Tokyo Literary Godfather

As someone who has experienced the highly mature era of the Internet, Kei Fujiwara has an amount of information stored in his mind that is completely unmatched by people of this era.

In the 1990s, computers were not yet popular in Japan, and only a few wealthy families or corporate offices had personal computers.

There are not many people using computers, so naturally it cannot be like the network of later generations where dragons and gods are mixed, heroes emerge in large numbers, and they can brainstorm in various fields. The summary of various tricks mentioned by Kei Fujiwara was summarized by later generations of reasoning enthusiasts on the Internet. And these things are more than 20 years ahead of the current reasoning literary world.

Many types of tricks that Kei Fujiwara casually mentioned have not even appeared yet, such as "legal tricks", where the murderer uses the principle of ne bis in idem in the law to escape the crime of murder.

People in the Internet age have a common problem, that is, they subconsciously think that "information" is not valuable, but in fact, the summary of tricks that Kei Fujiwara casually uttered, in the eyes of these new writers, is undoubtedly similar to nine Yin Zhenjing stuff.

The students in the audience were stunned for a moment, then took out their notes and started recording.

Some people did not bring paper and pen, and simply came to the lecture with two ears. At this moment, they regretted it and borrowed pen and paper from people around them.

"Yamamoto-kun, please, tear up a piece of paper and give it to me!"

"Teacher Sima, please speak more slowly."

Kei Fujiwara slowed down his speech, and analyzed each type of trick in detail. The people below frantically recorded it, as if a group of devout believers were listening to a saint's sermon.

Jin Mulong stood next to the camera and felt a little stupid.

He is a senior fan of mystery novels. He has been a bookworm for more than ten years. He has read a lot of mystery works both at home and abroad, so of course he knows the gold content of Kei Fujiwara's words.

Interesting... Really very interesting!

Some ideas that Kei Fujiwara casually said have never appeared in previous reasoning works. These ideas can be fully expanded into a novel, which must be very interesting!

The idea of ​​trickery was regarded as the core of a work before the popularity of socialism, especially in the original era. A mystery writer would be really ecstatic if his clever hands stumbled upon a great trick.

There was once a celebrity anecdote about the famous writer Junshan Hattori. When the great writer was buying fish in the vegetable market, he thought of freezing the fish hard, killing people with sharp fins, and finally thawing the murder weapon and eating it. He actually asked the fishmonger directly if the frozen fish could cut a person's throat in the future. The fishmonger was so frightened that he called the police.

This shows how valuable ideas are to authors, especially ideas about tricks, which are strictly confidential.

But Kei Fujiwara, with his mouth like a cotton waistband, spoke out such precious things without reservation.

At this time, Jin Mulongyi suddenly thought of something, Kei Fujiwara... Could it be that he wanted to use this method to fight back against those criticizing him in newspapers and magazines?

Since "Bai Ye Xing" won the Naoki Award, this book, including Kei Fujiwara himself, has received unprecedented attention, and the tide of social reasoning has swept across, which has more or less caused dissatisfaction among some people.

For example, some writers and critics who stick to their original positions have always disliked Biange, but it is a pity that Biange has been popular for 30 years, and it is impossible for them to drive an already established genre out of the market. But the Socialists are different. "White Night Walk" has only been popular for less than half a year. How can we not suppress it now?

What's more, some people also launch violent theories under the banner of socialist reasoning, claiming that the socialist school does not need reasoning.

As a result, some authors and book reviewers began to fiercely criticize "White Night Journey" and its author Kei Fujiwara in newspapers and magazines.

Those people believed that "White Night Journey" was not a mystery novel at all, and sharply pointed out that Kei Fujiwara was just trying to sell his work in the name of a mystery novel to increase sales of his work! He can't write mystery novels at all, and he can't devise good tricks!

And Kei Fujiwara's talk in the seminar tonight seemed to be intended to answer these people's questions. I can't devise a good trick? joke! I can name a bunch of them casually, and I can also summarize all the types of tricks in ancient and modern times, both at home and abroad!

I can tell you all the tricks you have seen and heard;

I can also list a bunch of things that you have never seen or heard of!

Things are getting interesting... Ryuichi Kaneki looked at the high-spirited Kei Fujiwara on the podium, his eyes gleaming, and he subconsciously licked his chapped lips.

There was no end bell in the workshop. After an hour, most of what needed to be said was said. Fujiwara Kei assigned homework and asked the students to think of and design a trick. Any type of trick was acceptable, and then the class ended directly.

After class, the students began to borrow notes from each other to supplement their incomplete records. While exchanging notes, they felt emotional about what they had just heard.

"It seems that attending this workshop is the right choice..."

"Yes, I have also been to the seminars of Talk Society, and the content taught there is not one-tenth as good as Teacher Sima Keita!"

"Will Teacher Sima Guitai come again next week?"

"I don't know. Sima Guitai is so busy, so he probably won't have much energy to focus on us!"

Having said that, everyone sighed.

Nanako Togata walked up to Kei Fujiwara with her schoolbag in her arms, bowed and said, "Mr. Sima! Your class is so good, I benefited a lot from it today!"

Kei Fujiwara smiled and said, "It's good if you think it's helpful."

Nanako Togata took out a manuscript from Baozhong: "That...I wrote another short story not long ago, and I would like to ask Mr. Sima Keita for advice!"

Fujiwara Kei took the manuscript, glanced at it, and said, "Okay, I will write a comment after I finish reading it."

"Thank you." Nanako Togata bowed again.

"Fujiwara-kun, the content captured today is really incredible." Kaneki Ryuichi stepped forward at this moment and said.

"Kaneki-kun, thank you for your hard work." Kei Fujiwara said.

"It's not hard, it's not hard." Jin Mulong said with a smile, but also hesitated a little, "But is it okay to broadcast the content captured today?"

Kei Fujiwara tilted his head, "Of course, what's wrong?"

"I mean, you just said so many creative ideas and ideas, and every feeling can be written into a very interesting story. If we just broadcast it like this, won't it affect your creation?"

"Of course not." Kei Fujiwara smiled and said, "Actually, to be honest, I have my own secrets. What I just said is just a random thought. I plan to save the really good tricks to write novels."

Random thoughts...Jin Mulong subconsciously made a swallowing motion. You know, just those random tricks on other writers would probably take several days and nights, and consume countless cigarettes and alcohol. I had to scratch my scalp to figure it out!

He could imagine that after today's episode was broadcast, there might be an uproar in the reasoning literary world.