A treasure-appraisal maniac

Lu Fei was filled with emotions as he played with the four pieces of divine porcelain.

No matter in the past life or in this life, I dare not have any extravagant hopes for Divine Porcelain.

But he didn't intend to do it, but he got such a treasure by mistake.

It’s simply a twist of fate!

With this set of magical porcelain, Lu Fei has a little more confidence in Dou Bao.

Lu Fei couldn't help but laugh out loud when he thought of the deathly expressions that collectors all over the world might have had when the magical porcelain was released in the treasure fighting scene.

I couldn't put it down admiring each one, and several hours passed before I knew it.

Feeling hungry in his belly, Lu Fei returned to reality from the world of Shenci.

After packing the sacred porcelain, Lu Fei came to the bathtub.

The moso bamboo painting tube sank quietly on the bottom of the water, and no bubbles were formed, which meant that all the air in the painting tube had been exhausted.

To be sure, Lu Fei peeled off some of the sealing wax.

Lu Fei was relieved when he was sure there was no more air.

Wipe the floor clean and ask the waiter to borrow a power strip, electric heater and hair dryer.

After all the preparations were completed, the painting tube was carefully taken out.

Remove the demon dragon and open the lid.

Lu Fei reached in and touched it. Lu Fei was overjoyed.

The outside of the scroll was framed, and although it was completely soaked through, there was no damage.

"I've spent a lot of money on you, please don't let me down!"

"The kind of burial his Lao Yan will receive depends on your performance!"

Lu Fei said as he released the water in the painting tube, took it to the floor, and gently took out the painting scroll.

Hiss——

Good guy!

The diameter of this scroll is more than fifteen centimeters, which is still huge!

well!

Size doesn’t matter, it’s the content that matters.

Daozu bless you, it must be a high-end product!

Lu Fei prayed and turned on the two electric heaters.

Aim the air outlet at the ground to preheat the floor.

Ten minutes later, I went back to the room and took out a sheet, spread it on the floor, and then placed the scroll on the far right.

Lu Fei took a deep breath, gently unwrapped it, and the true face of Mount Lu on the scroll finally appeared before his eyes.

Lu Fei took a clear look and suddenly took a breath of air.

Ivory scroll, silk!

This is too awesome!

The framed scroll is usually made of solid wood.

Common ones include boxwood, ironwood, etc.

The more advanced ones use sea yellow or rosewood, and the scrolls are made of ivory, which is really rare.

Currently known, it seems that only Castiglione's portrait of Emperor Qianlong was framed in ivory.

Apart from that, there really is no such luxury.

Seeing such a luxurious decoration, Lu Fei's adrenaline surged rapidly. He was so excited that his pupils shone with light.

While he was excited, Lu Fei was also terribly scared.

What ivory fears most is water!

Thanks to the protective agent I used, otherwise the damage to this stunning scroll would have been too great.

What excited Lu Fei was not only the superb ivory scroll, but also the scroll itself.

This is a work on silk. Judging from the color and texture of the mounting on the back, it dates back to at least the Song Dynasty.

In other words, this is at least a work before the Song Dynasty.

The collection of calligraphy and painting works was a watershed in the Song Dynasty.

Works before the Song Dynasty are generally a higher level than those of the Yuan, Ming and Qing Dynasties.

The first is that it is difficult to preserve due to its age.

Furthermore, before the Song Dynasty, everyone came out in large numbers.

Many of the originators in the field of calligraphy and painting came from that era.

After the Song Dynasty, except for those evil geniuses such as Zhao Mengfu, Tang Yin, and Zhu Da, there were few innovations and most of them were based on copying.

host.

At present, it can be determined that this is a work from the Song Dynasty or before the Song Dynasty.

Moreover, it was framed in ivory and placed in Yan Shifan's hands symmetrically with the sacred porcelain.

Thinking of this, Lu Fei almost felt excited.

Taking a deep breath, flexing his fingers, Lu Fei began to gently unfold the scroll.

Although it was written on silk, it was old and soaked. Lu Fei did not dare to be careless in the slightest.

Use the gentlest technique to slowly peel and open it millimeter by millimeter.

Fifteen minutes later, a corner of the picture that had high hopes finally came into Lu Fei's sight.

It was this corner that made Lu Fei's heart beat a little faster.

The color of the painting is orange-yellow and dark, and the texture of the silk is so delicate that it turns out to be single-filament silk.

This discovery advanced this work by several hundred years.

Starting from the Five Dynasties and Ten Kingdoms period, and even from the Song, Yuan, Ming and Qing dynasties, silk scrolls were all made of double silk threads.

This is the sublimation of silk craftsmanship and a watershed in silk art.

Based on this, the approximate age of the work can be determined.

Since it is a monofilament thread, it must be at least before the Tang Dynasty.

This is a recognized fact in the industry.

Including Wu Daozi's "Zhong Kui Picture" in Lu Fei's hand, it is also made of monofilament thread.

Lu Fei was ecstatic, but the movements of his hands did not stop.

After half a minute, a square seal appeared in the upper right corner.

There is no text on the printed surface, it is a double dragon pattern.

Although there are no words, this excites Lu Fei more than having words.

This is the famous Double Dragon Seal.

Its owner is so awesome, he is the most artistic emperor, Song Huizong Zhao Ji.

Emperor Huizong of the Song Dynasty had a total of seven seals, which he called the Seven Treasures of Xuanhe.

Among them, the most powerful one and the least used one is the Double Dragon Seal.

There are two sides in the Double Dragon Seal.

One side is a square, used for appreciating paintings

do.

The other side is a circle, used for appreciating calligraphy works.

Although the two seals have a clear division of labor, they have a common characteristic.

It is not a top-notch work. Song Huizong would never use these two seals.

When you see the square double dragon seal, you can be 100% sure that it is a painting.

And it is definitely a top-notch work highly recognized by Song Huizong.

Seeing the Double Dragon Seal, Lu Fei's excited heart rate accelerated a lot.

Keep your eyes fixed on the picture and continue to expand with your hands.

Pushing further in, the lines are finally clearly revealed.

"Hey!"

"It's actually coloring on silk. It's so awesome."

Suppressing the excitement, he continued to unfold gently.

Expanded eighty centimeters, a complete character picture appeared in front of Lu Fei.

The background of the picture is in the mountains and forests.

An old man in black robe sat on a stone and played the piano.

Not far from the opposite side, an old man with white beard and hair was leaning on a bundle of dry firewood with his arms in his arms and his eyes closed, listening.

The expressions of the two old men are vividly depicted.

The full concentration on playing the piano and the even more rapt attention on listening give people a strong sense of immersion.

Just by looking at it, you feel like you are there.

This kind of painting skill can be said to be the pinnacle of lifelike painting.

On the left side are four large cursive characters with strong artistic sense: "Mountains and Flowing Waters".

Hiss——

Such a picture, such painting skills, and the appearance of the four words "mountain and flowing water" shocked Lu Fei.

Lu Fei frowned and his pupils shrank to the extreme.

Four words popped up repeatedly in my mind, but it turned out to be it?

It turned out to be it?

How could it be this painting?

OMG!

Does this painting actually exist?

This is incredible!