A treasure-appraisal maniac

After answering Jason, Lu Fei looked at the Shuanghe Incense Burner again.

This is a genuine product from Damener, there is absolutely no need to get started.

After a few more glances, Lu Fei began to carefully wrap the shock-proof foam back, using the same technique as before.

Package antiques are not just packaged for express delivery. There are strict requirements regarding the techniques. The most critical one is to choose the air inlet.

As the saying goes, there is no wall that is airtight. Although the anti-shock foam is tight, it is not a whole after all. No matter how it is wrapped, there will always be gaps.

Although the gap is small and it is wrapped in several layers, air will still seep in, which is unavoidable.

There is knowledge in choosing where to use the air inlet.

If an ordinary person packs, even if you tell him the request, he will choose an unimportant position to start packing, that is, leaving the unimportant position as the air inlet.

Because in most people's minds, wrapping objects is to avoid oxidation in contact with air, so of course, you must choose an unimportant location so that even if it is oxidized, it will not have a big impact on the overall object.

But this idea is totally wrong.

The correct way to wrap is not to choose a heavy or unimportant position, but to choose the size of the contact surface, because the larger the contact surface, the tighter the wrapping, and the tighter the wrapping, the smaller the gap left.

This can minimize air infiltration and have the best effect.

Some people may say that in order to avoid oxidation, is it not good to make a vacuum package?

Of course it’s not good!

This is the same as opening an ancient tomb.

No matter what is stored in a vacuum environment, it will slowly adapt to this environment over time.

In this environment without anyone touching it, it can indeed be stored for a long time.

However, during this process, once out of the vacuum environment, the contents inside will accelerate oxidation. The most serious thing is that the moment it comes into contact with air, it will oxidize into ash.

For example, the mausoleum of Emperor Wanli of the Ming Dynasty. The moment it was opened, the murals lost color, the wood oxidized to ash, and the old emperor's dragon robe lost its luster at a speed visible to the naked eye.

There was also the Eastern Tomb of the Qing Dynasty, when Sun Dianying led people to blow up Cixi's mausoleum and opened the coffin. Many soldiers were shocked.

Because Cixi's appearance in the coffin has not changed at all, as if she had just died and is still fresh.

But before the soldiers could exclaim a miracle, in the next second, Lafayette's body and clothes and quilts instantly oxidized, and his appearance became hideous and terrifying at a speed visible to the naked eye. Many soldiers were so scared that they peed their pants.

In the history of Chinese archeology, similar mistakes occurred not once or twice, because air oxidation caused too many irreparable losses.

Therefore, until now, the Chinese archaeological team still dare not open the Mausoleum of Qin Shihuang. It is precisely because of this that Guan Haishan and the others are frantically trying to get Lu Fei's protective agent.

Back to topic.

Lu Fei had noticed this detail when he dismantled the package before, so Lu Fei concluded that the person protecting the royal family was a Chinese person, and he was also a master.

Because this method is patented by the Shenzhou Archaeological Team and involves many details. Even if foreigners study on site, they will not be able to learn it perfectly in one or two years, so Lu Fei is so sure.

What Lu Fei has to do now is to restore the package and make it as perfect as possible.

Although this treasure does not belong to Lu Fei yet, this is Lu Fei's attitude towards cultural relics.

No matter who these five pieces belong to temporarily, they are all rare Chinese treasures. There is nothing wrong with the treasures themselves, so they must be taken seriously.

Otherwise, if anything goes wrong, Lu Fei won't be able to accept it.

The shock-proof foam was wrapped, and the oil paper was restored in order. After checking that there were no errors, Lu Fei closed the box again.

"Jason, can I continue?" Lu Fei asked.

"Of course, as long as you're not tired, you can do whatever you want and I'll accompany you." Jason smiled.

Lu Fei nodded: "Then it's all thanks to you."

After saying that, Lu Fei picked up the album and read it again, and soon came to stand in front of No. 56.

This box is also an outer packaging made of the same material as the previous box containing the Shuanghe Incense Burner. It should be from the same batch.

There is also a numbered seal on the seal of the lid, and there is also no lock. However, this box is much smaller than the one just now.

However, what Lu Fei looks at is the value, not the size. If the contents are consistent with the ones in the album, it will be enough to make Lu Fei excited.

This time, Lu Fei didn't even "ask" Jason for instructions, but directly brought the box.

The internal protection is usually the same. It is wrapped in three layers of tung oil paper, with three layers of shock-proof foam inside, followed by a sandalwood box, about forty centimeters in diameter.

Although this box is made of sandalwood, it has no relief on the surface and no gold corners. Compared with the previous huanghuali box, it looks much mediocre.

However, mediocrity does not mean that the value is low. If it is consistent with what is marked on the album, this is also a great treasure.

There was still one last step left, but at this last step, Lu Fei, who had gone through countless storms, became nervous again. This made Lu Fei a little despised, but he just couldn't control it. After answering Jason, Lu Fei looked at the Shuanghe Incense Burner again.

This is a genuine product from Damener, there is absolutely no need to get started.

After a few more glances, Lu Fei began to carefully wrap the shock-proof foam back, using the same technique as before.

Package antiques are not just packaged for express delivery. There are strict requirements regarding the techniques. The most critical one is to choose the air inlet. ??

As the saying goes, there is no wall that is airtight. Although the anti-shock foam is tight, it is not a whole after all. No matter how it is wrapped, there will always be gaps.

Although the gap is small and it is wrapped in several layers, air will still seep in, which is unavoidable.

There is knowledge in choosing where to use the air inlet.

If an ordinary person packs, even if you tell him the request, he will choose an unimportant position to start packing, that is, leaving the unimportant position as the air inlet.

Because in most people's minds, wrapping objects is to avoid oxidation in contact with air, so of course, you must choose an unimportant location so that even if it is oxidized, it will not have a big impact on the overall object.

But this idea is totally wrong.

The correct way to wrap is not to choose a heavy or unimportant position, but to choose the size of the contact surface, because the larger the contact surface, the tighter the wrapping, and the tighter the wrapping, the smaller the gap left.

This can minimize air infiltration and have the best effect.

Some people may say that in order to avoid oxidation, is it not good to make a vacuum package?

Of course it’s not good!

This is the same as opening an ancient tomb.

No matter what is stored in a vacuum environment, it will slowly adapt to this environment over time.

In this environment without anyone touching it, it can indeed be stored for a long time.

However, during this process, once out of the vacuum environment, the contents inside will accelerate oxidation. The most serious thing is that the moment it comes into contact with air, it will oxidize into ash.

For example, the mausoleum of Emperor Wanli of the Ming Dynasty. The moment it was opened, the murals lost color, the wood oxidized to ash, and the old emperor's dragon robe lost its luster at a speed visible to the naked eye.

There was also the Eastern Tomb of the Qing Dynasty, when Sun Dianying led people to blow up Cixi's mausoleum and opened the coffin. Many soldiers were shocked.

Because Cixi's appearance in the coffin has not changed at all, as if she had just died and is still fresh.

But before the soldiers could exclaim a miracle, in the next second, Lafayette's body and clothes and quilts instantly oxidized, and his appearance became hideous and terrifying at a speed visible to the naked eye. Many soldiers were so scared that they peed their pants.

In the history of Chinese archeology, similar mistakes occurred not once or twice, because air oxidation caused too many irreparable losses.

Therefore, until now, the Chinese archaeological team still dare not open the Mausoleum of Qin Shihuang. It is precisely because of this that Guan Haishan and the others are frantically trying to get Lu Fei's protective agent.

Back to topic.

Lu Fei noticed this detail when he dismantled the package before, so Lu Fei concluded that the person who protected the royal family was a Chinese person, and he was also a master.

Because this method is patented by the Shenzhou Archaeological Team and involves many details. Even if foreigners study on site, they will not be able to learn it perfectly in one or two years, so Lu Fei is so sure.

What Lu Fei has to do now is to restore the package and make it as perfect as possible.

Although this treasure does not belong to Lu Fei yet, this is Lu Fei's attitude towards cultural relics.

No matter who these five pieces belong to temporarily, they are all rare Chinese treasures. There is nothing wrong with the treasures themselves, so they must be taken seriously.

Otherwise, if anything goes wrong, Lu Fei won't be able to accept it.

The shock-proof foam was wrapped, and the oil paper was restored in order. After checking that there were no errors, Lu Fei closed the box again.

"Jason, can I continue?" Lu Fei asked.

"Of course, as long as you're not tired, you can do whatever you want and I'll accompany you." Jason smiled.

Lu Fei nodded: "Then it's all thanks to you."

After saying that, Lu Fei picked up the album and read it again, and soon came to stand in front of No. 56.

This box is also an outer packaging made of the same material as the previous box containing the Shuanghe Incense Burner. It should be from the same batch.

There is also a numbered seal on the seal of the lid, and there is also no lock. However, this box is much smaller than the one just now.

However, what Lu Fei looks at is the value, not the size. If the contents are consistent with the ones in the album, it will be enough to make Lu Fei excited.

This time, Lu Fei didn't even "ask" Jason for instructions, but directly brought the box.

The internal protection is usually the same. It is wrapped in three layers of tung oil paper, with three layers of shock-proof foam inside, followed by a sandalwood box, about forty centimeters in diameter.

Although this box is made of sandalwood, it has no relief on the surface and no gold corners. Compared with the previous huanghuali box, it looks much mediocre.

However, mediocrity does not mean that the value is low. If it is consistent with what is marked on the album, this is also a great treasure.

There was still one last step left, but at this last step, Lu Fei, who had gone through countless storms, became nervous again. This made Lu Fei himself a little contemptuous, but he just couldn't control it.