Tokyo Literary Godfather

Chapter 484 Who agrees and who opposes

With a sound of "bang", Miya Sato's manager kicked the door and walked in, then pushed aside the crowd, and walked out of the house holding Miya Sato's wrist.

"You, what are you doing?" Sato Miya panicked.

The agent was too lazy to talk to her, so he took her hand and dragged him outside, directly in front of Fujiwara Kei, and then reprimanded: "I have been an agent for more than 20 years, and this is the first time I have met you. Such an outrageous thing! Apologize to me like Mr. Nakajima and President Fujiwara. Just apologize, don’t say much about the rest, and don’t make excuses!”

Norie Nakajima turned his head away without even looking at her, while Kei Fujiwara watched her calmly.

Miya Sato was stunned. Are you going to apologize now?

She turned her head to look around, and none of the crew left. Hundreds of people from the production team and working group were all watching here, and they felt a little awkward for a while.

Although I was reluctant, but I also knew that throwing producer coffee would leave a very bad impression in the industry, so I could only twist and say: "I'm sorry, Mr. Nakajima, I just didn't Control your emotions, I shouldn't lose control easily because of such a sentence or two, please forgive me."

Although I apologized, I was still looking for reasons. Miya Sato's subtext seemed to be saying that it was because Nakajima's words offended her that she lost control of her emotions.

The people present were not stupid, they could hear her subtext. After hearing this, the manager felt dizzy for a while. This woman...is really stupid!

Kei Fujiwara squinted his eyes, and a smile actually appeared on his face: "I see, I know. A lot of things happened today, whether it is my side or here, so please go back for now, today's shooting task It's over. Our company needs to hold an internal meeting to discuss what to do to avoid the same thing from happening in the future. Please come back for now, and I will notify you if there is anything else."

Looking at the smile on Kei Fujiwara's face, the agent's heart became more and more flustered, while Miya Sato seemed even more aggrieved, and squeezed her eyes desperately and said: "Mr. Fujiwara, I'm sorry, it's all my fault, I messed up It's..."

Kei Fujiwara listened to her crying, but didn't seem to have the reaction she wanted to see, but just made a gesture towards the manager, hoping to take her away as soon as possible.

The manager wanted to say something more, but seeing Kei Fujiwara's impatient expression, he had no choice but to swallow the words, bowed to Kei Fujiwara, and took Mime Sato away.

After getting in the car, Mime Sato said worriedly, "Kenna Fujiwara won't make things difficult for me because of this."

The manager looked at Miya Sato like an idiot, and asked, "How do you think he will make things difficult for me?"

Miya Sato said like a cannonball: "For example, when you are filming, you make trouble for me, ask me to complete difficult performances in a short period of time, or ask me to NG many times but don't let me pass, or even Maybe arrange a slap scene for me, let other actors slap me... Ah, he wouldn't contact the media to hype my relationship with President Nobi after the film was finished? Heard about his media resources Very good. Kid Fujiwara Keina shouldn't be so vicious, right?"

Mia Sato looked worried.

The agent sighed, "It would be great if this is the case. It's not a big deal. At most, it's just that you suffer some losses on the set. Gossip is not terrible. Which artist in the entertainment industry has no scandal? I'm just afraid ..."

"What are you afraid of? Is there anything more terrifying than this?" Sato Miya turned her head and looked at her manager with a puzzled expression.

The manager also looked at her, not knowing whether it was better to say she was stupid or innocent, and said nothing: "Go back first, you can go to President Nobi and see if he can call Kei Fujiwara..."

"Ah, you want me to look for him again." Miya Sato was a little dissatisfied, why does she always need me to find her relationship, if this is the case, what else do I want your manager to do.

The agent sighed, and said silently in his heart: After the contract is over, unless this woman can earn me hundreds of millions a year, I will definitely not renew the contract with this woman. But he said: "Okay, I'll look for it, I'll look for it..."

"Stop your play for a few days and let me take care of things first." Fujiwara Keimichi said to Ohno Nagaharu.

Nagaji Ohno scratched his head, looked up at Kei Fujiwara, seemed to be thinking about something, and said: "Don't worry, just do what you want, I can handle it, at worst it takes more time to start over. Don't worry about money, I can get my dad to invest.”

Fujiwara Kei looked at him and smiled: "With your words, I feel relieved. You are the supervisor of this show. I'm afraid it will cause you trouble."

Nagaji Ohno waved his hand: "If this matter is not resolved properly, it will be a big trouble. What if that woman spills a cup of coffee on my face in the future? The iced coffee is fine, but I'm afraid it's hot... Anyway , this kind of behavior should not be condoned or allowed. I am not very good at dealing with this aspect, so I leave it to you. All I can do is cooperate."

"Well."

Fujiwara Kei nodded.

The people on the sidelines were confused as they listened to these two people talking. Why can't you understand? What are these two talking about? What does "spend more time and start over" mean, and what does Supervisor Ohno mean by "let my dad invest"? Hasn’t the film project already been financed? Funds are sufficient now.

Some people know that Director Ohno's father is a high-ranking executive of Taisha, with a family fortune of billions, no worse than President Fujiwara. He is a proper second-generation rich man. But I still don’t quite understand the specific meaning of what the two said.

Kei Fujiwara and Nagaharu Ohno have known each other for more than three years, and they already have a tacit understanding. They can understand each other's intentions by just saying a few keywords.

Even without Fujiwara Kei opening his mouth, Ono Nagaharu had already guessed what he wanted to do. He supported Kei Fujiwara, but he still silently lamented in his heart that his first movie had a bad fate, which was really unlucky.

In the evening, Kei Fujiwara notified the creative team, including producer Nakajima and supervisor Ohno, in advance to have a meeting at Ohno Bookstore.

This place has almost been used as a conference room for Mizuba to make new movies. Whenever a new movie starts to be filmed, Kei Fujiwara will bring the main creators to the second floor for a meeting. The reason is that this is not a formal workplace, and the environment is more relaxing. Filmmaking is different from other commercial projects. It has a strong artistic quality, so an overly serious discussion atmosphere is not conducive to the development of the project.

So when Kei Fujiwara is in a meeting, he often orders some home delivery and discusses while eating. It seems that the atmosphere is relaxed, but it is necessary to discuss everything in detail, and try not to leave problems to the shooting scene, waiting for the on-the-spot solution.

So this is also something that consumes a lot of energy. You have to eat to replenish your blood sugar.

On the other hand, this bookstore also has a special meaning for Kei Fujiwara. The first work that officially debuted in the cultural world was written here, so it is a good sign. I hope that all the works created here can be read. It was a hit like "White Night Walk".

This has now formed a culture in Japanese society. So now many novelists and cartoonists come to this bookstore to create works, and even some small film crews come here to discuss scripts.

Ono Bookstore has a counter business selling coffee. Ono Nagaji told Kei Fujiwara that in the first half of 1997, the coffee business made four to five times as much money as the book business. Such bad coffee did not worry about selling at all. It was also unexpected.

When everyone came to the second floor, Kei Fujiwara said directly, "I plan to change the heroine, who agrees and who opposes?"

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