Tokyo Literary Godfather

Kei Fujiwara chatted with Odagiri about "Blue Life and Death" for nearly an hour, and then Mr. Odagiri left the office.

In Odagiri's mind, movies are bigger than TV dramas, and professional dramas are bigger than trend dramas. The chain of contempt formed by him has been in the industry for more than ten years. It cannot be changed by Kei Fujiwara's words, but it doesn't matter.

Kei Fujiwara just needs to express his attitude to him, no matter how you feel that trend dramas are low-end and unpopular, but this drama is the first batch of projects since the reorganization of Mizuwa's production, and it has attracted much attention. If you dare to be perfunctory If anything, just give it a try.

Kei Fujiwara asked a female producer named Juri Okada to be responsible for the production of the new drama. This producer is also a very mature producer. Before Kei Fujiwara officially entered the production of Mizuna, he had a certain competitive relationship with Yui Mizuhara, and even had the upper hand for a time. He is most likely to be reused by Fukuyama TV.

But as Kei Fujiwara and Yui Mizuhara formed the "two originals", the situation of the two reversed instantly, and Yui Mizuhara suddenly became a hot producer in the industry. But Juli Okada is still unknown, perhaps stimulated by Mizuhara Yui, and wanted to catch up, so he made a trending drama with enthusiasm, but the result was a disastrous failure. The ratings can be described as sporadic and unbearable to watch.

But after all, he is also an experienced and online producer. When Mizuna Productions was about to be sold, he also got a long-term producer contract from Fukuyama Station, but Okada Juri learned that Fujiwara Kei would become the new president of Mizuna Productions. Finally, he resolutely rejected Fukuyamadai and went to find Kei Fujiwara. He expressed his "loyalty" to him, and then actively retained his former subordinates for him, and even tried his best to help retain Mizuhara Yui.

She also knew that after two or three years of Yuejiu drama, Mizuhara Yui was no longer a producer of the same level as her. Staying will not block your future; leaving will not do you any good. That being the case, why not find a way to keep Mizuhara Yui here, and let Kei Fujiwara see his abilities.

Three years ago, Okada Juri saw with her own eyes how this unremarkable young man created miracles in the broadcasting world again and again. To such a noble person. But now, she doesn't want to miss the opportunity again.

Okada Juri got the scripts of the first two episodes of "Blue Life and Death" and the program planning. After two days, she almost memorized the planning backwards and went to contact with various parties, such as investors, subordinate outsourcing companies, and major brokers. The company is so busy that it is non-stop, and the work intensity is directly increased, and I wish I could grow eight kidneys in my body.

Hearing that Kei Fujiwara's new drama has started filming and is looking for actors, the major agencies are in a commotion, and even many actors now simply don't take other jobs, and are waiting for an audition invitation from Mizuba Productions, so as not to miss the Fujiwara drama.

Kei Fujiwara's new drama is only in the preparatory period for filming, and the other production teams already feel miserable. Fushan TV is currently preparing a weekend prime-time drama, and has seen several actors, but none of those actors are willing to directly sign a contract with them and discuss about joining the group. Thinking about it with my heels, I know that this group of actors and agencies are looking for horses on donkeys, hoping to wait for Kei Fujiwara's invitation to audition for the drama, and try their luck. If you sign a contract with them in advance now, you will completely miss the Fujiwara drama.

These production crews and producers are angry and wronged. These production organizations have always been strong in front of the actors. When did they suffer this kind of grievance as a backup?

But there is no choice but to endure it. In the broadcasting industry, the resource pies that rank first and second are Fujiwara dramas and Yuejiu dramas.

Before that, the Fujiwara drama was a nine-month drama. Fukuyama TV's nine o'clock TV series every Monday has not only Kei Fujiwara, the top creator, but also the resource time bonus of Fukuyama TV, which is the most powerful among the five, and is even more invincible. . Fortunately, the two are now separated, which is a good thing for other production organizations. Maybe there will be a chance to see the grand occasion of [Fujiwara drama VS Yuejiu drama] in the future... It is really exciting.

After all, the Yuejiu drama is developing well without Kei Fujiwara, and the latest Yuejiu drama has a high ratings. After all, the foundation has been laid, and it is reasonable to develop well.

I just don't know what will happen if Kei Fujiwara really encounters the broadcasting world that he created in the future. Will this monster in the broadcasting world have the ability to subvert the powerful weapon he created in the broadcasting world again?

The audition was held for a week, and almost all actors of the right age in Japan were interviewed.

Finally, a few were selected.

The final two leading actors in "The White Tower", one is still his old friend Takayoshi Miyata, who will serve as the main protagonist Goro Zaizen in the play; and the other leading actor Satomi Shuji is also a very famous Mesozoic actor at the moment.

Miyata Takara can now be called the TOP 3 Japanese actors. After "Naoki Hansawa", he starred in another NHK Dahe drama. Although the ratings are not very high, it is very high. In Japan, Dahe operas are very capable of elevating the personality of actors.

As the holder of the record for the highest ratings in the history of Japanese TV dramas, "Naoki Hansawa" can earn dividends from Takaharu Miyata for a lifetime, and the story has not yet been told, so there is a high probability that a sequel will be made.

The most solid stepping stone for him to become a top 3 actor is "Naoki Hansawa". It can be said that it is using gold bricks as a stepping stone.

And the reason why he can't be called a TOP 1 actor is precisely because there is only one stepping stone like "Naoki Hansawa", and the next stepping stone at the Golden Brick level may have to wait until the broadcast of "Naoki Hansawa 2" It's time.

Hanna Hashimoto has been feeling a little worried lately.

After Takaharu Miyata became popular, his status in the entertainment industry also increased, and he became a first-line artist manager.

In the entertainment world, the status of a manager is directly linked to the artist. A top-tier manager may not lead a top-tier artist, but a top-tier artist's manager must be a top-tier artist.

He and Miyata Takara hadn't known each other for a long time. At that time, their status in the circle was not very high. Now that they both ascended to the top and looked far away, they were still by each other's side. It was a good story in the circle. Artists hope that they have a manager like Hanna Hashimoto who is like a good housemate, and managers also hope that their artists can be like Miyata Takara, who will not abandon themselves after becoming popular.

But like all agents, after an artist becomes popular, the work becomes exponentially more difficult.

First of all, there is more work, and the partners are bigger, that’s for sure, but most of the difficulty does not come from them, but from the artists themselves.

Once many artists enter Vanity Fair, their personalities almost change... It cannot be said that they have changed, some are even deformed. Becoming arrogant, arrogant, stupid, and careless, I really feel like I am the child of destiny. Some people can wake up from hallucinations in time, and some people don't know what they did wrong until they are stripped clean and returned to normal.

Hashimoto Hanna has experienced this kind of entertainer. He was a humble and respectful young man at the beginning, but once he became famous, he began to try to challenge some more exciting things. Any messy relationship between men and women is good, have some private parties, even try drugs... I no longer pay attention to the work, all I think about is playing something more exciting all day long. It always makes the agent's head as big as a bucket.

And Miyata Takaharu is exactly the opposite of this kind of person. After he became famous, he did not think of ways to vent his desires. On the contrary, he was still passionate about acting. But he doesn't seem to consider his commercial value at all, and will always give up some big-budget dramas and instead act in dramas and the like. Although he has gained a reputation in a small circle, if he continues like this, he will be forgotten by the audience sooner or later...

Hanna Hashimoto also tried to help Miyata Takaharu get involved in some dramas, but many Miyata Takaharu rejected them at first sight. He hopes to perform some dramas that allow him to break through himself, instead of being trapped in prison and repeating his past self.

At this moment, Kei Fujiwara called.