Wine and Gun

He frowned, and with the tip of the knife sharply opened the lines, and opened the abdominal cavity of the deceased along the knife edge left by the murderer. When the rough thread collapsed, there was a muffled sound, and a rancid smell spurted out.

"Ouch!" Olga exclaimed, taking a step back exaggeratedly, so dramatic that one wondered whether she really found the taste unbearable or simply loved to act.

Albarino frowned slightly, but not because of the smell. He saw a strange flash of light in the man's huge wound - so he put his hand in without hesitation.

He found that the rib of the deceased had already been broken once. It is not surprising that if the bones were not broken, it would be difficult to touch the organs under the protection of the rib. The murderer's preliminary work obviously saved him from using a rib retractor.

Even wearing rǔ rubber gloves, it is quite shocking to bury one's hands in the wound of a dead body. During the on-site investigation, Bates, who did not know how many highly decomposed corpses he had seen, looked at him without changing his expression, and asked with concern, "Have you found anything?"

"Yes," Albarino squinted his eyes as if he had won the lottery, and looked quite smug. If he hadn't put his hand in the corpse's chest, he might have smiled pretty well. "Poor Big Norman's The heart was gone, and the pianist put something else in his place."

Bates frowned: "Big Norman?"

"Isn't the leaders of their gang two brothers? Or do you really intend to remember their full names? Big Norman, Little Norman - I think this is very convenient." Albarino pointed out with a smile , from the extent of the serious Bates frowning, he may not agree with this scribbled way of naming.

By this time Albarino had pulled the thing out, and his fingers, wrapped under the rǔ rubber gloves, slid across the smooth surface: slippery, sticky, soaked in a pile of blood and fluid from a pneumothorax. During this time, what Westerland pianists used to replace the heart of the deceased - an apple.

That apple is also the size of a fist, about the size of a human heart. Holding the fruit that had not yet begun to rot, Albarino felt a strange kind of dumbfounding when he thought that the place where the body was found was an apple orchard... This must also be the design of the pianist, he thought. Presumably pianists will like this kind of thing, this seems to be a foreshadowing, not very good, but it is more interesting.

There was liquid dripping wetly from the fruit, soaking through his fingers, like a real heart.

He had seen scenes like that, indeed. Some of his works require the removal of the hearts of corpses, as if to squeeze paint out of a tube, an inevitable part of the creative process... Albarino thought that someone might be watching him while he was holding those hearts , as if he could imagine the Westland pianist holding the apple.

Bates creatively asks: "Wouldn't the pianist be alive when he opened the victim's chest?"

"It's obviously like that from the life reaction at the wound, although I'm pretty sure he was dead after the pianist and apprentice pulled his heart out." Albarino looked at the sticky and mottled blood on his hands , put the apple on the dissection cart.

A layer of pale pink liquid quickly pooled under the fruit.

Olga was obviously more interested in the apple that was used to replace the heart of the deceased than the level of strength. She stood two meters away and stuck her head out to look here, her eyes sparkling literally: "interesting."

It was obvious that Bates couldn't agree with her, his brows furrowed even tighter, this poor little one could never understand why there was such a pervert in the world. His voice was a little sharper: "...pull it out?"

"Yes, you can look at the mess in his chest. It must not have been cut out. He is really a strong person." Albarino sighed with a smile, he took a step back, Looking at the other two people, "These are the only visible wounds on the surface of the corpse, but it is not difficult to infer what happened to the deceased."

"Tell me." Olga looked as excited as a movie.

"Okay, I'm willing to serve the lovely little lady." Albarino pretended to bow, and almost pressed his blood-stained hand to his chest. "It's probably like this, the killer approached Big Norman somewhere and attacked him - maybe he was given some drugs, you see there is a needle in his right forearm, I'll take it later A little bit of his blood will be sent to the Legalization Office for a toxicology test."

Bates nodded, and Albarino continued.

"Then he took Big Norman back to the apple orchard, where enough blood was left that the CSI analysts could easily simulate how the murder happened, and there was all this on the clothes and in the corpse's hair. A lot of dirt and leaves are probably stained there, and that was his first scene." Albarino tapped the cold body on the autopsy car with the scalpel in his hand, "He It should have treated Big Norman's arms first, so that his hands had to be opened, and then changed his clothes. Of course, this is only speculation, but using the method of bloodstain analysis, it should be possible to see the sequence of these two actions. ."

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