Tokyo Literary Godfather

Kei Fujiwara came to the new production team of the production bureau, and the main creative team was almost all people he had never met, so when Kei Fujiwara met these people, he was still thinking about how to deal with these people.

Suddenly a leader parachuted in, and Fujiwara Kei was afraid that these people would cause trouble for him. Especially during the working process of the Yuejiu team, there were collisions and frictions with certain teams of the production bureau, and as the core of the Yuejiu team, he would inevitably be privately complained or held grudges by these staff members of the production bureau.

If these people vent their grievances at work and cause some minor trouble for Kei Fujiwara, even if it's not painful, it's still annoying enough.

Therefore, Fujiwara Kei made up his mind from the beginning. If someone showed uncooperation at work, he would deal with it with a violent reaction. Transfer this person directly out of the team and inform Yamaguchi Tsutoyo. Yamaguchi Jifeng made a promise to cooperate with Kei Fujiwara in all aspects. If he does not fulfill his promise, Kei Fujiwara will not be able to provide scripts for the production bureau in the next season.

However, after actually joining the group, Kei Fujiwara realized that he had thought too much.

The people in the crew were extremely obedient to Kei Fujiwara and did not dare to make any shirk.

Only then did Fujiwara Kei realize that he had neglected his prestige in the entire Fukuyamadai. The illustrious reputation Fujiwara Kei had achieved in the past year or so was no joke.

And "submit to the strong" is engraved in the subconscious mind of the Japanese nation. Whoever defeats me completely and has the hardest fist, I will surrender to him. And it is surrender from the heart.

Kei Fujiwara's work went extremely smoothly. From the creative team to the working team, everyone cooperated very well, and the team ran very efficiently. The working experience brought to Kei Fujiwara is no less than when he was working in Mizuha Productions.

"Teacher Fujiwara, this is the information you asked me to help you sort out before."

Shiraishi Monet knocked on the door and walked in, placing a stack of information on Kei Fujiwara's desk. Kei Fujiwara lowered his head and read a few lines, which was what he was looking for.

Shiraishi Monet is a specially assigned assistant by the production bureau and has a very strong working ability. With her cooperation, Fujiwara Kei's work efficiency has been greatly improved.

Thinking of this, Kei Fujiwara couldn't help feeling a little ashamed. When he first came to the production bureau, when he saw Shiraishi Monet for the first time, he thought it was the production bureau's erotic tricks to win him over... Now it seems that he was thinking too much. He has a strong working ability and is a good hand in collecting and organizing information or processing documents.

In fact, Kei Fujiwara didn't think too much about it. When the production bureau asked Shiraishi Monet to be Kei Fujiwara's assistant, it was because of her good image, and it was also a kind of flattery to Kei Fujiwara, hoping to make him have a good impression on the production bureau.

It’s just that Kei Fujiwara didn’t know their original intention.

"The planning meeting of "Victory is Justice" was originally scheduled for 2:30. Miyata Takayoshi's manager called. There was a small collision in the car halfway, and there may be a short delay. Look..."

"Collision?" Kei Fujiwara was surprised, "Is the actor okay?"

"The actor is not injured, but he may be late for a while."

"That's good. Let's inform the creative team and the meeting will be postponed for an hour."

"OK."

After saying that, Shiraishi Monet bowed slightly and walked out of the office.

More than forty minutes later, Miyata Takaharu finally arrived at the planning room. As soon as he arrived, he bowed and apologized to everyone, explaining the reason for his late arrival, for fear of being misunderstood for being a big name.

"It's okay, Miyata-kun, please sit down." Fujiwara Kei said.

"Okay, now the planning meeting officially begins."

After everyone was in place, Kei Fujiwara started the planning meeting for "Victory is Justice". At the meeting, Kei Fujiwara briefly described the creative ideas of this drama.

Although this drama is also a professional drama, it is not a workplace drama. Although there is only one word difference, the story is completely different in the eyes of the audience.

"Naoki Hansawa" and "The White Tower" are standard workplace dramas that show the protagonist's survival process within a system, including his interactions with colleagues, bosses, subordinates and even members of other departments. The focus of quasi-plot performance. To put it bluntly, it is human relations.

In "Justice Is Victory", there is almost no such plot that focuses on human relations. The character of Gu Meimen is a freelance lawyer. The focus of the plot is the process of Gu Meimen winning each lawsuit. In form, it is more like " "Furuhata Rensaburo" is a unit drama.

The actor's quarrel with his opponent in court must be the climax of the play. Komemon needs to impress the judge with words that touch people's hearts, while the creator of the show needs to impress the audience through Komemon Kensuke's words.

"Miyata-kun, your performance is very important in this drama." Kei Fujiwara said, "When you play the role of Kensuke Komemon, I need you to abandon [Naoki Hansawa] and don't put any Hansawa Naoki’s shadow is brought into the character because Koumemon and Hanzawa are two completely different people.”

"If Naoki Hansawa is a knight, then Kensuke Komemon is a cunning bandit. Everything Naoki Hansawa does follows a certain principle, which is not to harm the interests of banks and depositors. Doing some unethical things in order to achieve performance goals. Gu Meimen Kensuke does not take this kind of thing to heart at all. In order to win the lawsuit, he will do whatever it takes, whether it is bribing witnesses with money, using deception, Or he could side with the unscrupulous businessman, as long as he can win, he will do whatever it takes."

"However, this kind of image will inevitably be disgusted by the audience, so the main creative team of this drama needs to [get away from reality] as much as possible when filming, so that this drama looks funny but unrealistic, and some plots have to be like cartoons Exaggeration. The actors’ body movements and expressions should also be appropriately exaggerated, so that the audience will not be reminded of those litigants who turn black and white in reality, and can really make the audience laugh out loud.”

Speaking of this, Kei Fujiwara added: "Remember, the audience must not be so angry that they smash the TV. We must learn from the lessons of "Gemini Detective."

There was laughter in the conference room.

Compared with dramas such as "Hansawa Naoki" and "White Tower", "Victory is Justice" is more like a comedy film. Its style is not serious, even irrational.

It's as if there is no way for a lawyer to appear in reality, jumping up and down in the middle of the court like performing a one-man sketch, making all kinds of funny moves, it is estimated that he was framed out by the bailiff long ago. It is also impossible for a company to file a labor arbitration lawsuit, and the boss will be present in person.

Don't the crew know this? That's naturally impossible. In fact, this is the main creator's deliberate rationalization. On the one hand, it is to make the storytelling easier without considering so many realistic factors. On the other hand, it is also to make the style easier and more acceptable to the audience.

This is also a common technique in Japanese dramas. The cultural industry of this country is deeply influenced by animation, so many live-action film and television dramas have a style similar to some funny animations.

"This drama is not to preach to the audience, but to make the audience feel entangled. One second, I think what Gu Meimen said makes sense, but the next second I feel that this guy is just doing it for his own money. It’s all about making excuses.”

"So Miyata Takara's performance is very important. It must be the opposite of "Hansawa Naoki", making people feel shameless and treacherous. But after a deeper understanding, I found that Gu Meimen is not a shameless person, but a pessimist. Because they realize that as a bystander, they will never be able to know the real truth or find the real fairness. In this case, they should simply consider the interests of the parties concerned. But if we go deeper, discovery is still a shameless Act out. Play out conflicting feelings."

"Yes." Miyata Takara nodded.

The planning meeting lasted for two hours. After the planning meeting, there were two consecutive days of script reading, and then, "Justice Is Victory" officially started shooting.