Tokyo Literary Godfather

After some joking, everyone proposed to go out for a dinner later. At this time, Ohno Nagaharu was addicted to cigarettes. He kept picking at the pocket of the cigarette case with his fingers and said, "I won't go. I'm going to hit small steel balls."

Ohno Nagaharu was quite frustrated in the team during this period, because he was not considered one of his own, so Nakadai Hideji also intentionally or unintentionally excluded him with his own people.

Ono Changji was the person arranged by Shirai's special agent. With this kind of relationship, although he won't be too difficult, alienation is inevitable.

Ordinary people might be autistic due to this depressing workplace atmosphere, but Ohno Nagaharu doesn't care much, mainly because of his status as a rich second generation. As long as my working life doesn't affect my livelihood, I'm the only one who can show others' face.

Nakadai Hideji's mouth twitched. After all, Ono Nagaharu was sent by Eiji Shirai, so there was nothing he could do to him. Moreover, this guy seemed to be very rich. He might have some background, and he had a good relationship with Kei Fujiwara. It's better to be cautious.

"Really, Ohno-kun, no one invited you." At this time, a producer assistant said sarcastically. As Nakadai Hideji's Ma Zai, it is his professional quality not to let the boss be wronged.

"Okay, Sasaki-kun, don't say any more." Nakadai Hideji heard someone saying unpleasant things to him, his face softened a lot, and he patted the person on the shoulder and said.

"By the way, Miss Arima, let's have a drink together tonight." At this time, Zhong Daiying looked at Arima Guixiang with a smile.

Arima Keixiang was getting dressed and was about to leave with her manager. When she heard Nakadai Hideji calling her, she turned around and politely smiled and replied: "I'm really sorry, Supervisor Nakadai, I already have an appointment."

"Oh, so." Zhong Daiying was not annoyed when he was rejected directly and flatly, and asked, "Who are you with? Why don't you come together."

Arima Guixiang smiled but said nothing.

"Haha, isn't Arima-chan an excuse for not wanting to go out to dinner with rough men like us?"

Arima Keika wanted to say something, but at this time Fujiwara Kei walked backstage and walked directly towards Nakadai Hideji, "Director Nakadai, long time no see. I have watched the film, it is very exciting."

Zhong Daiying hurriedly extended his hand to shake his hand, and said with a smile, "Mr. Fujiwara, I hope you have not humiliated your masterpiece."

"In other words, you are too modest." After Kei Fujiwara greeted him for a few words, he then walked towards Arima Guixiang and whispered in her ear: "Let's go."

Arima Guixiang looked up at her, and without saying a word, followed him obediently and left.

Zhong Daiying laughed a little awkwardly. Many people in the crew knew that he was interested in Arima Guixiang. He asked her out several times, but was rejected.

In the end, Arima Guixiang turned her head in front of the crew and followed Kei Fujiwara. No way, whoever makes someone young and handsome has even higher achievements.

Ono Changzhi was anxious to go out to smoke, so he also walked with them.

"Ha, they are such a beautiful couple." Nakadai Yingji suddenly looked at their backs and said with a smile.

The rest of the people didn't dare to talk, and they didn't know whether Nakadai Yingji was being sarcastic or self-deprecating, so they had no choice but to laugh along with him, not daring to say anything more.

There was no mental pressure on Ohno Nagaharu and the others even if they were scolded, not to mention scolding them behind their backs, they could even be scolded in front of them. But if they scold Kei Fujiwara, these people are more or less upset.

After all, Kei Fujiwara's status in the broadcast industry is now extraordinary, and he has a very good relationship with Eiji Shirai. There are even many people in the team who hope to work in Kei Fujiwara's team in the future. Matsunichi Pictures is one of the holding companies behind Fukuyama Television, so personnel transfers often occur between television stations and film and television companies. Therefore, no one will gossip behind his back and ruin the possibility of defecting to Kei Fujiwara in the future.

Moreover, Japanese social culture also worships the strong. Although Kei Fujiwara has only become famous in the past two years, the works he has produced and the records he has set are already the lifetime achievements of many seniors. If you look at others, let alone two years, even twenty years to create as many influential works as Kei Fujiwara, you can go sideways in the industry.

So these people actually admire and even worship Kei Fujiwara from the bottom of their hearts. This feeling of admiration even faintly overwhelms the servility of being a workplace macho.

After Zhong Daiyingji spoke, he felt a little unhappy when no one answered him. And the reason why he has objections to Ohno Nagaharu is more or less related to Kei Fujiwara.

He participated in the script adaptation of the movie version of "White Night Journey" and made drastic adaptations of the original text. This is not only to make the story more suitable for the big screen, but also to give Hideyoshi Nakadai more space to display. He wanted the "White Night Walk" movie to truly be his work, and he didn't want to just be Kei Fujiwara's translator.

However, Ono Nagaharu is just an assistant director, but he has many opinions on the adaptation of the movie script. Always whispering in his ears that this change cannot be done or that cannot be done, which will destroy the overall temperament of the movie. Nakadai Eji was so angry that he wanted to kick him out of the crew, but it was for Eiji Shirai's sake that he continued to keep him in his way.

Although Ono Nagaharu was not someone who knew nothing about workplace rules, when he gave Nakadai Hideji his opinions, he did so in private so as not to undermine his authority as the general supervisor.

But Naka Daiying could not listen to this kind of opinion. The reason why he made a major adaptation was to let the movie version of "White Night Journey" get rid of the original author's creative style as much as possible. You are still telling me that such changes will destroy the original work. What does style mean?

What you want is to destroy the original style! You guys have also participated in the peer film festival. Have you forgotten the slogan of the film festival? ——[Movies are the director’s thing]!

Once it's made into a movie, it's mine! It’s not the original author’s piece of shit!

I also want to make "White Night Walk" my own thing. What happened to the extensive adaptation? What happened to overthrowing the original style? Is it true that my creative ability is not as good as that of Kei Fujiwara, a fledgling boy?

Zhongdai Yingji felt bitter in his heart.

Fujiwara Kei and Arima Guixiang gradually disappeared from everyone's sight. At this time, a director assistant approached Nakadaiying and whispered, "Supervisor Nakadai, I also called Sakurari and Chiyo..."

"Who is it?" Nakadai Yingji doesn't quite remember the names of these two people. If the actors in the group are not particularly famous, they usually call them by their character names.

"It's the two actresses who played Xuesui's high school classmates. They debuted as idols. One has long hair and the other has short hair. You also jokingly called them two sisters in tweed. Both of them are very beautiful. They are small and have fair skin. , one of them likes to bite his fingers when he’s shy.”

"Oh, it's them." Zhong Daiying said nonchalantly, "I remembered, they don't have much role to play, it's been done very early, what are you asking them to do?"

"They entrusted me with this. I would like to express my gratitude to Supervisor Nakadai in person. After all, you took good care of them during the filming. I would also like to ask you for some advice on acting..."

"Okay, okay, just call it, it's really troublesome. Next time, call less irrelevant people." Zhong Daiying said with a frown, "By the way, Shanshang, you have been an AD for a while."

"Yes, Supervisor Naka, it has been more than a year."

"Well, it seems that I have quite a lot of experience, and I can tell from the work efficiency on weekdays. I have another play in a few months, and you will be the second assistant director then." Zhong Daiying said.

"Thank you, Supervisor Naka!" the director's assistant said happily.

"Yes." Nakadai Hideji patted him on the shoulder, and then walked away. He is really a smart and sensible young man. There are more and more smart young people like this, and there are fewer and fewer idiots like Ohno Nagaharu. Japan Only movies can have hope.

Zhongdai Yingji sighed in his heart.