Tokyo Literary Godfather

Yoshida Kashi looked at the new drama plan written by Fujiwara Kei, smiled, picked up the teacup and took a sip, "Fujiwara-san really must avenge himself."

Yamaguchi Tsutoyo said helplessly: "I have already tried to persuade him, but Mr. Fujiwara seems to have made up his mind and no one can convince him."

"Haha, Mr. Fujiwara is such a person." Yoshida Kashi looked very happy, not dissatisfied at all.

Seeing Yoshida Kashi's reaction, Yamaguchi Jitoyo gradually felt better, so he continued: "Mr. Fujiwara is young and promising, it is inevitable that some eyes will not rub the sand..."

"If someone like Kei Fujiwara needs to be submissive, then talent will become useless." Yoshida Kashi said, "Since 1992, the competition among TV stations has become unprecedentedly fierce. Make trouble for each other. Before the foreign station kept making trouble for my station’s September 9th time slot, it’s our turn to make trouble for them, right? Otherwise, people will think that there is no need to pay any price for fighting Fukuyama station. It’s okay to succeed, but it’s okay to fail.”

Yoshida Kashi took out a pen from the pen holder and signed the plan.

…

The applications for several dramas were quickly approved, and then the budget approval process began.

"Tokyo Cinderella" in the September 9th period is fully responsible for Shibasaki Hideaki and Mizuhara Yui, and they have found a pair of young actors who have recently emerged.

Kei Fujiwara did not directly participate in the process of finding actors, but he put forward requirements for the types of male and female protagonists. The actress must first appear harmless to humans and animals. The appearance of the little white flower may not be so good-looking, but it must not be too beautiful, let alone beautiful to aggressive.

For the male protagonist, acting skills are secondary, but they must be above the pass line. It is not required to be able to explode at any time like Miyata Takara, but at least he can't act out of the play. The most important thing is the image. It must be handsome and stylish, and you must be able to act like a "president".

It's a pity that Miyata Takaharu is not a very handsome type, otherwise he really could have challenged this role.

The word "president" is not popular in Japan, and the terms president and president are more commonly used, because the company is called a club in Japan. Kei Fujiwara initially used "the domineering president falls in love with me" to describe idol dramas such as "Tokyo Cinderella", which amused Shibazaki Hideaki and Mizuhara Yui directly at the meeting.

Don't tell me, it's really pretty.

After the meeting, the main creative team of "Tokyo Cinderella" went to organize an audition meeting. The cars sent by major brokerage companies to pick up and drop off the artists filled the parking lot of Shuibo Productions in one afternoon.

This also made people in other departments of Shuibo Productions very envious when they saw it. Two young employees saw the expensive luxury cars full of parking lots and said with emotion: "It's really luxurious, artists..."

Another person muttered, "It's not the artist's own car, it's just the agency's business car. The company drove it here to show off in front of other artists."

"Hey, isn't that Yumi Fukuyama... and Kudo Minami, they are all well-known artists." The employee said with emotion, "Whenever our program group holds an audition meeting, it would be great if there are so many celebrity artists to participate."

The person beside him had some self-mockery and sarcasm in his tone: "Don't even think about it, unless Kei Fujiwara can also appear in our crew...Come on, it's up to you, Takagi-kun!"

The audition meeting here was in full swing, but Kei Fujiwara went to Fukuyama Terrace alone. Yamaguchi Citoyo directly sent his work secretary to receive Kei Fujiwara and took him to a brand new office.

The secretary bent slightly and introduced Kei Fujiwara: "Mr. Fujiwara, this is the new office prepared by Deputy Chief Yamaguchi for you. You can write here in the future."

"That's not necessary. I have an office in my original company..."

The secretary smiled and said: "Mr. Fujiwara can choose the office location at will, but Director Yamaguchi considers that you go to and from the set for on-site guidance more often, in order to facilitate your creation and modification of the script. It is also convenient for you to write the script while editing the script. I know everything about the shooting scene, so I’ve left an office here for you.”

Kei Fujiwara walked in. Sure enough, the windows were bright and clean, and there were not many furnishings in the room. Desks, office chairs, bookcases, computers, printers, all the furnishings that should be there are complete. The floor was so spotless that it could almost be used as a mirror, and the entire office was more than twice as big as before.

This is something that can’t be helped. As a small production company under the jurisdiction of Fukuyamadai, Mizuba Production is much smaller than the production bureau of the headquarters, and it’s normal that the financial resources can’t keep up.

The window sill is full of potted flowers and plants, and the sunlight from outside comes in through the glass window. The water droplets on the leaves shine brightly in the sunlight, which looks very beautiful.

The secretary smiled and said, "Director Yamaguchi heard that Fujiwara-sensei likes to play with flowers and plants, so he asked us to buy some. I don't know if Fujiwara-sensei likes it or not."

Fujiwara Kei nodded and said: "Well, good, I'll let you worry about it."

The bookcase is full of various books. Kei Fujiwara glanced at it and found that many of them were history, social science books, and screenwriting books, such as "The World's Best Fiction" and so on, which teach you how to write stories. .

Really, I won't put two comics or pornographic magazines... Fujiwara Kei thought to himself as he looked at the compactly arranged books in the bookcase.

The secretary on the side is the best at observing people's emotions. Seeing Kei Fujiwara looking at the screenwriting books in the bookcase without saying a word, he instantly understood what Kei Fujiwara meant.

"Really, Mr. Fujiwara, where do you need to read this kind of reference book? I don't know who put it here. It's a waste of space." The secretary hurriedly came to his side and said.

"No, just leave it here." Fujiwara Kei turned to look at him, why are you so nervous?

"If Mr. Fujiwara needs any magazines, newspapers, or books, just tell the staff directly, and they can prepare them for you in one day at most."

"Well, thank you."

The secretary walked to the window sill and the table again, gently wiped the table and window sill with his left hand wearing a white glove, took a look at the gloves, and nodded with satisfaction. Then he said to Kei Fujiwara: "Teacher Fujiwara, no one usually comes in the office, but if you want to clean it up, you can hang the [Cleaning] sign outside the door, and someone will naturally come in to clean it."

"The phone book is in the drawer. In it are the landline numbers of various departments of Fukuyama Station, as well as the contact numbers of major brokerage companies, production companies, music companies and other major copyright owners, as well as the personal contact numbers of the station's senior executives. "

"I have also prepared cigars, whiskey, and some snacks for you... If you need anything else, you can always tell your screenwriting assistant."

"Assistant?" Kei Fujiwara looked up at him.

"Yes, please wait a moment." The secretary walked to the door in small steps, opened the door and called out: "Miss Baishi, please come in."

"Ah, okay."

There was a sound of hard heels hitting the floor outside the door, and then a young woman in business attire came in. As soon as she came in, she bowed very humbly and said: "Hello, Mr. Fujiwara, my name is Shiraishi Monet, please." Please give me some advice.”

What a weird name... Kei Fujiwara complained in his heart, but there is no famous painter named Monet in this world, so he can't complain because no one understands it.

Shiraishi Monet slowly raised his head. His deer-like face was extremely white. His face and facial features were like those of a middle school student and a bit childish, but his figure was nothing like that of a middle school student...

"Teacher Fujiwara, this is Miss Shiraishi. If you need anything, you can tell her at any time. Her workstation is next to your office. Miss Shiraishi has worked as a screenwriter's assistant for more than a year. If you have information search, text proofreading You can also find her for work.”