handle, one goes up and one goes down.

To outsiders, it looks like cipher text, but Kei Fujiwara can understand it. In his notes, Kei Fujiwara also used this technique he used in college.

As a result, although the entire notebook was written neatly, when an outsider took a quick look, it looked like a password. It was enough for the intelligence department to study for a year.

What is recorded in the book are also some "threads", which are the key plot points of those film and television dramas. As long as he sees these threads, Fujiwara Kei can pinch these threads and completely pull the clear content of the entire work from his mind. come out.

Kei Fujiwara flipped through his notes, reading them with ease, and began trying to find the next work to shoot among the many works.

How about picking a Korean drama to watch? Such an idea suddenly appeared in Kei Fujiwara's mind.