Treasure Hunt America

When Lu Lao Si talked about these porcelains, the look in his eyes when he looked at these damaged porcelains was also full of love. It seemed that this guy also had extraordinary feelings for these ceramics. 【Full text read..】

Jin Muchen looked at Lu Lao Si's expression at this time, and was full of emotion in his heart. To be honest, his perception of Lu Lao Si at this time can be said to be very complicated.

On the one hand, he admired this guy's methods very much, and said that the porcelains on the Bogu shelf, although each one was a fake product that was burned out.

But almost every piece can be made to be fake and real, and his method of restoration is very unusual. If you really want to talk about skills, this guy can definitely be regarded as one of the top cultural relic restoration masters in the world.

Many experts specializing in the restoration of antique porcelain do not necessarily have such means, so his craftsmanship is absolutely worthy of admiration, but unfortunately this guy uses all these craftsmanship in crooked ways.

He makes money from these household porcelains. If he were to do antique restoration in an open and honest way, he would probably have achieved great achievements, and it would not be low, but now he has gone astray.

Although he may also have his own difficulties, after all, the industry he is doing now is not desirable. Jin Muchen can only feel pity for people like him.

"You are Li Laoliu's friends, then I won't go around in circles with you. If you like these things, just speak up, and I will definitely give you a friendship price at that time."

The next words of Lu Laosi are a bit full of copper stench, and it can be seen that this guy likes money very much.

Although the porcelains he repaired looked good, and most of them could be as real as the real ones, they still couldn't get into Jin Muchen's eyes.

After all, there are so many good things in his hands now. Even the Song Dynasty Ruguan Jun Ding, who is in short supply in the world, has no shortage of porcelain from the five famous kilns. Therefore, the porcelain that Lu Laosi has repaired , of course he didn't like it.

But he didn't care. But it doesn't mean that Sister Tao also doesn't like it. At this time, Sister Tao is already at the point of dazzling, staring at the works of Lu Laosi. Just can't take my eyes off.

The porcelain spliced ​​and burned this time can be said to be fine pieces, and each piece is a good thing that has been carefully polished by Lu Laosi.

Not to mention an ordinary Chinese antique porcelain player, even an ordinary antique appraisal expert might be careless. Will fall for this guy's work.

Even if these things are sold in the domestic market, they can sell for a good price, not to mention that if they are shipped to the United States and face those American collectors who are half a bucket of water, wouldn’t it be better to sell them?

Thinking of these, Sister Tao was full of blood at this time, and her eyes couldn't be separated from these porcelains. She wanted to see this one, and picked up another one. It's not like letting go, I don't even know which one to take.

When Jin Muchen saw that Sister Tao couldn't finish the selection in a while, she smiled and said to the fourth Lu Lao Si.

"Boss Lu, I'll leave the selection of goods to Sister Tao. Do you have any other good things here? Can you take them out and give me an eye-opener?"

This Lu Laosi is a master of counterfeiting, of course Jin Muchen doesn't believe that there are only so many works of him.

And he probably looked at the works of Lu Laosi on this Bogu shelf, most of which were in the pattern of genuine antique porcelain. Replicated in a one-to-one format.

Not only the shape of the ware is exactly the same, but even the painting on the porcelain is exactly the same as the original, which shows that the fourth Lu Laosi is a very strict person. Maybe even a perfectionist.

He was able to reproduce these fake china so perfectly, which shows that he has seen those real guys before, and maybe he has collected a lot of good things himself.

What's more, Li Laoliu also said before that many of the broken pieces of porcelain he got out of the robbery were handed over to Lu Laosi to deal with. So Jin Muchen also wanted to take a look at this guy's 'raw material box' and see if there was anything worth discovering in his broken porcelain pieces.

But since he wanted to see those things, he definitely wouldn't have to see them in this room, so he could only change the subject as much as possible, and it was best to let the Fourth Lu take him to other collection rooms of his own to have a look.

There is no doubt that Lu Laosi has him. This banana man named Jim, obviously has a close relationship with the Li family, and is also a big boss in the United States. Li Laoliu also secretly whispered to him before, nothing more than That is to say, how rich this guy is, which makes him also moved.

He also knew that what he made were all good things, but he had always been worried about the relatively single market.

In the past, many people came to buy goods from him, but in recent years, a group of people have monopolized all the sources of goods from him.

This made Lu Laosi very distressed. After all, there are no buyers, so he has no advantage when negotiating transactions with those people, and those people are always pressing his price, which also makes him to those people. The guy is already dissatisfied.

Now that this banana man has appeared, it is a good thing for him, not to mention that this guy is very rich?

So when he heard that Jin Muchen wanted to see his other works, he stopped talking nonsense and took Jin Muchen out of the studio and walked into the courtyard.

"Hehe, I just burned a batch of good things recently. If you are interested, Mr. Jim, you may as well go and have a look. If you can like it, we can discuss the price and so on."

The fourth Lu Lao Si didn't clearly say what the things he just burned, just bought a pass, but this successfully aroused Jin Muchen's curiosity.

As soon as he turned his head, he happened to see a smug look on Li Lao Liu's face. Jin Muchen was even more certain at this time that what Lu Lao Si showed him this time must be a very good thing. .

The group came directly to the edge of the porcelain kiln in the middle of the yard. It was still cold winter, and the temperature outside was not very high, but as soon as they approached the porcelain kiln, they could feel that the air temperature was several times higher than other places. Degree, this shows that things are still burning in this kiln.

But the kiln hasn't opened yet, and Jin Muchen doesn't know what's burning inside.

But Lu Laosi obviously didn't want to take him into the kiln, but took him to a small room next to the kiln, opened the door and turned on the light, and led them into the house.

The situation in this room was much more crude than the studio they had seen before. The room was dark, and there was even a layer of soot on the roof. Floor tiles, but because it is too close to the porcelain kiln, the floor tiles in this room were not stepped on black.

When the group entered the room, Lu Lao Si went straight to the corner and pulled out a half-meter-high camphor wood box from the corner. The box, exposed is the thick straw laid in the box, and the good thing is obviously buried in the straw.

Looking at this rather interesting setting, Jin Muchen was also interested. As soon as they opened the box, he walked up to him, and after obtaining the consent of Lu Lao Si, he reached out and fished out a piece of porcelain from the box. .

As soon as the porcelain was used, Jin Muchen immediately felt the difference from the porcelain he had come into contact with before.

In terms of the quality of the tires, most of the precious porcelains he had come into contact with paid attention to two words, one was light, the other was thin, and then the bottom tire, which had to be high-quality white porcelain.

However, these characteristics are not reflected in this porcelain.

He started to use this porcelain. The texture of the tire was very thick, and it was also very heavy to use. When he took a closer look at the bottom tire, let alone what was white, it was a piece of lacquered black.

If it weren't for the glaze-colored reflections on these porcelains, he would even suspect that what he was holding was not a piece of porcelain at all, but a piece of pottery.

What is this Nima?

Jin Muchen was also stunned when he saw this item in his hand. After all, he had handled too many antique porcelains, but so far, except for those in the Song Dynasty, almost all other porcelains were made of white porcelain. Bottom tires, and porcelain like now, this is the first time he has seen it.

Even the porcelains of the five famous kilns in the Song Dynasty in his hands, there is no such dark guy.

The Song Dynasty was a peak period for the development of ancient Chinese porcelain. It was from this era that the ancestors of China began to produce white porcelain that was truly close to the modern meaning for the first time.

However, because of the aesthetic taste of the people of the Song Dynasty at that time~www.wuxiaspot.com~ At that time, most of the porcelain was azure glaze, and that color was the mainstream aesthetic taste at that time.

In the Yuan Dynasty, blue-and-white porcelain with sketches on a white background came to the stage of the history of Chinese porcelain for the first time.

Since the Yuan Dynasty, white-bottomed porcelain has become the mainstream in the development of Chinese porcelain. Even the pastel-colored porcelains of the Ming and Qing dynasties were developed on the basis of white-bottomed porcelain.

And now the black guy in his hand is not only not in contact with the white bottom tire, but also can't see any traces of painted or sketched on the outside of the porcelain. This kind of porcelain makes Jin Muchen even more. Strange.

The porcelain in this room is not big enough to be held with a slap, and looking at the shape, it can be seen that it should be a bowl used by the ancients, which can be used for drinking or tea.

Looking into the mouth of the bowl, I can see that on the inner wall of the bowl, there are many kiln-changed patterns caused by poor firing process, uneven glazing, or uneven temperature, which looks very is ugly. . . (To be continued.)

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