Tokyo Literary Godfather

"Fujiwara-kun, I think Kinpachi is quite tired." Mizuhara Yui looked a little depressed.

Kinpachi refers to the time slot at eight or nine o'clock in the evening on Friday (Friday). As expected, the station did not agree to Mizuhara Yui's time slot application, but gave this time slot to Takada Kenji.

Fujiwara Kei had already expected it, so he just said "hmm" and didn't say anything more.

Mizuhara Yui occupied Fujiwara Kei's chair, holding her cheek, looking troubled. She is a producer and the backbone of the team, so she cannot show negative emotions easily to avoid infecting others and ultimately affecting the progress of the program.

But in front of Fujiwara Kei, she didn't care about this. She seemed to know that Fujiwara Kei would not be affected by her.

"If there is no more Kinpachi, just change the time slot." Fujiwara Kei said, "Which other day is more suitable for prime time?"

"On Thursday and Thursday." Mizuhara Yui said, "On Thursday at nine o'clock in the evening, and on Fire Sunday at eight or ninety, there are free time slots, almost a month and a half later."

Fujiwara Kei pondered for a moment: "Where's Sunday?"

Mizuhara Yui said: "There are still three episodes left to air at nine o'clock on Sunday, but time is too tight for us."

"Can't you shoot one episode in a month?"

"...It can be filmed, but at least two episodes should be saved, right?"

"Just save one episode, and make adjustments as you shoot and broadcast," Kei Fujiwara said, "Can we get the nine o'clock time slot on Sunday?"

Mizuhara Yui was stunned for a moment: "Do you really want to choose this time period? It's too hasty. The audience base on the moon is actually about the same as that on the fire sun."

"Mizuhara," Kei Fujiwara said, "I plan to create a trump card period exclusive to Fukuyamadai. After thinking about it, only Yuejiu has this potential."

In the parallel world, Moon Nine has become a special term for Japanese dramas, also called Moon Twenty-One, which refers to the program that Fuji TV broadcasts every Monday at 9 o'clock in prime time. All the major dramas of Fuji TV will be broadcast strongly during this time period, which is also the trend vane of Japanese dramas in the season.

Many familiar Japanese dramas are Yue Jiu's works, such as "East Love", such as "Hero", and "Long Vacation" currently being filmed...

Since Fuji TV made September 9 its flagship time slot, September 9 has become a hot time slot that surpasses the weekend prime time slot, but it has also become a sad time slot for other TV stations.

The reason why Fuji Channel can create the miracle of Moon Nine is that in addition to the excellent quality of the program itself, this time period seems to be a hidden treasure. There is a large number of hidden viewers that have not yet been discovered, but no one in this world is aware of it.

Kei Fujiwara decided to give it a try.

Mizuhara Yui persuaded Kei Fujiwara for a long time, but Kei Fujiwara seemed to be very determined, and in turn advised her not to miss the spring festival.

Only then did Mizuhara Yui realize that she was the producer, and the highest decision-making power rested with her...

Although she still had doubts in her heart, she always felt that Kei Fujiwara was too obsessed with Yue Jiu and had to pursue this period at the risk of missing the construction deadline. But when she looked at Kei Fujiwara's determined expression, her heart started beating again.

In her impression, Kei Fujiwara has never failed whether he is writing books or producing programs.

The youngest winner of the Naoki Award, a super best-selling author, and the main planner of a popular variety show, so many titles are combined into one, and this is just his achievement in just one year.

perhaps……

Mizuhara Yui bit her lower lip, and finally looked at Kei Fujiwara with the same firm eyes: "Okay, Fujiwara-kun, I will apply to Taili."

"Okay, thank you for your hard work." Fujiwara Kei stood up, "Now that it's confirmed, we can't waste a moment."

"This afternoon is the script meeting, Fujiwara, don't forget it."

Fujiwara Kei nodded, I will be there on time.

Mizuhara Yui did not urge Fujiwara Kei to write the script as soon as possible because there was no need. Kei Fujiwara writes scripts like a printing press. He usually enjoys fishing, but once he starts working, he can produce an extremely complete episode in two hours. Neither she nor Shibasaki could see any problem.

Mizuhara Yui recalled that when she was still working as a producer's assistant, the producer she was following at that time would scold the creative writer once a day, scolding him for not being able to write a script.

Sometimes the chief creative writer keeps his head down and writes silently, and sometimes he is scolded for being too quick-tempered and gets in the way of scolding the producer. After all, the chief creative writer is not a small role, so how can you be allowed to scold you whenever you want?

This incident left a big shadow on Yui Mizuhara. At the beginning of her cooperation with Kei Fujiwara, she was worried that she would inevitably make the same mistake as the producer. Of course, her biggest worry was that she would not be able to scold Kei Fujiwara.

This dear friend had scolded all the famous screenwriters, and no one dared to say that Diao Yan was the second best because he was so talented.

However, this worry did not last long. She was pleasantly surprised to find that Fujiwara Kei's writing process could be described as smooth. If she had not witnessed the difficult creative process of other screenwriters, she would have thought that writing scripts should be so simple.

At noon, Shibasaki Hideaki was a married man and had a love bento in the company, Mizuhara Yui also bought rice balls to eat, and Fujiwara Kei ran out to eat omelette rice.

There is a small shop one mile away from the production company. The omelette rice and pork cutlet rice there are so delicious that Kei Fujiwara wants to film an issue of "The Lonely Gourmet" to promote him.

However, after finishing the meal, when I passed a cafe on my way back, I suddenly spotted two familiar figures.

The bespectacled secretary of Kiko Araki and Kenji Takada.

Kei Fujiwara was taken aback for a moment, and returned to the company without saying anything.

In the afternoon, there was the script meeting, and the overall situation was smooth, except that Kiko Araki sometimes seemed a little absent-minded, and Kei Fujiwara scolded her several times. She just nodded and apologized blindly, not daring to show any dissatisfaction.

Yui Mizuhara felt sorry for Kiko Araki, and quietly pulled Kei Fujiwara aside, asking him to be a little more kind to Kiko Araki. She hasn't been in a good state for the past two days, maybe it's because of those few days...

Kei Fujiwara kept frowning, and suddenly asked, "Suwon, have you signed the contract yet?"

Mizuhara Yui was taken aback, and then said, "Not yet, I plan to sign a contract with them tomorrow."

"It's too boring." Kei Fujiwara couldn't help but said, "There is so much preparation time in the early stage, why didn't you get the contract done early?"

"Hug...sorry."

Fujiwara Kei felt a little uneasy, but some guesses were hard to say.

However, on the second day, the day of signing the contract, Kei Fujiwara's assumptions came true in reality.

"What do you guys mean?!" Mizuhara Yui blushed with anger.

"I'm very sorry." Kiko Araki's manager, Etsuko Fukuyama, bowed her head and said, "That child is really embarrassed to come to see you, and feels ashamed of Miss Mizuhara, so I can only talk to you about this matter."

Because Kei Fujiwara had a certain degree of anticipation, he didn't act as angry as Yui Mizuhara, but his face was not very good-looking either.

"Producer Takata... admires Xizi very much, so he invited her to act as the second female lead in the new drama, and Xizi... thinks that Mr. Takada's new drama may be more suitable for her. So please come and resign from the two of you."

Recently, I made a probe, what should I pay attention to in online dating?