Tokyo Literary Godfather

Araki Kiko's sudden resignation made Mizuhara Yui very angry.

Twice, I was slapped twice in the face by Araki Kiko, no matter how good-tempered I was, I couldn't stand it anymore.

After losing his temper, things still had to go on, so Fujiwara Kei once again contacted the actors to audition. Just when Mizuhara Yui was very busy in the company, she got the news that Fukuyama Etsuko came to visit.

Although Mizuhara Yui was dissatisfied with them, she still went to see her.

When Etsuko Fukuyama met, she kept her posture very low and kept expressing her apologies.

At this point, it was useless to get angry at her, but Mizuhara Yui still showed a cold attitude.

Fukuyama Etsuko did not come alone today, there was a young girl standing next to her.

"Miss Mizuhara, she is also my artist, her name is Kono Aoi, and she is very interested in our new drama." Etsuko Fukuyama said at this time, "This child wants to try out the role of Kiko Araki, I don't know..."

As she said that, Etsuko Fukuyama looked around, as if she was looking for someone. Yui Mizuhara said directly: "Teacher Fujiwara is auditioning for the original role of Kiko Araki. If you are interested in this role, go and audition directly now." It'll be fine in no time. As long as it's suitable and the acting skills are good enough, we'll take it."

Now that a main actor is suddenly missing, Mizuhara Yui is so anxious that ulcers are popping up. Now finding a suitable actor is the first priority.

Etsuko Fukuyama hurriedly brought Aoi Kono to the audition, which was directly in the conference room. There was only Kei Fujiwara inside, Hideaki Shibasaki was busy setting the scene, and Yui Mizuhara was communicating with advertisers.

There were quite a few people auditioning. Kono Aoi waited for a while, then it was her turn and walked in.

Kono Aoi stepped forward and handed over the information.

"Hello, teacher, I am Kono Aoi." Kono Aoi introduced herself respectfully, "I am 23 years old, 165 centimeters tall and 45 kilograms in weight."

Then, turned around in a circle.

The first thing Kei Fujiwara saw was the name of Aoi Kono's company. He found out that it was from the same agency as Kiko Araki. He couldn't help but frowned. However, when he saw the name and himself, he was startled and his expression softened a lot.

"Kono Aoi, right? Don't be nervous, I'll give you a theme and you can play with it freely. Your senior has a crush on you, but..."

Kono Aoi lowered her head and thought for a while, then quickly entered the scene after a few seconds.

After the performance, Kei Fujiwara held his cheek and thought for a moment, with a smile on his face.

Not bad, well done...

It's a pity that the first film I debuted was in Ohno Nagaharu's film...

"Okay, go back and wait for news." Kei Fujiwara said directly.

"Okay...thank you, teacher."

Aoi Kono didn't dare to say anything. Fujiwara Kei gave people a strong sense of oppression. Being able to speak her lines in front of him without stuttering was already considered her professional ability.

After turning around and going out, Etsuko Fukuyama said, "How was it?"

Kono Aoi nodded, reacted, and then shook her head.

"What do you mean by nodding and shaking your head again?"

"I think my acting is pretty good, but I don't know what Mr. Fujiwara thinks of me..."

"It doesn't matter, just work hard." Fukuyama Etsuko touched her head. Kono Aoi had a gentle personality, did not act evil, and never wanted to do evil things. She had a clean resume before becoming an actress, unlike other actresses in the company, some of whom also worked as fathers before becoming an actress. If she becomes popular, it will save you a lot of trouble in running the business.

But maybe it’s because of his non-competitive personality that it’s particularly difficult to become famous.

"By the way, did you ask him for an autograph?" Etsuko Fukuyama suddenly asked.

Kono Aoi stiffened for a moment, then suddenly looked sad: "I forgot."

"Oh...it's all right..."

After returning home at night, Kei Fujiwara made a special call to Nagaji Ono, who had a lazy voice and sounded like he had been drinking.

"Hello……"

"It's me, Changzhi."

"I heard it... Do you want to come to my house for a drink?"

"Stop drinking, I still have work tomorrow." Kei Fujiwara said, "I met someone when I was interviewing actors today, it should be your old acquaintance."

"Who is it?"

"Kono Aoi, you have worked with her before, right?"

"Boom!" The sound of falling came from the other end of the phone. After a while, Ohno Nagaharu's voice came again, "Kono Aoi? Have you met that kid from Kono? Great, maybe she can cooperate with you. Can become popular..."

"She just came for an audition...I haven't planned to date her yet..."

"Kei Fujiwara! I treated you so well!" Ohno Nagaharu almost yelled on the other end of the phone, "And Kono has great potential. Not only is she talented, but she is also very hardworking. If you don't choose her, she will definitely be yours." loss!"

"She only auditioned for a scene with me, how do I know how her acting skills are?" Kei Fujiwara said, "She has participated in too few film and television works before, so, hasn't she participated in your movies before? Do you still have the original film? Let me take a look."

There was silence on the other end of the phone for a long time, and then he said after a long time: "Okay, I'm going to give you the disc right now. You wait, her performance is really good, it was me who directed it."

Fujiwara Kei was taken aback, this guy, seriously?

"Today is too late, tomorrow..."

Before the voice finished, the phone hung up. Almost forty minutes later, there was a knock on the door of Kei Fujiwara's room. Choji Ohno stood outside the door wearing a windbreaker, panting heavily, and feeling cold.

"Here." Ohno Nagaharu directly handed over a disc. After Fujiwara Kei took it, he turned around and left.

Fujiwara Kei looked at his back, sighed, and returned to the room. Seeing that it was not too late, he turned on the TV and played the disc.

Halfway through taking it, Kei Fujiwara fell asleep on the sofa.

In the morning, Kei Fujiwara woke up from the cold.

He quickly got into bed and slept for more than an hour before dragging his tired body to the bathroom to wash up.

While brushing his teeth, Fujiwara Kei silently admired the power of Ohno Nagaharu's films.

In his previous life, when he was at the Cannes Film Festival, there were blockbuster literary and artistic films from various countries, and films in small languages ​​took turns, but none of them could put him to sleep. In the end, Nagaharu Ono achieved success with a film.

Kei Fujiwara himself is a person who doesn't like artistic films. His aesthetics are popular and he likes to watch commercial films. Even if it's a serious subject, what he likes to watch are movies like "Schindler's List". He can't watch any of Wong Kar-Wai's movies.

The story of Nagaharu Ohno’s film is too stream-of-consciousness, and it’s full of plots discussing politics, philosophy, and art... At first glance, it looks like it was filmed by an idiot college student, and I can’t wait to put all the things I know into the work. Sai imagined that the audience would praise his talent after seeing it.

As a result, the truth is that the audience watched for less than two minutes, frowned, thought about something, and turned around and left.

Hearing him say that he also wrote the script for this film, it can be seen that this person has never been associated with the screenwriting industry throughout his life. But as a director, there are merits.

For example, in terms of shooting and art, it has surpassed the level of an ordinary newcomer. If the story is not too ugly, Kei Fujiwara might be able to stick to it based on the language of the scene.

If there is a good script, maybe Ohno Nagaharu can really make a good movie?

Let’s talk about Kono Aoi, it’s extraordinary that she can speak such embarrassing lines with such conviction.

It's her.

No one slides me, damn it