Tokyo Literary Godfather

Nobi Shisuke has not officially resigned yet, but his authority within the company has been completely eliminated by the newly appointed vice president. It should not be too far away to officially take the blame and resign. It is just a matter of process.

The news quickly spread within the company, and soon reached Fukuyama Terrace. The producer of "Victory is Justice 2" looked at the empty crew in front of him and didn't know what to do. After hearing the news, he suddenly became excited.

He first notified the top management of the production bureau, and then asked the screenwriting team to modify the script overnight, deleting most of the scenes of Miya Sato that were added later.

If the show wasn't about to premiere, the producers would have even wanted to delete all her scenes and replace them with someone else.

It was because of Nobi Shisuke that I originally chose this woman and accommodated her endlessly during the filming process. Now that your mistress has fallen, you can no longer dominate the crew like you did before.

Of course, before making this decision, the producer also checked with the production office twice and three times for fear that the news that Nobi Shisuke was being dismissed and was about to resign was untrue. So even though the top management of the production bureau had made it obvious, he still didn't dare to attack Sato Mia and kept asking questions.

Until the top management of the production bureau was really annoyed by him and roared in a low voice: "Are you done yet? Do you think I'm going to lie to you again? That guy Nobi Shisuke is done, and there won't be any improvement! The TV station will call you soon." The sky may also change, now it’s clear enough!”

The producer was overjoyed.

Nowadays, all the main actors in the crew have taken personal leave, and the filming has almost been put on hold. Moreover, now a kind of laziness, muddling along and not caring about success or failure has spread throughout the crew, even the temporary employees who have always been busy in the past ( Because I hope to become a full-time employee), I have now begun to work as a foreigner.

The male and female protagonists even went to do private work, but the producers did not dare to blame them and were embarrassed to blame them. Being able to force Aoi Kono, who has always been known for her professionalism and cooperation in work, to run away. If outsiders hear about it, they will definitely think that there is something wrong with the crew. After all, it's all that guy's fault!

The producer was holding back his anger and planned to deal with Miya Sato severely.

Unexpectedly, Miya Sato is also very sensitive to wind noise, and rushed to the set almost overnight. The injury on her face has not healed yet, and bruises can be vaguely seen, but now she can't care so much, and she is applying powder to cover it up. Bar.

Miya Sato usually brings four or five assistants and makeup artists to make the set look like a resort, but this time she only brought one assistant with a humble attitude.

But the creators will not forgive her just because her attitude has changed. She is still holding back the embarrassment she has suffered during this period. It would be good if they do not expel you from the crew, so they resolutely deleted her scenes. Miya Sato did not dare to protest.

Miyata Takaharu took time out between promotions and came to the set for intensive filming. Sato Miya always wanted to ease the relationship with him, and she also hoped that Miyata could help, introduce Fujiwara Kei, and treat him to a meal or something. of.

Miyata Takaharu ignored it. Nowadays, artists in the industry don’t meet Fujiwara Kei too often. Miyata Takaharu and Fujiwara Kei have known each other since they were young, and they are one of the few artists who can be considered Fujiwara Kei’s friend. His introduction is naturally valuable, and Miyata Takaharu himself also values ​​this. Friendship will not easily do things that detract from personal values.

Seeing that Miyata Takaharu was ignoring her, Sato Mia's attitude was still humble, and she was a completely different person from the past. This really impressed Miyata. She was able to bend and stretch to such an extent without any pressure on her dignity. This woman's success was really justified.

Two days later, another good news came.

"The Embalmer won the Silver Lion!"

The Venice Film Festival in Italy has come to an end. Ohno Nagaharu has made a huge achievement in Italy, that is, he won the Silver Lion Award.

As the Golden Lion Award for Best Picture at the Venice Film Festival, winning this award is already a huge achievement for the crew of "The Embalmer". Even Kei Fujiwara was quite surprised.

He has never won an Oscar for "The Embalmer" in the parallel world, so he feels that this movie is an awards scythe.

On the contrary, Kei Fujiwara feels that whether a film can win awards is more uncertain than whether it can achieve high box office, and there is even more room for maneuver.

Although everyone often only remembers the Golden Lion Award winner, it is not easy for Asian films to win heavyweight awards at the three major Western film festivals. Even if it is only the Silver Lion Award, the current level of attention given to Shuibo Productions And Nagaharu Ohno's identity as a new director has caused quite a stir in Japan.

on the forum.

"Shuibo Productions is a company that has been so fast recently. It has broken box office records and won international awards. Why haven't I heard of this company before? Why has it emerged so quickly recently?"

"This company does not belong to the Big Five, but it is Kei Fujiwara's company after all. It is top-notch in terms of production capabilities and aesthetic orientation. The boss who is a creator naturally attaches great importance to the quality of content."

"You're right. I'm a movie enthusiast. I hope there are more companies like Shuibo. The big five have lost their enterprising spirit. They neither cultivate outstanding filmmakers nor try to shoot valuable films. Original movie. All I want to do all day long is eat the leftovers from the broadcast industry, comics industry, and publishing industry, and wait for works from other industries to become popular before making adaptations and theatrical versions. This lazy attitude is really frustrating. People are disappointed.”

"Ah? Why are you talking about Fujiwara Kei again? I'm his fan."

"Get out, you're a fake fan. PS: Don't you know that Kei Fujiwara is the boss of Mizuha Productions?"

"Really or not? This is new news to me."

"He is not only the boss of Mizuha Productions, but also the boss of Hitomi Deki and Takami Inoshita. The most popular female stars in Japan are now his artists."

"It's really scary. I heard that this guy likes female celebrities very much, so he won't take action against Hitomi-chan."

"I hope Arima-chan can control him..."

Ohno Nagaharu returned to Tokyo with the trophy. As soon as he arrived in Tokyo, he saw the ubiquitous posters of "Infernal Affairs".

The intensity of publicity is hard to match even the two movies "My Sassy Girl" and "Confessions" combined. On the one hand, Dongzhen Pictures invested a lot of real money in promotion, and on the other hand, it was also a spontaneous act by some private theaters.

Private theaters are like private supermarkets, with products produced by major distribution companies on the shelves. They have the keenest sense of which products are best-selling and which are unsaleable. It is a matter of course to give better shelves and more conspicuous positions to the best-selling products without any supervision from the product company.

The several screenings of "Infernal Affairs" increased the confidence of the distribution company and theaters, and made everyone who watched the movie think that "it is indeed Kei Fujiwara". The president of Dongzhen was even more impressed, thinking that this is a masterpiece that can not only achieve high box office but also win numerous awards.

A bomb containing great energy is about to detonate again.