Transformed Into a Female Schoolmaster

Chapter 530: Highly respected by academic masters

"... Lu Su of the Wu State seems to be a member of the Shui Jing Group. He did everything possible and painstakingly to promote the Wu-Shu alliance. Zhou Yu's death, Lu Su took over the governor, seems to have a better understanding of Kong Ming. Cao Cao's The counselor Xu Yuanzhi, not to mention, he was originally arranged by Mr. Shui Jing to Liu Bei, but was later deceived by Cao Cao’s envoy. Pang Tong and Zhuge Jin, on the surface, are one in Shu and the other in Wu, but in fact they are both from the Shui Jing Group. Important person. The most unbelievable is Sima Yi. He ups and downs and became Kong Ming’s main opponent, but at the right time, he shouldered the heavy responsibility of the Shui Jing Group. He endured in every possible way, vilified himself, and suffered. The ridicule and curse are all dominating the world and completing the task of the Shuijing Group..."

  I have to say that Ren Gongze of Huaxia University has his own unique insights when analyzing the "Three Kingdoms" around the "Water Mirror Group", and he deserves to be the winner of the Lucien Prize for Literature.

Of course, although Ren Gongze parsed the "Three Kingdoms" and cryptically revealed his love for this masterpiece and his appreciation of Wu Diren, he did not praise the book too blatantly, after all. He is a writer who admires foreign culture very much. He has always felt that Chinese culture should be integrated with foreign culture, and the two can be combined to the highest level.

   As Miyazawa’s former friend Yun Mushan, he has always insisted that Chinese culture is to be pure. The two parted ways due to differences in ideas, but their status in the literary world is a real academic master.

Unlike Ren Gongze’s vagueness, Yun Mushan’s evaluation of "Three Kingdoms" is very high, and he does not hesitate to praise Wu Di. Obviously, this also means Wu Di’s impetus. He is admonishing those academic judges. Don't be careful, my disciple Wu Di's "Three Kingdoms" can definitely win the Dun Spear Literature Award in one fell swoop. If there are any moths, hum...

He evaluates "Three Kingdoms" from a macro perspective, which is very broad: "I will evaluate this epic work from four major aspects: first, literary achievements; second, artistic characteristics; third, aesthetic criticism; 4. Social impact."

"The work "Three Kingdoms", in summary, is that it describes the history of nearly 100 years from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty. The whole book reflects the political and military struggles of the Three Kingdoms era. It reflects various societies in the Three Kingdoms era. The infiltration and transformation of contradictions summed up the great historical changes of this era and created a group of heroes who are all-powerful."

"In fact, the literary achievements of "Three Kingdoms" are obviously inferior to the "Three Kingdoms". Many of the proses and poems in the "Three Kingdoms" are worthy of careful study. I suggest that an elective study of "Three Kingdoms" can be opened in universities. Class, carefully analyze those poems, let more college students know its literary value. Of course, to talk about readability. It must be the "Three Kingdoms" series of novels, it is bright and smooth, elegant and popular; Side by side, with twists and turns, and swaying in many ways. With a magnificent structure, it organizes the complicated and complicated events and many characters of about a hundred years into a complete and tight organization. The narration is methodical, echoing back and forth, and interrelated. The links are tightly linked. Its artistic achievements are more important in military and political description and characterization. The novel is best at describing wars and can write the characteristics of each war. Pay attention to the description of the use of different strategies and tactics under specific conditions. Guide the exercise of the subjective initiative of combat, and not spend the main pen and ink on the pure strength and martial arts contest..."

"Artistic characteristics... Wu Di integrates two different levels of culture from elegance and vulgarity, and blends them according to his subject knowledge, values, and artistic likes and dislikes. This makes his works have a very rich cultural connotation. In "Three Kingdoms" The series of novels not only reflect the ideology of the upper ruling class, but also precipitate the vast and deep folk thought. It is a visual history of the rise and fall of the Three Kingdoms, and it is also a political and military history in the eyes of the people..."

"...Unfortunately, the "Three Kingdoms" series of novels also did not allow us to read the philosophical significance of the identity of history and literature. Therefore, it presents a scene of thought that frustrates readers: the historical and literary aspects that should be distinguished The difference is confused, and correspondingly, the historical rationality that should be related by the identity is cut off or absent. Therefore, "Three Kingdoms" fatally chooses such a sloppy and vulgar view of history: all historical forms are However, it hides the mechanical movement of national politics and the logical cycle of power. In other words, history is just an arena of violence and power, and the transformation and balance of various social forces under the veil of conspiracy and power. In all narrative scenes , Historical justice or historical rationality is dispelled and eroded, only the remnants of the messy historical story appear and the accidental fragments of the main body become the protagonist of history. This is the qualitative difference between the "Three Kingdoms" series of novels and "Three Kingdoms" Gap. A scholar who is interested in studying the Three Kingdoms hopes that he can abandon the novel and use the "Three Kingdoms" as the main basis..."

"...As for the social impact, I think it will become more and more significant over time, because the "Three Kingdoms" itself has not only research value, but also extended entertainment value. This is a commercial and artistic A novel that both takes into account an exceptionally perfect balance. It can even be said to be the best overhead historical work of the contemporary era!"

Yun Mushan’s comments are almost written for those authors in the literary world and college students in the Chinese Department. His writing is very academic, and this kind of comment also raises the "Three Kingdoms" series very high. Some reasons are that the author is Literati like Wu Di, who was dismissive as a young writer, finally let go of his pride and began to read this work carefully.

I didn’t know the result. When I saw it, these literati were shocked. Wu Di’s work was based on the conflicts of many countries in the ancient times. But after reading it, I discovered that these three kingdoms were actually It is a real overhead history, she even set the folk customs and social structure perfectly at that time!

  Furthermore, what happens every year is written clearly in "Three Kingdoms Official History", without a trace of logic. It is this rigor that makes this emptied history extremely realistic!

  Some worrisome literati even worry that as this historical work becomes more and more influential, future generations will regard this piece of history as real and forget the history that came... (to be continued...)

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