You said you would make a bad movie, but you are going to make JOJO?

And stared at the comments about "Phantom Blood" with a fiery look.

After browsing so many comments about the audience's comments on the new episode of "Phantom Blood".

Kujo Jolyne was sure of one thing.

Extras, sometimes have no human rights.

The reason why Danya's death did not cause a huge sensation as she expected.

It was not that [ ] and [White Snake] and the others gave the audience some kind of magic potion.

But Danya, who had just appeared, had too short an appearance time.

In addition to showing his friendship with Zeppeli, and his successful use of ripples to hurt DIO before his death, which gave JOJO some inspiration to defeat DIO later, and DIO gave him a ripple, a wonderful metaphor evaluation that was more obscene than frog urination.

He did not leave any deep impression on the audience.

Not to mention that the person who killed him was DIO...

You know, for the audience, it is normal for Danya to be defeated by DIO.

On the other hand, it would be unbelievable that DIO was defeated by Danya.

This is also the shortcoming of the original version of "Phantom Blood".

The fast-moving plot does not leave the audience time to think and immerse themselves.

Even with the adjustments made by Pucci and others, it is impossible to give him more roles suddenly.

So when only a few viewers realize that Danya is dead, it is naturally impossible to cause any big sensation.

But this time...

The sky is clear, the rain has stopped, and Jolyne Kujo, who feels that she is alive again, smiles confidently.

"But it's the turn of the protagonist JOJO to show what inheritance means!"

...

Chapter 53 My heart is Apollo 11.

That's right, she hasn't lost yet!

Not only did she not lose, she was closer to victory!

As the saying goes, things never happen more than three times.

As long as she keeps working hard, the anger, regret, and sadness accumulated over time are all meaningful!

As long as she doesn't stop, the road will continue to extend!

After all, the reason why she chose Pucci.

The reason why I chose the script of "Phantom Blood".

Isn't it because in this parallel world, unlike Pucci's previous life, where he had gradually matured and even dared to try all kinds of outrageous plots, there has never been a work that was so determined to kill the protagonist?

Even if it is a work that abuses the protagonist.

At most, the protagonist's entire family, even a dog, will be killed.

And the protagonist will not be killed together.

It seems that in this regard, these inhuman screenwriters in the industry have rarely left their remaining tenderness to the protagonists in their works.

Although you are living a life worse than death, don't you still have life? .JPG

(PS: Although the author himself likes Gundam, or giant robots, and has no ill feelings towards Tomino Yoshiyuki who created the Gundam series, Tomino Yoshiyuki is really perverted in terms of inhumanity.)

It is conceivable.

The existence of the protagonist is entrusted with a lot of emotional factors of the audience.

So much so that even those screenwriters who like to torture the protagonist and kill people so many times that they can kill the whole family at any time, dare not easily write the protagonist to death.

Now, "Phantom Blood" is about to touch this taboo and bottom line.

It will definitely be...

"No place to be buried... Do you think so?"

In the crew of "Phantom Blood".

Facing Akiyuki Shinbo and others who also thought of this problem, Pucci said frankly: "If you are not kidding, I think so too."

"... Eh heh heh heh!!"

Although they were filming the plot of Zeppeli's death.

Because they got the permission of Jolyne Kujo, they were very happy to film.

There is no need to worry about the results, nor do they need to worry about other things that have no place.

They only need to give full play to their ingenuity as creators and draw freely on this almost blank paper.

This kind of preferential treatment is no wonder after hearing the words repeated by Pucci.

Akiyuki Shinbo joined in without thinking, "President Kujo, we love you."

After all, for any creator, especially one with his own unique personal style, this is a dream treatment that is hard to come by.

Naturally, whether he was really awakened by Kujo Jolyne when he was a teenager, or whether he wanted to create the story he wanted without restraint.

It would only make Akiyuki Shinbo make the original choice.

Unless he is not the creator.

However, the current situation is a little different...

This is not as simple as the death of an important character.

But for the audience, and even for the work, the most important protagonist will be killed by them immediately!

Don't say that Akiyuki Shinbo dare not make up his mind.

Even Pucci.

He read the script in advance, and after learning about the current situation in the industry, he felt a little scared.

Just like Mr. Akira Toriyama who wanted to replace the protagonist, he had to revive Goku, who was killed by him, in some way to save the world in the end.

In the industry, there has never been a work that openly killed the protagonist.

The choice they made is basically equivalent to taking the initiative to plunge into the sea and open up a new route during the Great Navigation Period. Every step requires great courage.

Because every step they take is likely to be an abyss.

It is different from previous situations where there are precedents to learn from. This is a real gamble that can scare away any challenger!

so......

"In July 1969, Neil Armstrong of Apollo 11 became the first human being to set foot on the moon. This was a historic event."

"...?"

Akiyuki Shinbo looked at Pucci in confusion.

He had not yet come back to his senses from the shocking words that Pucci had actually said and that Pucci, who had proposed this script, had no confidence in it.

Not only was Pucci's comfort not waiting for him.

Suddenly I heard this answer was completely irrelevant to what they were discussing.

Although he is no stranger to Apollo 11 and the moon landing, Akiyuki Shinbo.

After all, the story itself is very topical.

There are countless works created around this story.

Whether it is landing on the moon and discovering aliens, or astronauts entering the universe, they received cosmic radiation in space and became superpowers... They are all very interesting.

But what does this have to do with them?

This kind of story takes place in the 20th century, when World War II is over.

For "Phantom Blood" which is still in the 19th century, it makes no sense at all.

Even if Pucci wants to set the origin of the stone ghost face as an item left behind by aliens in the subsequent story, the ripple qigong corresponding to the stone ghost face is also something left behind by the aliens specifically for the purpose of The vampires transformed from the Stone Ghost Face and the Ripple Warriors who learned Ripple Qigong fought with each other to achieve a certain purpose of the aliens, but it was a little too early.

Although this setting sounds quite interesting...

Just when Shinfang Akira was about to do it, he was hit by this huge amount of information.

This is when my mind starts to have random thoughts.

Pucci's voice continued: "I have always been unable to understand what is so great about this matter?"

"Because rockets can fly to space and to the moon, they rely on the scientists who design the rockets and the engineers who build the rockets. So what if it is carrying a monkey? It can still be sent into space!?"

No matter what, this is a bit too much.

After listening to Pucci's words, Shinbo Akiyuki, who had regained his composure a little, complained.

But after seeing Pucci's extremely serious eyes, Akihiro Shinbo realized that he didn't seem to be joking. He just hid this complaint in his heart and didn't really express it.

Even though it's incredible.

But this was no joke.

Looking at Pucci who was so serious, his words seemed to be full of magic because of this, attracting Shinbo Akiyuki to continue listening.

"But when I came up with this idea, I finally understood the true meaning of humans setting foot on the moon!"

Pucci's words became louder and louder, and his tone became more and more passionate.

"It is the human [spirit] that sets foot on the moon!"

"The growth of human beings transcended the earth and became sublimated at that moment!"

"Let the fact that anyone, or even any creature, be able to set foot on the moon be engraved on the [souls] of all humans!!"

"...and this is what we are going to do."

Pucci, who entered the last character and transferred the script into the complete stealth device, allowing the world of the script to evolve, said in a trembling voice: "We are going to create a historic event that belongs to us!"

Chapter 54 ONE PIECE

The original Pucci.

He didn't know what Mr. Araki, who lived in his previous life, had when he created "Phantom Blood". What kind of determination did he have to draw the plot of Jonathan's death in the last chapter?

It is also unclear that after this chapter was released to the public, as the first cartoonist in the history of "JUMP" to write the protagonist to death when the work was serialized.

Mr. Araki was trying to convince his editor before drawing this chapter.

And after this chapter is drawn, how to face the readers who watch "Phantom Blood" and withstand the pressure brought by these readers.

After all, when Pucci knew that there was a work like "JoJo's Bizarre Adventure" and was given to Amway to watch and indulge in this work.

The first part of "Phantom Blood" has been completed for a long, long time.

Of course, you can't experience pressure or anything like that, let alone talk about it.

What you can see is that the next "JOJO" will be even more exciting!

This is the Apollo 11 brought to him by Mr. Araki and "JoJo's Bizarre Adventure" in his previous life.

He was completely forgotten.

The death of the protagonist of a work is never an easy matter.

Even if Pucci knew.

Only Jonathan's death.

Only then will there be the next "Fighting Trend", and Joseph, the second generation JOJO, who is completely different from Jonathan, who can be called the embodiment of a gentleman, but has the same personality charm as Jonathan.

Then there will be the story of the next "Stardust Crusaders".

But is this ending really inevitable?

Akiyuki Shinbo couldn't help asking.

It's different from before.

He is no longer at the age of passion, and it is really difficult for him to bear the impact of Apollo 11.