Tokyo Literary Godfather

"Stop! Stop!"

Kei Fujiwara was stunned for a moment, then made a gesture, and the assistant director next to him shouted angrily at the top of his lungs.

Kei Fujiwara used his voice a little too much a few days ago. During this time, his entire throat became swollen. This was a heavy blow to supervising a job that requires frequent expression of ideas. He went to the doctor and prescribed medicine. The doctor's advice was to avoid frequent expressions as much as possible. Just talk and it will be relieved in four to five days.

This is the only unsatisfactory incident during this period.

Therefore, the assistant director acted as Kei Fujiwara’s mouthpiece during this period. If he needed to communicate with the actors, he would do so in private and at close range. If the shooting scene was noisy, the assistant director would need to help Kei Fujiwara express his thoughts loudly. .

The assistant director had been following Kei Fujiwara for a long time and had a strong ability to understand Kei Fujiwara's meaning. After stopping, he didn't even wait for Kei Fujiwara to say anything. He stepped forward and scolded a passerby actor: "Asshole! What are you doing?" What! Don’t you know you’ve been shot? Why are you still standing up! Have you ever been trained as an actor? Who trained you?”

A stage manager, who was also the third assistant director, trotted over quickly, took out a handkerchief to wipe his sweat, and bowed and apologized repeatedly, "I'm sorry, I'm sorry, Director Tanaka, this is the person I trained..."

Before he finished speaking, the field manager's powder keg also exploded. He pointed at the passerby actor and wanted to scold him, but he was so angry that he couldn't speak clearly: "You...you...why did you stand up suddenly?" ?”

Yamaguchi Jiyang thought for a while and said, "Supervisor, have you ever killed a chicken?"

The attendant was stunned: "What have you killed?"

"When I was in the countryside, I saw my grandma kill a chicken, cut off the head and then run five hundred meters down the mountain road. I felt that humans and chickens were the same to some extent. I might not have known that I was dead. , still running."

Immediately afterwards, Yamaguchi Tsuguhi puffed up his chest: "As an actor, I have the obligation to speculate on my role! This is my interpretation and definition of the role of Nakai Segoro!"

Assistant Director Tanaka was completely stunned, as if he couldn't figure out what to do for a moment: "Nakai Segoro...who is that?"

"I gave my character the name. Although I only play an ordinary gangster, you didn't give my character a name. I think this is a very unprofessional approach! So I gave it a name." Tsugumi Yamaguchi As Yang spoke, he glanced at Kei Fujiwara out of the corner of his eye.

The atmosphere was strangely silent for five seconds, and the two assistant directors roared almost at the same time: "Are you sick?!"

Yamaguchi Jiyang still held his head high, although the scoldings from the two assistant directors and the somewhat disgusting looks from other passers-by actors around him also made his self-esteem extremely frustrated and he couldn't hold on for a while. He is not really the kind of person who is extremely dedicated to art, he just wants to show off to Kei Fujiwara.

Two years ago, he wouldn't have been able to do such a thing. He even laughed at the producer when Miyata Takaharu blocked him from the door and asked him to perform again.

However, Miyata Takaharu's popularity gave him a heavy blow to his concept, so he began to try to imitate Miyata Takaharu and become a passionate person.

Sitting behind the monitor, Kei Fujiwara also heard the conversation between the passerby actor and the assistant directors, and couldn't help laughing.

It's almost like watching "The King of Comedy" again. It seems that people like Yin Tianchou also exist in a rule-abiding social environment like Japan.

In "The King of Comedy", the protagonist Yin Tianchou refused to die and even acted without permission on the set. It is said that this was Stephen Chow's personal experience. But it is a movie after all, and it is still a nonsensical comedy, and it is exaggerated.

Stephen Chow himself may have done such stupid things, but it would not be as exaggerated as in the movie, and Kei Fujiwara is even doubtful whether he has done such a thing. Celebrities in the cultural world like to make up anecdotes for themselves to highlight the style and uniqueness of the Wei and Jin Dynasties. Not to be trusted.

For example, Han Han once said that when he signed a contract with his publisher, he signed the contract on a napkin in a coffee shop.

But he doesn’t believe it. There are always people who believe it. Fujiwara Kei suffered a lot when filming on the set in his previous life, because there are always people who have heard Stephen Chow’s story. They also imagine themselves to be the king of comedy and start to reproduce the movie in reality. bridge section.

If it was just a measured scene-stealing, Kei Fujiwara could tolerate it, but if someone really asked the crew to make useless movies over and over again, Kei Fujiwara could no longer tolerate it.

After driving the man away, the assistant director quickly stepped forward to apologize. Fujiwara Kei appeared to be emotionally stable and said: "Communicate with the human resources department of the man's original company and let him go back. He is not suitable to stay here anymore."

Of course, Kei Fujiwara knew that that person was most likely not someone who was dedicated to art. Maybe this person was still deliberately imitating Miyata Takaharu. After Miyata Takaharu became famous, the media continued to publicize anecdotes about his past, and some of them were even exaggerated, just to show his dedication to art.

But this kind of sensationalism is essentially different from Miyata Takayoshi. Miyata Takayoshi may sacrifice his own face in order to become famous, but he will never cause trouble on the shooting set to affect the shooting.

"Director Fujiwara." At this time, Miyata Takaharu suddenly came over and said with some hesitation: "Can I ask a favor for that person?"

Fujiwara Kei looked up at him: "Why?"

"It's like this. I know this person. We worked together as passer-by actors before, and we have a pretty good relationship."

Now that the lead actor has begged for mercy, Kei Fujiwara of course sold his face, so he nodded and said to the assistant director: "Okay, then you go and warn him once, and if there is another time, he will be sent back to the original company directly."

"No problem, no problem." The assistant director repeatedly agreed, thinking that no matter how stupid a person is, he won't make the same mistake twice in a row.

Yamaguchi Jiyang felt uneasy and excited at the same time.

The uneasiness is because he seems to be the butt of jokes in the mouths of other passers-by actors, including the way other people look at him, which has become a little strange.

Japan already has an ethos of "don't cause trouble to others". This ethos is so severe that some people die of illness at home and dare not ask their neighbors for help. If you do this kind of thing in China, maybe someone will come to you to ask for your experience, but in Japanese society, people will only think that you are a person who will cause trouble to others, so they will start to stay away from you.

Yamaguchi Jiyang had already clearly felt that other people were alienating him, and he had already prepared for it, because he was also alienated from Miyata Takara in the same way.

In fact, all of this is a replica of Miyata Takara's success story. Yamaguchi Tsuiyo said in his heart that although he is alienated and ridiculed now, as long as he is as successful as Miyata Takara, these things will become glory instead. Yamaguchi Jiyang continued to strengthen his faith in his heart.

And Kei Fujiwara's attitude also gave him confidence, because he has been paying attention to Kei Fujiwara's reaction, and found that not only did Kei Fujiwara not show any disgusted expression, but there was a smile of "approval" on Kei Fujiwara's face. Yamaguchi Jiyang interpreted this smile as approval. How could he smile at me if he didn't appreciate me?

And Kei Fujiwara didn't fire him afterwards, he just warned him that it didn't hurt or itch. He felt that Kei Fujiwara had left a deep impression on him anyway.

As long as he continues to show his talent as an actor, he will definitely be able to be reused and promoted by him.

It's a pity that they were not filming at the seaside, and there is no sea around, otherwise Yamaguchi Jiyang would definitely run to the shore and shout two words: Work hard! struggle!