Wine and Gun

Hardy snorted, and the others knew in a second why Hardy was calling this an orchard: because they quickly approached the body. The floor was full of gleaming yellow evidence signs, although based on their knowledge of the pianist, it was almost impossible for CSI to extract valuable blood or footprints from the crime scene, and the pianist had always been cautious.

Surrounded by the adoring piles of physical evidence signs, it was the pianist's latest work: the corpse was spread out in a cross shape, and was fixed to the ground by a high stake; The stake was still strung on the stake like a grasshopper, and the dried blood had soaked his entire lower body; he wore a straw hat on his head, his lips were cut into a big smile by a knife, The rough stitches were stitched back one by one, looking like a scarecrow.

- Or rather, a scarecrow.

"My God," Olga murmured, "amazing."

No one reminded her that she was talking like a sociopath now.

Albarino looked at the "straw" and frowned slightly: the victim's figure looked familiar, but since his face was covered in blood, he couldn't remember for a while. Where have you seen it.

And the head of the crime scene investigation team, Bethes Schwanderner, was standing under the scarecrow, wearing rǔ rubber gloves, and a camera for immobilizing evidence around his neck. He heard the footsteps of the person coming, and turned his head to look at Albarino: "We have finished the evidence collection, and the body can be put down."

Bates was not surprised to see them at the scene, after all, it was always a few of them involved in this kind of case. In the early years, Officer Hardy had great confidence in catching the perverted murderers who were rampant in the city, and all the people involved in the investigation were the "jīngying team" of various departments - that is, a few of them. Today, old friends meet again in a familiar scene. If Albarino guesses correctly, today will still be a day of nothing.

Officer Hardy's mouth clenched tightly as he directed the officers to put the body down. Albarino put on his gloves and stepped forward: the corpse has to be transported to the forensic medicine bureau for further autopsy, but the corpse table must be observed at the scene; the part of the on-site investigation is generally forensic field investigators , but the pianist's case was so bad that a doctor with a forensic license had to appear in person.

Albarino first took off the tattered straw hat on the deceased's head, and Olga squatted beside them and stared at the hat with relish, perhaps tasting the killer's perverted sense of humor. After the face of the deceased was exposed, the scene became even more sinister: in addition to the smiley face that had been sewn over on his face, this "scarecrow" had two big buttons nailed to his eyes.

Albarino looked at the horrific face and let out a series of exclamation hiss from his throat. On the other hand, Bates remained silent as usual, put the scale ruler on the cheek of the deceased with a cold face, and raised the camera to take pictures of the deceased's face.

Albarino waited until he was done to examine the face of the deceased, focusing on the edges of the wounds and stitches. His fingers brushed against the rough moldings, which were clasped at the edges of the swollen wound. He doubted that the Westland pianist could actually do a pretty good job of sewing, and he sewed the face so roughly to mimic the fuzzy face of a scarecrow, a twisted sense of humour.

"There was a life reaction to the wound edges," Albarino noted. "The killer was still alive when the killer cut his face open and stitched it back with thread, and he was obviously also alive when the buttons were sewn to his eyelids. alive."

"It's like a pianist. He prefers to torture victims alive rather than setting up the scene after death. Most of the work of decorating victims is usually done while the victim is still alive." Olga evaluated.

"I'm pretty sure the murderer is the pianist, Olga," Officer Hardy said coldly behind them. "I'll never mistake his handwriting."

"We believe you, Bart." Olga coaxed him sweetly, trying to soothe his anxiety, "but the case itself still has to follow the process."

Although Olga was right, Albarino was also quite sure that the case in front of him was definitely handled by the pianist. He quickly finished examining the bloody face of the deceased. The forensic pathology department will have to wash the blood off the victim's face in the future, and then they will be able to see what he looks like.

"And we can see that the murderer's stitches are sewn from right to left, you look at the order of the stitches." Albarino tapped one of the threads with the tweezers in his hand, "The pianist is left-handed, right? ?"

CSI has done handwriting identification of the letters the pianist sent to the police before, and it can be determined that the letters were written by a left-handed person in terms of writing strength, and the knife marks on the corpses in previous cases can also prove this. The pianist is left-handed, that's for sure.

Hardy uttered a series of angry mutterings behind them, apparently not what he expected. Albarino and Bates continue to examine the body. If necessary, Bates will also participate in the autopsy after Albarino returns to the forensic medicine bureau, and may also take the deceased's clothes back to the CSI laboratory. Do a test. For many years, they had hoped that the Westland pianist would be careless enough to leave extractable fingerprints and DNA on the clothes of the dead, but the pianist disappointed them every time.

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