Daily entertainment uses love to generate electricity

Early the next morning, Takagi Taku went to the recording studio in Roppongi first. Although there was no recording task, he still wanted to go there, but of course it might not be for inspiration.

After walking to Sakai Izumi's recording studio but being rejected, Takagi Taku returned to his own recording studio and played the guitar out of boredom for a while. When he put down his guitar and was about to go to the studio to have a look, he was just like when they first met.

Wearing white tight-fitting half-sleeves, jeans and a ponytail, Izumi Sakai appeared at the door.

"Takagi-kun, you came here so early today again? Isn't the recording task over?" Izumi Sakai said with his hands behind his back and leaning against the door frame.

"Sister Izumi, good morning. Although the recording task is over, I still come here from time to time to find some inspiration. Maybe I can make a good work." Seeing Sakai Izumi Takagi Taku said with some surprise.

"Then, shall we take you to a very inspiring place?"

Takagi Taku asked curiously: "Where is it?"

Izumi Sakai stretched out his hand behind his back, shook the two exhibition tickets in his hand and said: "Here, today there will be an exhibition of paintings by Master Katsushika Hokusai at the Ukiyo-e Ota Memorial Museum." (My sister's favorite is probably modern.

Oil painting, but unfortunately I have little talent and knowledge, and I don’t know who are the masters of modern oil painting in rb. So I used Katsushika Hokusai, a relatively famous master, as the number, sorry.)

"Is it the Edo period ukiyo-e artist Katsushika Hokusai who painted "Thirty-six Views of Mount Fuji"?"

"Yes, that's right. Are you interested, Takagi-kun, in going together?"

"Of course it's no problem if you accompany Sister Izumi." Takagi Taku put down the guitar in his hand and stood up.

"Then, let's go." Sakai Izumi looked very interested.

"Sister Quanshui."

"Huh?" Izumi Sakai, who was about to walk out of the recording studio, turned around in confusion when Takagi Taku called her and asked, "What's wrong?"

"I mean, doesn't Sister Quan Shui pretend to be a little bit?" Takagi Taku explained.

"Oh, I have this." Izumi Sakai took out the pair of big sunglasses he wore when he went to watch the cherry blossoms with Takaki Taku from his bag.

"Well, I think it is still necessary to prepare more equipment, such as this." Takagi Taku said as he was rummaging around in his lounge, but in his mind, Xiao Ai immediately contacted Xiao Ai and exchanged 10 energy points for two black peaked caps.

, he handed over one of the peaked caps: "Here, the black peaked cap is more low-key. Don't worry, it's unused."

Sakai Izumi took it and put it on, tried it on and said with a smile, "Thank you, Takagi-kun."

The Ukiyo-e Ohta Memorial Museum of Art is located in Shinkan-mae, Shibuya-ku, Tokyo. It is a Japanese private art museum that specializes in displaying Ukiyo-e. It was founded by Japanese industrialist Ohta Kiyoshi (1893-1977). It has a collection of more than 14,000 Ukiyo-e paintings.

One of the largest ukiyo-e collections in the world.

The two of them did not take a taxi, but took the tram leisurely towards their destination.

"Does Ms. Izumi like paintings very much?" Takagi Taku asked softly as the two people sat at the back of the tram.

"Yes, I like it very much. I occasionally try to draw at home." Sakai Izumi nodded and said.

"Really? It would be great if I could appreciate Sister Quan Shui's paintings sometime."

"I'm not very good at painting. In fact, my talent for painting is not very high." Izumi Sakai said a little embarrassed.

"It doesn't matter. I believe that the paintings made by a beautiful person like Izumi-san will not be bad." Takagi Taku said with a smile.

"Then, if you have a chance, bring one to Takagi-kun." Sakai Izumi hesitated for a while before agreeing.

------

The train slowly stopped at the stop closest to the Ukiyoe Ota Memorial Museum of Art. The stop was not very far from the museum. After a short walk, we arrived at the entrance of the museum.

Handing over the tickets, the two finally entered the museum. Most of the works in this private museum are from the private collection of industrialist Ohta Kiyoshi, with Ukiyo paintings as the main exhibits. The great painter Katsushika of the Edo period in this exhibition Hokusai is the only Japanese person selected among the "One Hundred Celebrities Who Influence the World in the Millennium".

His paintings even had a great influence on many Impressionist painting masters such as Degas, Manet, Van Gogh, and Gauguin.

Walking in the corridor lined with Ukiyo-e paintings on both sides, Takaki Taku felt like he was in the Edo period. Looking at the water of Sakai Spring, he was already mesmerized.

In fact, Takagi Taku was not familiar with Katsushika Hokusai's paintings. He only knew that he had painted "Thirty-six Views of Mount Fuji" but he didn't know exactly what the thirty-six scenes were. In addition, he also knew a lot about painting. Not much, and there was no topic to talk to Izumi Sakai, so he could only follow her silently. After walking for a while, he finally saw a painting that he was very interested in. Almost half of the whole painting was covered in it. A painting of realistic ocean waves.

"This painting is really good." Takagi Taku said, pointing to the display case where the paintings were displayed.

"Oh?" Izumi Sakai turned around and saw the painting Takaki Taku pointed at and said with a smile: "This is the masterpiece "The Great Wave off Kanagawa" in "Thirty-six Views of Mount Fuji" painted by Master Katsushika Hokusai after he was 70 years old. This Isn’t the painting of the waves very realistic?”

"It's very realistic, just like the real thing. Is this boat surfing?" Takaki asked, pointing to the boat in the painting that was almost surrounded by huge waves.

"No." Sakai Izumi shook his white fingers and said, "The correct sentence for the name of this painting is The Great Wave off Kanagawa. Kanagawa is the name of a place, "Oshing" refers to the sea area near here, and "Nangli" is It is said that the ship is under the huge waves, as if it is wrapped in it. It shows the thrilling scene of the boatmen fighting against the huge waves, not a surfing entertainment activity."

"So that's it." Takagi Taku suddenly realized, "Sister Quan Shui knows so much."

"Haha, I just happened to read a book about Master Katsushika Hokusai." Sakai Izumi said with a smile.

"Then can I ask Sister Quan Shui to be my tour guide?" Takagi Taku winked at Sakai Quan Shui.

"Okay, then." Izumi Sakai blushed and said. When he was immersed in the painting before, Takaki Taku followed silently behind him. This time, he didn't recognize Katsushika Hokusai's masterpiece "The Great Wave off Kanagawa" at all. ", Sakai Izumi didn't need to think too hard to know that he agreed to visit the art exhibition entirely because he was the one who invited him to go.

"Takagi-kun, please come with me. This painting is also a masterpiece from Master Katsushika Hokusai's "Thirty-six Views of Mount Fuji", "The Wind is Clearing Soon"..." The water from Sakai Spring really looks like a model. She acted as a decent tour guide for Takaki Taku, and her expression looked like she was enjoying it.

Takagi Taku also followed behind Sakai Izumi with a smile and listened carefully to her explanation.