Tokyo Literary Godfather

After Miya Sato entered the new crew, she almost treated the whole crew as her servants, and even asked the supervisor to pour coffee for her.

That's all, the key is to interfere with the script at will, which makes the main creative team very headache.

If she doesn't like people or characters who steal her spotlight, she will delete scenes at will; or insert other people's highlights into her own character, which seems nondescript.

And it may be that the praise from people around her went to her head. She began to feel that she had the potential to be a famous director, and began to try to interfere with the supervisor's creation.

If this were the normal situation, he would have been kicked out of the crew a long time ago. But this is a self-made film by Matsuri Films, and because of well-known reasons, no one dares to offend her or make her uncomfortable.

Although the producer reported this matter to the company's senior management, it had little effect, so all the main creators fell into a state of failure.

The film has now been shut down to complete production and will be released around September. I don’t know what the outcome will be.

The producer of "Victory is Justice 2" was obviously worried that this kind of thing would happen to him, so he was very anxious and wanted to prevent this person from joining the group through Kei Fujiwara. Otherwise, what if this person changes the script crazily? Professionals don't dare to change Kei Fujiwara's scripts, for fear of accidentally changing the advantages into disadvantages.

But Miya Sato is not a professional, she is just an idiot, and there is nothing she dare not do. Even if he told her that blowing up a US military base had beauty benefits, this guy might even dare to go to Yokota carrying a pack of explosives.

But it's obvious that Kei Fujiwara doesn't care.

This script is obviously the product of a transaction. A script was exchanged for Shibasaki Hideaki's contract, and the transaction was over. It's completely different from the previous co-creation situations with Fukuyamadai. He doesn't care about the life or death of this drama now.

Even if this drama really fails, given the wide spread of news in the broadcasting industry, the industry will probably know the reason by then and will not blame itself. It was Fukuyamadai who sought his own death.

He even had a bad mentality and wanted to see the day when the results of the show came out...

Aoi Kono has finished filming.

In fact, Aoi Kono's role in the movie "The Embalmer" is not particularly large, at least less than that of the male protagonist, and even less than the supporting actor who plays the funeral parlor owner. But since it was reshooting, the workload was actually a bit larger, and Ohno Nagaharu intentionally asked her to follow the whole process.

After Aoi Kono finished filming, the film "The Embalmer" was almost completed. At the same time, "Infernal Affairs" is coming to an end.

It has been almost a month since "Black Dress Killer" was released. Some theaters have already canceled the show, while others are planning to postpone it. Although this movie sold well, box office sales still vary according to region. It is said that the sales in Kansai are higher than those in Kanto.

As time goes by, the industry's estimates of the film's final box office are becoming more and more convincing. The industry's estimate is 4.2 billion yen. Since it has been released for almost a month, this estimate is fairly accurate. , without deviating too much from the final result.

Kei Fujiwara and Naoki Yamazaki are both waiting for the final box office results to come out.

The box office of just over 4 billion can be said to be quite good for the Japanese film market, especially in today's cold market environment, it is a great success.

The media also reported on Yamazaki Naoki even more enthusiastically, believing that he is also a rare talent in the film and television industry and the novel industry today, and he has great hope of driving a certain demon king from his current throne and stage a "out of town" The head transforms into a king, and the drama of a new king ascending the throne begins.

Rather than whether Yamazaki Naoki can surpass himself, Fujiwara Kei is more concerned about whether the current film market will pick up or warm up a little because of this movie.

Through a series of means such as observing the box office results of other movies, communicating with theater managers, making investigative reports, and asking questions on forums, we finally came up with the answer that this movie’s stimulation of the market was still too small after all. It can only surprise some viewers [it seems that occasionally a good domestic film will appear], but it will not completely change the view of Japanese domestic films.

Hollywood can still step on the Tianling Gai of local movies to kill the Quartet.

The box office is more than four billion... For Yamazaki Naoki himself and the distribution and production company of this film, it is a rare success. But still too little to be a salvation.

Fujiwara Kei thought.

If you want to save the world, you have to make a strong commercial film, and it can't just be a success worth billions, it has to be the kind of work that can cause a strong sensation, such as "The Monster Film", which once pioneered the monster film genre in Japan. Godzilla, for example, "Spirited Away", which has been the box office champion for decades, and "Infernal Affairs", which once saved Hong Kong Island movies.

Only such epoch-making classic works can save the market and completely stimulate the interest of a large audience in watching movies.

That's why Kei Fujiwara is so concerned about the works he is currently directing. "Infernal Affairs" does not have too much post-processing to deal with. If the work is rushed a little, with Kei Fujiwara's familiarity, it can now be scheduled for release.

But Kei Fujiwara still polished it as a work of art, because works of art can be sold at high prices. While sitting behind the monitor, Kei Fujiwara was constantly pulling the film in his mind, recalling how his teacher analyzed the film frame by frame in class when he was still a student, and then printed it on the film. Reproduce this work in the same way.

The film will be filmed for a while, and it is estimated that it will be released after "The Undertaker", and it will be the latest of the three live-action films produced by Shui Bo.

Takara Miyata and Ken Nagasawa are still immersed in the crew, competing in acting skills. Ken Nagasawa was born as an idol, but his acting skills have improved rapidly. After staying in the crew of "Infernal Affairs" for a few months, his performance is different from before.

This is also inevitable, in front of someone with strong acting skills like Miyata Takara, if you don't polish your acting skills, it is easy to be compared to not even scum.

Especially since the two have similar roles in the movie, if the difference is too far, they will be ridiculed by the crowd. Now he is in a critical period of transformation, "Infernal Affairs" is the key work of his transformation, he does not want to complete the transformation amidst laughter.

So Ken Nagasawa tentatively asked Kei Fujiwara if he could reshoot some of the previous scenes? Because when I first joined the group, I felt that I didn't find the right one, and I didn't fully show the struggling mentality of an undercover person. I hope I can play again.

Ken Nagasawa felt very embarrassed when he made this request. It meant spending more production budget and more time. The previous work had to be overturned and started all over again, just because he did not perform well the first time.

Kei Fujiwara thought for a moment, and didn't immediately agree, but he didn't refuse either, he just said he wanted to discuss it with the crew.

Nagasawa thought it was a polite refusal and didn't mention it again. However, three days later, the crew returned to the previous shooting location and re-filmed several scenes in which Nagasawa claimed that his performance was not good.

Ken Nagasawa is very grateful, and at the same time, he also put in 12 points of strength this time and contributed a more in-depth role performance.

Although Kei Fujiwara's movie is still in its infancy, two other works, "Meteor Garden" and "Jieyou Grocery Store" have been released one after another.