Tokyo Literary Godfather
Chapter 321 I knew it was not an illusion
"Fujiwara-sensei will have it."
Riho Inoue knew that her daughter was thoughtful, so she reached out and patted Inoue Morimata's head gently and said.
Inoue Mori looked up at Riho again, as if he wanted to say something, but he still swallowed it.
…
At night again, the doctor came to the ward to check his physical signs, and then told Kei Fujiwara that he could be discharged from the hospital tomorrow.
In fact, according to common sense, patients with such mild poisoning symptoms can be discharged from the hospital the next day. Bed resources are tight and should be given to other people in need as much as possible. The reason why Fujiwara Kei and Arima Keika are still in the hospital is more or less the celebrity effect.
In order to prevent the hospital from losing its reputation due to negligence, the hospital asked the two to stay under observation in the hospital for a while.
This may be the meaning of so many people trying their best to climb up. When a person's weight in this world becomes higher, he can enjoy privileges without doing anything deliberately.
In order not to disturb Kei Fujiwara's recuperation in the hospital, Yui Mizuhara deliberately concealed the news that Kei Fujiwara was hospitalized. Otherwise, people from major artist management companies would have already crowded the wards.
However, it was still known by some people. Miyata Takaharu and Kono Aoi each sent a bouquet of flowers to express their condolences. When Inoue Mori came over to deliver the lunch, he tidied the room and placed the two bouquets of flowers on the window sill. The bouquet he sent was placed alone in a vase on Fujiwara Kei's bedside.
At night, Inoue Mori said goodbye to Fujiwara Kei again. However, when he opened the door and was about to leave, he saw Arima Keixiang leaning on the door frame of his ward, smiling and waving to Inoue Mori.
Inoue Mori's face stiffened again, but out of courtesy, he bowed to Arima Keixiang and said hello: "Hello, Miss Arima."
"Hello, Morimata." Keixiang Arima smiled and said, "Are the cherries delicious?"
Inoue Mori looked at the cherry in Arima Guixiang's hand again, and suddenly understood something, his face darkened, and he said: "It's a bit sour, but I still thank you for your thoughtfulness."
"That's it..." Arima Keixiang didn't say anything, smiled at her, turned around and returned to the room.
Inoue Mori stamped his feet on the ground twice more and left angrily.
After Inoue Mori left, the doors of Fujiwara Kei's room and Arima Keixiang's room opened at the same time. Arima Keixiang curled her lips and said: "Look, Masai's worry is not unreasonable. This child Morita's feelings for you It's really unusual."
"I don't see any unusual feelings. Didn't you have an elder you liked when you were young? Didn't you snatch the back seat of your elder's bicycle?"
"It seems that the entertainment industry is a place where no matter how beautiful you are, you can always find someone more beautiful than you. No matter how young you are, there will always be someone younger than you." Arima Keixiang said, "By the way, Mori Mata That child, wouldn't he call me an old woman behind his back just like Jian Zhai calls you an old man?"
"No, Mori is much more mature than Masai."
"Maturity only means that you won't say what's in your heart casually. It doesn't mean that you won't think so in your heart." Arima Keixiang held her face in her hands and said in a sad tone: "Forget it, things will really change in a few years. She has become an old woman. Staying up late during filming makes her age quickly, and no amount of skin care products can make up for it..."
"You're still very early." Kei Fujiwara said, "By the way, are there any cherries?"
"Yes, it's in my room, come and get it."
Arima Keika said, then turned and entered the room.
Kei Fujiwara walked in and closed the door gently. Suddenly, there was a "click" in his ears, and then his eyes went dark.
Immediately afterwards, there was a wet and cool touch on Kei Fujiwara's lips, which also exuded the aroma of cherries, and a little juice flowed into Kei Fujiwara's mouth.
Fujiwara Kei looked forward calmly, his eyes gradually adapted to the darkness, and the outline of Arima Keika's face gradually appeared in front of him.
Arima Keixiang's eyes were closed tightly, and her whole body was trembling slightly. After an unknown amount of time, she slowly opened her eyes and whispered in Fujiwara Kei's ear:
"Sure enough, that's how it feels. The day you kissed me was not my imagination."
After kissing her on the mouth, Fujiwara Kei turned on the light.
Don't think about anything else. This is a hospital after all, and a plot like that would easily kill you in a minute in reality. And I don't know whether Arima Keixiang was nervous or for some other reason, but her whole body was shaking as if an electric motor had been installed. It was better to be on the safe side, so as not to make any big noise and make everyone in the hospital aware of it.
There was Ma Guixiang and half a box of cherries. The two of them sat cross-legged on the hospital bed, facing each other, with the half box of cherries between them.
"What other work arrangements are there next?" Kei Fujiwara asked.
Arima Guixiang said while sucking the cherry pit: "Meicheng-san has arranged resources for a drama for me, but I have been in poor condition recently, so I don't want to participate in new works for the time being."
Fujiwara Kei smiled and said: "Is it because of "White Night Journey"?"
"What are you talking about..." Arima Keixiang muttered.
In fact, I had many concerns when I took over the filming of "White Night Walk". Before I officially took over the filming, my agent Takahashi Mikiro also had many concerns, because there were good TV drama resources at the time, and if I took over the filming of this movie, I would definitely reject that one. Resources for TV shows.
In fact, compared to movies, in terms of remuneration, it is more cost-effective for actors to take on TV series, because TV series are paid based on the number of episodes, while movies are paid based on parts. In addition, Japanese films do not have a special status in the country and are declining. They are squeezed out by foreign films and have little room for survival. Therefore, actors are more inclined to star in TV series.
In Japan, actors are not divided into movie fans and TV drama fans, and there is no such thing as a higher status in the industry than TV drama fans.
This situation is completely opposite to that of Chinese entertainment. In the Chinese entertainment industry (including Hong Kong entertainment), the status of movies is definitely higher than that of TV dramas, and the status of movie actors is generally considered higher than that of TV drama actors. This phenomenon is especially evident in this era.
Most film actors disdain to star in TV series, while TV drama actors are desperately competing for film resources, but it is not easy to gain a foothold in the film industry. Even according to some acting academics, the performance methods of film actors and TV drama actors are different. It is generally believed that the performance methods of TV drama actors are rougher. When a TV actor transitions to the big screen, he will use a magnifying glass to find his performance mistakes.
Zhang Yimou once gave advice to young actors, try not to act in TV dramas, and act in movies if you can.
This situation did not improve until the rise of online dramas. Many online dramas have completely reversed this concept with higher production costs and greater financial returns, changing the old concept that TV dramas are inherently inferior. In the final analysis, the economic strength determines the status of the industry.
Even many famous film actors and film directors who used to look down on TV dramas and never acted in TV dramas have begun to use their ordinary attitude to try to star in and direct TV dramas, but what they have come up with is hard to describe. The initial arrogance was like a joke.
However, this was 15 years later.
The failure of "Bai Ye Xing" not only affected Arima Guixiang's commercial value, but also hit her confidence.
Fujiwara Kei stretched out his hand to touch Arima Guixiang's hair, and Arima Guixiang also naturally held Fujiwara Kei's hand, and gently pressed it against her cheek.
She looked at Kei Fujiwara, suddenly opened her mouth mischievously, and bit his finger hard.
She originally wanted to hear Kei Fujiwara shout "Ah", but she didn't receive any response. So she raised her head and looked at Kei Fujiwara, only to find that he seemed to be thinking about something.
"What are you thinking?" Arima Guixiang gently moistened the tooth marks she had just bitten out with her lips.
"Gui Xiang, give me a three-month schedule." Fujiwara Kei said suddenly, "I want to make a movie."
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