Tokyo Literary Godfather

So although Usami Sakura suffered the loss of two slaps, in the end, the strategic purpose was achieved, and the two slaps were not in vain.

But the two slaps from Nobi Shisuke were really heavy. It took several days for the redness and swelling on his face to barely disappear, and it had to be covered with thick powder to make it invisible.

Everyone in the company knew that she was beaten by the president in the office, but she didn't care because Fujiwara Kei's additional investment was cancelled, which proved that the beating was worth it, and her authority in the company became even stronger. . No matter which department they were in, they would not dare to disobey her orders.

So she arranged for Usami Tsuruto to be the chief assistant director on another crew. The director of that crew was more current and agreed immediately, for fear of following in the footsteps of Kei Fujiwara.

And Usami Sakura was thinking proudly, now Keina Fujiwara should know how powerful he is, maybe he will come and personally beg me to let him go in a few days?

When the time comes, we will definitely have to deal with him and find a way to make him lose face. For example, we can force him to drink wine at a banquet to make him look ugly, or make him dance with his tie tied on his head in the karaoke room. Girls group dance...

What kind of national teachers are they? Aren’t they also people who rely on the club to make a living? Don't put on airs in front of me!

After playing with him, I still won't give you the chasing investment. Hey, what can you do to me?

Usami Sakura thought well, but for the past few days, Fujiwara Kei had not expressed anything. She was a little confused, so she called the female clerk who used to work on Fujiwara Kei's crew.

That female clerk was the one who helped Usami and her son snatch Morimata Inoue's toys that day. However, within two hours, Kei Fujiwara was expelled from the crew. The female clerk had to go to the artist management department to work.

Although Usami Sakura wanted her, she didn't give her any important position or good treatment. Anyone who offended her would definitely be retaliated by her, but it was natural to flatter her, and there was no need to do anything extra. What.

After the female clerk was expelled from the crew by Kei Fujiwara, she worked in some insignificant jobs in the artist management department. She hung her head all day long, feeling very regretful.

But after Usami Sakura called her, she suddenly became energetic, thinking that the deputy commander finally remembered me.

However, Usamio asked her to inquire about the current work progress of Kei Fujiwara's crew. The female clerk had an acquaintance on the crew before, so it was still possible to ask about the basic situation.

Soon after, the clerk came over to report to Usami Sakura. Usami Sakura frowned repeatedly. The crew's shooting mission didn't seem to be affected at all?

"Huh, this is only temporary. If you don't have money, he'll just slap you." Usami Sakura said, "Okay, it's none of your business. Go ahead and get busy."

The female clerk just wanted to leave, but after thinking about it, she turned back and whispered: "Secretary Usami..."

"What's wrong? Is there anything else?" Usami Sakura raised her head impatiently.

"That's right, I have something to tell you... Director Fujiwara shouldn't be short of money. He seems to be the main investor in this movie?"

"He is the main investor? What do you mean? He invested more than the club?" Usami Sakura asked with a frown.

Regarding the investment composition, in fact not many people in the company knew the details, and the female clerk only found out about it when she was helping Ohno Nagaharu deal with some accounting issues. Moreover, Usami Sakura doesn't particularly care about company affairs. Departmental affairs are usually left to her subordinates. She is usually only responsible for managing the female artists in the department and keeping them away from the company. This is what she is passionate about all day long.

"Yes." The female clerk said, "He personally invested 100 million, and Ohno Productions also invested tens of millions."

Usami Sakura said in shock: "So many? Has this guy emptied his entire family fortune?"

The female clerk hesitated and said, "That's not the case. Mr. Fujiwara is actually very rich..."

This brings up the topic that Usami Sakura is interested in, "Huh, how much money can I have?"

"The specifics... I'm not sure. But every time he writes a book, his after-tax royalties are over 100 million, and he gets a lot of remuneration from TV shows, so... he should have assets of 1 billion now."

Usami Sakura: "..."

She didn't know what to say for a moment. Not only did she have no business acumen, but she also lacked business common sense. She thought that Kei Fujiwara's income was equivalent to that of a senior executive at Matsunichi Pictures.

I feel that writers only have a high social status, but they are still not worth mentioning in front of businessmen, because after all, the rich have the final say in this world.

After knowing how rich Kei Fujiwara was, I couldn't help but be speechless. You must know that most of the company's executives and even shareholders do not have assets of one billion. Matsunichi Pictures' annual net profit is only four to five billion.

And Fujiwara Kei is still very young and has such assets... This is much better than Nobi Shisuke.

At this moment, Usami Sakura felt a little respect for Fujiwara Kei. She didn't expect the writer to be so rich... I really underestimated them...

The filming of the movie is in full swing, and the TV series shot by Kei Fujiwara at Fukuyama Station has also been broadcast for two weeks.

The three winter dramas are "101 Proposals", "Spicy Teacher" and "Legal Heroes", which are still the hottest dramas of the season.

Yamaguchi Tsutoyo from the production bureau had a crooked smile. Ever since Fujiwara Kei cooperated with the production bureau, he didn't have to worry about anything. The bureau's advertising revenue and endorsement cooperation are almost endless, and he can collect money while lying down.

But it is a pity that the partners do not seem to have long-term cooperation plans. The reason is also very simple. The real power of the production bureau will not be at Fukuyama Station next year. It is hard to say whether Fukuyama Station will still be so strong by then.

Yoshida Kashi tried his best to get Kei Fujiwara's contract extension. As long as Kei Fujiwara can stay, he is even willing to get a salary that is 50% higher than the original contract. In this case, this is Unprecedented generous treatment in the history of the broadcasting industry, but Kei Fujiwara still did not agree.

Instead, Kei Fujiwara came to Fukuyama Terra for investment in making a movie. Yoshida Kaishi approved the project with a wave of tens of millions. It is estimated that this guy will ask Fukuyama Terra to use publicity resources to promote his movie in the future. Yoshida Kashi also promised to cooperate with the announcement of the film.

Yoshida Kashi's sincerity is full, and Fujiwara Keiya knows how to let Fukuyamadai taste a little sweetness at the right time. During the promotion of the "Confession" movie, he also plans to use Fukuyamadai as the main promotional position.

The request to renew the contract was not agreed, but he promised to continue to cooperate with Fukuyama Channel in the future, only signing works and not signing people, and sequels of works that have been broadcast on Fukuyama Channel, such as "Hansawa Naoki" and "Furuhata Jinsaburo" ”, the sequels of these dramas will only be broadcast on Fukuyama Channel, and they are willing to sign contracts.

Although the contract was not renewed, the contract for this work alone made Yoshida Kashi feel that it was worth it.

At the same time, the news that the president of Mizunami Production decided to sell the company was officially announced.