Tokyo Literary Godfather

"Hasegawa-senpai, good morning." Early in the morning, Shiraishi Monet walked into the TV station and greeted the seniors in the company.

"Good morning."

Hasegawa Hide is beating the vending machine hard. He has obviously put money in, but the coffee is stuck and cannot fall out. What a despicable guy, he is even more greedy than a bank. Give me back 200 yen!

Hearing Shiraishi Monet greet him suddenly, Hasegawa Hideo was startled and turned around to respond.

"Baishi seems to be in good spirits recently." Not far from the drinking fountain, two employees of the production bureau said.

"I also have the feeling that I usually ignore people and always look cold, as if my soul has been taken out. I don't look like a woman at all."

"Hey, she seems to be getting cute recently."

"I guess he was doted on by Keina Fujiwara, hahaha..."

"Do you want to be pampered by me too?" Kei Fujiwara suddenly popped up from nowhere at this moment, looking at the two of them and asked.

The air suddenly seemed to freeze, and a strange silence spread. Fujiwara Kei smiled at the two of them, took a sip of the hot coffee in his hand, and walked next to Hasegawa Hide. And those two people left quickly.

"Hasegawa-kun..." Kei Fujiwara walked over and was about to say something. When he saw the jammed can of coffee in the self-service vending machine, he immediately understood something. He looked around and saw no one around. He flew up He kicked hard towards the side of the vending machine.

There was only a "boom", and the coffee can fell down.

"Ah, thank you, Fujiwara-sensei..."

"You're welcome, this thing deserves a beating. But it needs to be beaten in the right place." Fujiwara Kei waved his hand and said, "The pace of work has become more intense recently, can you still adapt?"

"No problem, Mr. Fujiwara." Hasegawa Hide subconsciously stood upright in front of Fujiwara Kei, even though he was more than ten years older than Fujiwara Kei.

"Isn't "Tokyo Cinderella" started yet?" Kei Fujiwara asked.

"There is something wrong with the props. The prop master is adjusting it, and I just happened to come out to buy a cup of coffee." Hide Hasegawa quickly explained to avoid being mistaken by Kei Fujiwara that he was fishing.

In fact, it’s okay to be discovered by Kei Fujiwara when he fishes occasionally. People who have never worked with Kei Fujiwara say that he is a strict and unkind person. In fact, this is not the case. People who have spent a lot of time with Kei Fujiwara can feel this. He is a rather humane person, not the kind of beastly boss who would only be satisfied if you work until you are about to die suddenly.

But Hasegawa Hide still didn't want the other party to think that he was slacking off at work, and he didn't want to leave any bad impression on Kei Fujiwara.

"Okay, I'll go to the set first."

"Okay, Mr. Fujiwara, please walk slowly." Hasegawa Hide bowed and said, until Kei Fujiwara walked away, he bent down and took out the coffee.

"The promotional posters for "Victory is Justice" and "Tokyo Cinderella" have been fully rolled out. Because "Tokyo Cinderella" is broadcast on the ninth day of the month, it has an inherent time slot advantage, so the main promotional resources are It leans more toward "Victory is Justice."

"'Victory is Justice' is broadcast on the weekends, which is also a strong time period. Not to mention that there are two actors at the peak of their popularity, Takaharu Miyata and Aoi Kono. The audience base of this drama is not small." Fujiwara Kei said.

"Yes, but..." Yui Mizuhara hesitated.

"Is it because of TTV's "Pioneering Lawyer" at the same time?" Kei Fujiwara glanced at her and smiled.

"After all, it is TTV's flagship drama this year. It is said that this drama has been prepared a long time ago, and this drama also has the participation of Mr. Kato..." Mizuhara Yui said, "I think it will be a very strong opponent. .”

No one in the broadcasting industry dares to underestimate Ensuke Kato, even a time traveler like Kei Fujiwara.

Fujiwara Kei did not comment further, "Is the recent filming going well?"

"It's all pretty good. The filming progress of "Tokyo Cinderella" has also caught up recently." Mizuhara Yui said, "It's just that the third episode is about to be filmed, and the scripts for the subsequent sequels must be caught up as soon as possible. .”

"Don't be anxious, this is actually a normal creative progress." Fujiwara Kei said.

The scripts for the next few episodes were still being revised and created by Shiraishi Monet and could not be submitted in time. In fact, this is normal. The writing speed of screenwriters is not always faster than that of the film crew.

The entire film crew has finished shooting the existing script, but the follow-up script has not yet been created, so that the crew had to temporarily stop work. The director and producer all went to the screenwriter's studio to induce labor: one person was responsible for fanning the film with a small fan. , and the other one is responsible for feeding the cherries, just to make the screenwriter write the script quickly... This kind of thing also happens from time to time.

Kei Fujiwara's creative speed and efficiency are outliers in the entire screenwriting industry. Yui Mizuhara has almost forgotten that urging screenwriters to draft drafts is also one of the important tasks of a producer.

Since Shiraishi Monet was promoted by Kei Fujiwara as the episode screenwriter of "Tokyo Cinderella", the script of "Tokyo Cinderella" was given to her to revise and create. Mizuhara Yui finally realized again that she was always worried about the screenwriter's failure. I was worried about not being able to deliver the manuscript on time.

In fact, Shiraishi Monet's writing is not too slow, just at a normal speed. Mizuhara Yui doesn't need to be so anxious. The only fault is that Fujiwara Kei is too curly. Mizuhara Yui is like a boss who is spoiled by his capable subordinates. He doesn't adapt to the normal performance of his employees.

The time has officially entered the autumn season, and Kei Fujiwara’s four new dramas will be aired one after another at different times in the same week.

“This will be an unprecedentedly lively fall season.”

The big boss "Sankei Daily" issued an article to support it. Every time Fujiwara Kei's new drama is released, "Sankei Daily" is the vanguard of the publicity front, working hard to convert newspaper readers into viewers of the TV series.

"The famous talented screenwriter Kei Fujiwara will have four new works released at the same time. No matter what type of TV series you like, you will find something that suits your taste this autumn."

"The ninth new drama of the month is coming again!!! Following the interlocking "Naoki Hansawa" and the tender "Beautiful Life", Kei Fujiwara and his team will once again give you a wonderful story: new drama "Tokyo Cinderella" tells the story of the love between a girl from a poor family and a wealthy businessman. The seemingly romantic journey has difficulties and obstacles that others cannot understand. Can the two break through the worldly prejudices and finally achieve their goals? Together?"

"The second season of "The Lonely Gourmet", which makes you hungry late at night, is with you again. This time, Inokashira Goro will bring more delicacies hidden in unexpected corners to the audience, and experience a warm and heartwarming experience. Delicious. "Are You Lonely Gourmet" will meet you at 11 o'clock next Wednesday."

"Incomparably confident and even arrogant, possessing extraordinary wisdom, they will do anything to win the lawsuit, and only have success, money and women in their eyes. Such worldly lawyers may be common in real life, but do you think in the world of TV series? Have you seen it? This is a story about a not-so-just lawyer who will redefine justice. Welcome to "Victory is Justice" at 9pm on Saturday night."

"[When the gears of fate have an accident, anyone may become a murderer at any time and at any place] Remember this classic line, do you still remember that elegant and wise man? That famous gentleman detective He's back again, this time, which stars will he bring to justice?"

"This autumn season, lock in Fukuyama Terrace!"

When the newspaper was handed to Ensuke Kato's desk, Ensuke Kato subconsciously squinted his eyes.

Kato Ensuke regards Fujiwara Kei as half of his disciple, and Fujiwara Kei is also willing to admit this relationship. One of them is the godfather of the broadcasting industry in the past, and the other is the current leader. Neither of them embarrass the other. Acknowledging the relationship between master and apprentice is a matter of pride for both parties.

In fact, Kato Ensuke does not want to get involved in the ratings war between Hidaka Junaki and Fujiwara Kei. As a famous senior in the broadcasting industry, there is no glory if he wins, but it is a bit embarrassing if he loses. What's more, he is older now, has long passed his creative peak, and his grasp of the market is not as accurate as that of young people. Losing to Kei Fujiwara is actually a high probability.

When I saw the introduction to "Victory is Justice" published in the latest Sankei Daily, I frowned subconsciously.

Is this going to make the villain the protagonist of the show? Very novel...but will the audience buy this kind of innovation?

Could it be that Kei Fujiwara, this guy, has made a few good dramas and then drifted away? Instead of doing market research, he started to express himself freely and write content that the audience may not accept?

Thinking of this, Kato Ensuke was a little anxious, mainly because he regarded himself as Fujiwara Kei's half-master, rather than Fujiwara Kei's opponent.

But then he thought about it, Ensuke Kato laughed at himself, forget it, now it is his turn to worry about others, you know, Kei Fujiwara is a weirdo who has made his debut for two years and has not failed in more than a dozen works. , has long surpassed myself...

When people call you teacher, do you really put yourself in the position of master?

Just do your own thing...

Soon, the first week of the autumn season has arrived, and the first to appear is the trending drama on September 9th: "Tokyo Cinderella".