Treasure Hunt America

This kind of treasure, since Jin Muchen has seen it, of course there is no reason to miss it, of course, it is directly in the bag.

After collecting this treasure, Jin Muchen feels almost the same. You must know that the three treasures above are all treasures of the Kyushu National Museum. Now he has collected them all without any effort. If people knew, they would not cry to death.

These three treasures are all rated as Japan's top national treasures, and even some Chinese people have evaluated them, and they are all treasures that can be included in the top ten national treasures scattered in China to Japan.

And the top ten national treasures are Luodian and red sandalwood five-stringed pipa, Yaobian Tianmu bowl, the golden seal of the Han Japanese slave king, Li Shi's "Xiaoxiang Lying Tour" in the Southern Song Dynasty, Wang Xizhi's "Mourning Post", and bronze wares of the late Shang Dynasty. Fierce tigers cannibalize people, Song Dynasty's "Portrait of Wuzhun Teacher", Song Dynasty Li Di's "Red and White Hibiscus Picture", and the Western Wei Dynasty's "The Bodhisattva's Womb Sutra".

Among the top ten national treasures scattered to Japan, Jin Muchen has already obtained seven of them. This is already a major achievement, and this trip to Japan has not been in vain.

The authentic Yaochang Tianmu Bowl is stored in Jingjiatang Library, which is a private museum belonging to the Mitsubishi chaebol, and it is not easy to visit. In addition, Jin Muchen has a large number of modern high-quality imitations in his hand, so Jin Muchen Didn't even do it.

As for Wang Xizhi's "Mourning Posts", it is because it is the private collection of the Japanese imperial family, and it is the kind of private collection that is highly valued. Up to now, the imperial family has never shown this calligraphy's copybook to others. , and even where the collection is, it has never been disclosed to the public, so even if Jin Muchen has the heart, there is no way to get the copybook.

In addition, the "Portrait of Wuzhun Teacher" from the Song Dynasty was kept in Dongfu Temple in Kyoto, and Jin Muchen had not had time to go to Kyoto, so he couldn't get it.

He has basically collected the remaining seven treasures, which is already quite a remarkable achievement for Jin Muchen.

You must know that because the Japanese are familiar with Chinese culture, their taste in the rating of Chinese antiques and cultural relics is basically the same as that of the Chinese. If they rate things as top national treasures, if they get them in China, they will basically not be able to run into the category of top national treasures.

As for Westerners, because they have different cultural values ​​from ours, although the number of treasures they loot is much larger than that of Japan, they are not as professional as the Japanese in terms of rating.

Even because of the prosperity of Western civilization in the past few hundred years, modern Westerners do not think highly of the treasures in the Chinese cultural circle.

At most, they are willing to work **** porcelain. As for traditional Chinese calligraphy and painting, they will not rate them at all.

So if you want to find all these things in Western museums, it will take a lot of effort, but in Japanese museums, these little Japanese have already graded you, so it saves effort. many.

This is also the main reason why Jin Muchen came to Japan this time and was so successful.

Now the treasure of the Kyushu National Museum, Jin Muchen feels that he has almost collected it.

After all, the Kyushu National Museum is much smaller in scale than the other three national museums in Tokyo, Nara and Kyoto, and the construction time is short, and the collections on display are not many, especially the fine collections. In Jin Muchen's view , and only these pieces are worthy of his 'collection'.

As for the high-quality goods in the eyes of other Japanese people, they simply can't get into his eyes.

Those other Japanese own cultural relics and antiques, because they have visited the Tokyo National Museum before, Jin Muchen doesn't like it at all now.

After all, the Japanese antiques in the Tokyo National Museum are the top antiques in Japan.

After receiving the top Japanese national treasures in the Tokyo National Museum, Jin Muchen has completely disliked these Japanese national treasures in the Kyushu National Museum.

In addition to these three national treasures from China and the few Chinese national treasures that came to Taiwan @ Taiwan, other Japanese cultural relics and antiques, Jin Muchen didn't even bother to look at them. Such Japanese cultural relics are a complete waste of time and a waste of their own purple jade space.

If you have that spare time, you might as well ponder carefully how to collect those Western artworks upstairs.

Thinking of this, Jin Muchen immediately remembered the "Sunflower" that they had consigned to the National Museum of Western Art in Tokyo, which he had seen at the Fukuoka Art Museum.

He just glanced at it hastily before, and he roughly judged that the painting should be the original work of Van Gogh.

Thinking of this, Jin Muchen walked quickly to the storage location of the oil painting. When the artworks from Fukuoka were transported over, the people from the National Museum of Western Art in Tokyo did a good job of zoning storage.

The artworks and antiques of the Kyushu National Museum are all placed on the left hand side of this warehouse, and the artworks from the Fukuoka City Art Museum are placed on the right hand side of the warehouse.

Moreover, the number of artworks in the Fukuoka Art Museum is not large, so it is easy to find, and Jin Muchen has been staring at this box before, so it took him less than a few minutes to find it. that box.

After prying open the box, and taking out the oil painting, Jin Muchen immediately concluded that it was definitely not bad, and it should be an authentic work by Van Gogh.

Because the yellow light flashing on this "Sunflower" is too dazzling, although he has little contact with Western oil painting, he has also made up for the knowledge of Western oil painting before.

And he still remembers the painting characteristics of Western Impressionist oil painters such as Van Gogh, Gauguin, Cezanne, Monet, and Picasso.

The works of the earliest founders of Impressionism, Van Gogh, Cézanne, and Gauguin, are also very different from rising stars like Picasso and Monet.

Their oil paintings still retain some traces of realistic oil paintings, while Picasso and Monet's works are mostly the kind of works that make people cloudy and foggy, and I don't know why.

After reading it, you can only rely on your imagination, and then based on the name of the painting, you can roughly guess the meaning of the painting.

And Van Gogh, Gauguin, Cezanne's works, although they look very scribbled and vague, they can still give you a rough idea.

Especially Van Gogh's representative work "Sunflower", which has been evaluated countless times by those famous artists, so the characteristics are introduced in art magazines of various periods.

For example, the picture of "Sunflowers" in front of you is a tabletop, and there is a vase, and eight sunflowers are inserted in the vase, and these sunflowers, if you look carefully, you can see that they are of different shapes. , and each sunflower has its own characteristics.

However, although the shapes are different, from the perspective of spirit, they have a lot in common, that is, their warm warmth and exuberant vitality, which is a powerful spiritual perception , only if you pay attention to this oil painting carefully and look into it, you can realize the artistic realm.

And after looking at it for a long time, it can make people feel the warmth conveyed in this painting, and this is the difference between those art masters and ordinary painters.

Ordinary oil paintings, ordinary people just look at the scenery, but really good oil paintings can often make people think, and can even make people reach a spiritual realm of ecstasy, and this "Sunflower" is such a work.

No wonder that Yasuda Water and Fire Insurance Company was willing to pay more than 30 million US dollars for this painting. It seems that their money was really not wasted.

Although it was not long before they bought this painting, Japan suffered an economic crisis, and the value of this painting also depreciated a lot due to exchange rate changes~www.wuxiaspot.com~ and the deterioration of the international economic situation.

But from a long-term perspective, if the Yasuda Water and Fire Insurance Company could hold on, then the painting would definitely not make them lose money, and even if they held it for a long time, they could make a fortune.

It's a pity that the company was too impatient, and it encountered the problem of tight capital chain, so it had to transfer the painting.

Although I don't know who the current owner of this "Sunflower" is, from today, this oil painting will be changed, and from today he will belong to Jin Muchen.

With a wave of his hand, tens of millions of dollars worth of oil paintings will come into the account. Jin Muchen's enthusiasm at this time is not to be mentioned.

It seems that I really want to thank that Abe Masahiro. If he hadn't insisted on holding onto Jin Muchen and Helen, Jin Muchen wouldn't have thought of getting rid of him.

Later, it was precisely because Jin Muchen wanted to get rid of this Abe Masahiro that he accidentally broke into the warehouse of the National Museum of Western Art in Tokyo, and brought a great harvest.

This guy really doesn't know, should I say that he is his own lucky star? Or should I say that he is his own disaster star!

So after this incident is over, do you want to spare him a dog's life?

Thinking of this, Jin Muchen scratched his head a little, but when he turned his head and thought about it, he probably didn't need to have a headache. If the theft from the National Museum of Western Art in Tokyo this time, if it spreads out.

Then the Tokyo Metropolitan Police Department must be in a daze, and maybe they won't have to do it themselves at that time, they will have to kill this Abe Masahiro.

After all, these mistakes are repeated, and there is always a ghost who wants to stand up. With the conduct of those officials, they will definitely not come out and bear the consequences themselves.