Daily entertainment uses love to generate electricity

One of the two acted as a tour guide, and the other acted as a tourist, slowly walked to the depths of the art museum. In the exhibition hall, Katsushika Hokusai's paintings gradually changed from landscape paintings or pastoral paintings in "Thirty Six Scenes of Fuga" to figure paintings in traditional Ukiyo-e paintings.

To be honest, Takuki really couldn't appreciate the exaggerated portrayal of the Ukiyo-e figure paintings, but seeing Sakai Izumi still looking very excited, he still followed Sakai Izumi slowly walking behind Sakai Izumi.

"Ah, it's getting late, so why don't we go back." Sakai Izumi, who was in front of Takuki, walked forward two more steps, but suddenly said this and then was about to turn around and walk back and forth.

"Why? There are still many paintings that have not been read here." Takuro Takagi walked forward in confusion: "Uh, that sister Izumi said, right, it's really late, let's go back." After that, Takuro pretended to look at the watch that did not exist in his hand.

Sakai Izumi walked back with his head down, looking at Takumi Takagi's face behind him, but his expression was very wonderful. Just now, when Takumi Sakai Izumi asked to go back, Takumi took two more steps forward, and then he saw the reason why Takumi Sakai Izumi proposed to go back.

Ukiyo-e is a unique national art that emerged in the Edo period of RB, and is a typical flower street, willow and alley art. Since it is flower street, willow and alley art, there is a kind of painting. In modern times, this kind of painting can be called "human painting art", but at that time it was called "beauty painting" and "artist painting". The characters in the painting were mainly geisha and prostitutes. Of course, the content was basically indescribable.

Takuki saw such a "body art painting" in the display cabinet in front, and he naturally understood it instantly. Looking at the red face of Sakai Izumi who was walking down in front, Takuki's face turned red, but he didn't dare to laugh out loud.

"Thank you Takagi for accompanying me to visit the art exhibition." After leaving the art gallery, Sakai Izumi Recuba then calmed down and said to Takuki Takagi.

"Where, I just want to thank Sister Quanshui for being my exclusive tour guide all morning." Takuro Takagi waved his hand and said.

"Haha, after all, I was the one who brought Takagi to here, so I naturally had to take responsibility." Sakai Izumizu said with a smile.

"This visit is really pleasant. If Sister Izumizu has another art exhibition in the future, please be sure to bring me." Takuki also laughed.

"Well, it's OK. Then I'll go back first." Why did Takagi Jun feel so strange in his smile? He must have seen that kind of painting. As he thought of this, Izumi Sakai hurriedly stopped a taxi, and after saying apart from Takuro Takagi, his face turned red and got in the car and ran away as if he was running away.

He waved his hand to say goodbye to the taxi carrying Sakai Insumi. Takuki stood there and was stunned for a while, and then couldn't help laughing. It turned out that his Izumi Sister had such a cute side, Takuki thought so in his heart.

In the next few days, it may be because of the previous painting. Sakai Izumizu did not appear in the recording studio during the daytime during the day. However, even if you see Sakai Izumizu's personality, it is more likely that you will say hello and then leave with a red face.

Takuki didn't think it was anything, it was a kind of "art" after all. Since I couldn't see Sakai Izumi in the past two days, Takuki simply ran to his teacher Takahiro Matsumoto, where he went to discuss the arrangement of the song "Island Palace" with Mr. Takuki Akishi.

"Takagi-kun, I was really surprised that you could make such a song." Takahiro Matsumoto, who had basically completed the recording task, also intervened while Takuki Taku and Akishi Masao.

"Right, I felt like you when I saw this song. Such an Okinawan folk song would actually come from a boy who had never been to Okinawa before filming PVs." Akio Akishi turned his head and looked at Takahiro Matsumoto and agreed, "If you have such a disciple, you old boy will have fun secretly."

"Haha, I'll just say I'll recognize the beads with keen eyes." Takahiro Matsumoto didn't think there was anything wrong with Masao Akishi's joke.

"Okay, if you praise me again, I will float in the sky and get out of here." Takuro Takagi raised the two arrangement drafts in his hand and handed them to them and said, "Let's help me see how to arrange the song."

"Don't look at your teacher, I'm just here to join in the fun. I just know a little about the arrangement of Okinawa folk songs like you. You'd better hope that Yu Akishi Sang can burst out inspiration." Although Takahiro Matsumoto said this, he still took the draft handed over by Takuro Takagi.

"Haha, I remembered me at this time. Why didn't I remembered me when I was accepting disciples?" Akio Akio smiled and slapped Matsumoto Takahiro in the back.

"Okay, okay, don't make trouble with you. Come and write your songs quickly. If you want to recognize your disciples, go directly to Takagi Jun. Don't always talk to me." Takahiro Matsumoto waved his hand and said.

"Okay, Takagi Sang. I think this arrangement requires guitar accompaniment in addition to traditional instruments such as Sanmi and Taiko. This part is not difficult for you. As for Sanmi, I ask someone to invite the master to come here today. I have already made the basic arrangement. We will try to modify it if the effect comes out." Akishi Masao also put away his joking mood and said seriously to Taku Takagi.

"That would be great." Taku Takagi nodded and asked again: "But who is the master of the Sanwei Line you hired?"

Akio Akishi said, "I don't know who it is. I just found it with my familiar relationship. But he should be an authentic Okinawa singer from his description."

Okinawan singers, won’t they really bring Miyazawa and Shi? That’s fun. Taku Takagi thought, “Since we’re waiting, we might as well try to record the guitar accompaniment now.”

"Okay, then this is the guitar accompaniment score." Akio Akishi nodded and handed it to Taku Takagi a score.

Takuki looked carefully and looked at Akishi Masao with some confusion and asked, "Are you sure this accompaniment is that simple?"

Masao Akishi smiled and said, "It's really that simple. The arrangement of Okinawan folk songs is not complicated at all. It mainly depends on the singer's own performance. Therefore, this song "Daobei" will test Takagisan's singing skills even more. I hope Takagisan can use Okinawa's transliteration freely."

Okinawa's transliteration? Well, it seems that I still have a lot to learn. If nothing unexpected happens, this song may not be able to be produced in a short time.